| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1954 |
| Prevalence of Second Most Common Vertical Interval |
0.179 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9158 |
| Vertical Unisons |
0.03569 |
| Vertical Minor Seconds |
0.005484 |
| Vertical Thirds |
0.3735 |
| Vertical Tritones |
0.01236 |
| Vertical Perfect Fourths |
0.07431 |
| Vertical Perfect Fifths |
0.1725 |
| Vertical Sixths |
0.1376 |
| Vertical Sevenths |
0.0268 |
| Vertical Octaves |
0.1433 |
| Perfect Vertical Intervals |
0.4258 |
| Vertical Dissonance Ratio |
0.06745 |
| Vertical Minor Third Prevalence |
0.5162 |
| Vertical Major Third Prevalence |
0.4491 |
| Chord Duration |
2.533 |
| Partial Chords |
0.4372 |
| Standard Triads |
0.3937 |
| Diminished and Augmented Triads |
0.04106 |
| Dominant Seventh Chords |
0.002415 |
| Seventh Chords |
0.03382 |
| Non-Standard Chords |
0.1353 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9878 |
| Average Number of Simultaneous Pitch Classes |
2.551 |
| Variability of Number of Simultaneous Pitch Classes |
0.6612 |
| Average Number of Simultaneous Pitches |
3.032 |
| Variability of Number of Simultaneous Pitches |
0.6153 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.597 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
75.66 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1456 |
| Stepwise Motion |
0.5606 |
| Melodic Thirds |
0.2156 |
| Melodic Perfect Fourths |
0.04043 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04313 |
| Melodic Sixths |
0.005391 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002695 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.581 |
| Melodic Embellishments |
0.064 |
| Direction of Melodic Motion |
0.4627 |
| Average Length of Melodic Arcs |
1.883 |
| Average Interval Spanned by Melodic Arcs |
4.895 |
| Melodic Pitch Variety |
5.072 |
| Mean Melodic Interval |
2.291 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4151 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3506 |
| Amount of Arpeggiation |
0.3935 |
| Repeated Notes |
0.1321 |
| Importance of Middle Register |
0.7867 |
| Importance of High Register |
0.01067 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
60.74 |
| Mean Pitch Class |
5.243 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1013 |
| Prevalence of Most Common Pitch Class |
0.1787 |
| Relative Prevalence of Top Pitches |
0.8947 |
| Relative Prevalence of Top Pitch Classes |
0.9851 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.968 |
| Pitch Class Variability |
3.386 |
| Pitch Class Variability After Folding |
4.078 |
| Pitch Skewness |
-0.3674 |
| Pitch Class Skewness |
0.215 |
| Pitch Class Skewness After Folding |
0.8729 |
| Pitch Kurtosis |
5.004 |
| Pitch Class Kurtosis |
4.915 |
| Pitch Class Kurtosis After Folding |
5.049 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.2027 |
| Note Density per Quarter Note |
0.8661 |
| Note Density per Quarter Note per Voice |
0.2165 |
| Note Density per Quarter Note Variability |
0.3485 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
1.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2773 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8693 |
| Prevalence of Very Long Rhythmic Values |
0.112 |
| Prevalence of Dotted Notes |
0.1093 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.632 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.5387 |
| Relative Prevalence of Most Common Rhythmic Values |
0.2723 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.792 |
| Rhythmic Value Skewness |
-0.616 |
| Rhythmic Value Kurtosis |
7.832 |
| Mean Rhythmic Value Run Length |
1.995 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.53 |
| Mean Rhythmic Value Offset |
0.01067 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2066 |
| Complete Rests Fraction |
0.00229 |
| Partial Rests Fraction |
0.7275 |
| Average Rest Fraction Across Voices |
0.2113 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
80.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.09 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
17.73 |
| Variability Across Voices of Combined Rests |
59.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5314 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2426 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.19 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.774 |
| Rhythmic Variability - Tempo Standardized |
0.04912 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
375.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.23 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7005 |
| Variability of Note Durations |
0.3563 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4203 |
| Strength of Second Strongest Rhythmic Pulse |
0.1882 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.233 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6084 |
| Rhythmic Variability |
0.03962 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003946 |
| Duration in Seconds |
83.27 |
| Note Density |
4.504 |
| Note Density Variability |
1.137 |
| Average Time Between Attacks |
0.4368 |
| Average Time Between Attacks for Each Voice |
0.9318 |
| Variability of Time Between Attacks |
0.2338 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5185 |
| Relative Range Isolation of Loudest Voice |
0.3209 |
| Relative Range of Highest Line |
0.5185 |
| Relative Note Density of Highest Line |
0.7253 |
| Relative Note Durations of Lowest Line |
1.089 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.768 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.04885 |
| Average Number of Independent Voices |
3.162 |
| Similar Motion |
0.1552 |
| Contrary Motion |
0.1609 |
| Oblique Motion |
0.6351 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5983 |
| Voice Equality - Number of Notes |
29.78 |
| Voice Equality - Note Duration |
11.44 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
20.0 |