| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2174 |
| Prevalence of Second Most Common Vertical Interval |
0.1871 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8607 |
| Vertical Unisons |
0.01127 |
| Vertical Minor Seconds |
0.004227 |
| Vertical Thirds |
0.3455 |
| Vertical Tritones |
0.005495 |
| Vertical Perfect Fourths |
0.03738 |
| Vertical Perfect Fifths |
0.1796 |
| Vertical Sixths |
0.1529 |
| Vertical Sevenths |
0.03358 |
| Vertical Octaves |
0.2061 |
| Perfect Vertical Intervals |
0.4344 |
| Vertical Dissonance Ratio |
0.0721 |
| Vertical Minor Third Prevalence |
0.4125 |
| Vertical Major Third Prevalence |
0.3396 |
| Chord Duration |
1.81 |
| Partial Chords |
0.5402 |
| Standard Triads |
0.3333 |
| Diminished and Augmented Triads |
0.009456 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1265 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.133 |
| Average Number of Simultaneous Pitch Classes |
2.286 |
| Variability of Number of Simultaneous Pitch Classes |
0.6648 |
| Average Number of Simultaneous Pitches |
2.754 |
| Variability of Number of Simultaneous Pitches |
0.4587 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.489 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
111.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2373 |
| Stepwise Motion |
0.7059 |
| Melodic Thirds |
0.1623 |
| Melodic Perfect Fourths |
0.03651 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05274 |
| Melodic Sixths |
0.002028 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002028 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.333 |
| Melodic Embellishments |
0.03629 |
| Direction of Melodic Motion |
0.4705 |
| Average Length of Melodic Arcs |
2.164 |
| Average Interval Spanned by Melodic Arcs |
5.123 |
| Melodic Pitch Variety |
5.304 |
| Mean Melodic Interval |
2.302 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4686 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5065 |
| Amount of Arpeggiation |
0.2556 |
| Repeated Notes |
0.03854 |
| Importance of Middle Register |
0.6714 |
| Importance of High Register |
0.1915 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
62.94 |
| Mean Pitch Class |
4.7 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1149 |
| Prevalence of Most Common Pitch Class |
0.25 |
| Relative Prevalence of Top Pitches |
0.7719 |
| Relative Prevalence of Top Pitch Classes |
0.6855 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.953 |
| Pitch Class Variability |
3.216 |
| Pitch Class Variability After Folding |
3.492 |
| Pitch Skewness |
0.5711 |
| Pitch Class Skewness |
0.6526 |
| Pitch Class Skewness After Folding |
0.8678 |
| Pitch Kurtosis |
5.01 |
| Pitch Class Kurtosis |
5.183 |
| Pitch Class Kurtosis After Folding |
6.025 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1371 |
| Note Density per Quarter Note |
1.031 |
| Note Density per Quarter Note per Voice |
0.3437 |
| Note Density per Quarter Note Variability |
0.4132 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004032 |
| Prevalence of Medium Rhythmic Values |
0.5847 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7661 |
| Prevalence of Very Long Rhythmic Values |
0.05444 |
| Prevalence of Dotted Notes |
0.1371 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.685 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3508 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7126 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.682 |
| Rhythmic Value Skewness |
1.223 |
| Rhythmic Value Kurtosis |
12.3 |
| Mean Rhythmic Value Run Length |
1.467 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9838 |
| Mean Rhythmic Value Offset |
0.008065 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1796 |
| Complete Rests Fraction |
0.002062 |
| Partial Rests Fraction |
0.2183 |
| Average Rest Fraction Across Voices |
0.07414 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.114 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.593 |
| Variability Across Voices of Combined Rests |
3.055 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5048 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2584 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.953 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7632 |
| Rhythmic Variability - Tempo Standardized |
0.04807 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
496.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5398 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.6413 |
| Variability of Note Durations |
0.4132 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2749 |
| Strength of Second Strongest Rhythmic Pulse |
0.2625 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.047 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5374 |
| Rhythmic Variability |
0.03687 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.0000000002303 |
| Duration in Seconds |
114.5 |
| Note Density |
4.331 |
| Note Density Variability |
1.176 |
| Average Time Between Attacks |
0.4221 |
| Average Time Between Attacks for Each Voice |
0.6768 |
| Variability of Time Between Attacks |
0.2464 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.7692 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.4355 |
| Relative Note Durations of Lowest Line |
0.9477 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.5464 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.03689 |
| Average Number of Independent Voices |
2.783 |
| Similar Motion |
0.1379 |
| Contrary Motion |
0.2874 |
| Oblique Motion |
0.5379 |
| Parallel Fifths |
0.001942 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.412 |
| Voice Equality - Number of Notes |
11.93 |
| Voice Equality - Note Duration |
0.7274 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
20.0 |