| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2197 |
| Prevalence of Second Most Common Vertical Interval |
0.2 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9101 |
| Vertical Unisons |
0.03296 |
| Vertical Minor Seconds |
0.001987 |
| Vertical Thirds |
0.3275 |
| Vertical Tritones |
0.01414 |
| Vertical Perfect Fourths |
0.04447 |
| Vertical Perfect Fifths |
0.1946 |
| Vertical Sixths |
0.1624 |
| Vertical Sevenths |
0.01741 |
| Vertical Octaves |
0.1868 |
| Perfect Vertical Intervals |
0.4588 |
| Vertical Dissonance Ratio |
0.05395 |
| Vertical Minor Third Prevalence |
0.4252 |
| Vertical Major Third Prevalence |
0.2782 |
| Chord Duration |
2.435 |
| Partial Chords |
0.5445 |
| Standard Triads |
0.3491 |
| Diminished and Augmented Triads |
0.02586 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1063 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9918 |
| Average Number of Simultaneous Pitch Classes |
2.241 |
| Variability of Number of Simultaneous Pitch Classes |
0.6908 |
| Average Number of Simultaneous Pitches |
2.646 |
| Variability of Number of Simultaneous Pitches |
0.5129 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.407 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
84.15 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2209 |
| Stepwise Motion |
0.7355 |
| Melodic Thirds |
0.1308 |
| Melodic Perfect Fourths |
0.04651 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03198 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008721 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.462 |
| Melodic Embellishments |
0.03746 |
| Direction of Melodic Motion |
0.4756 |
| Average Length of Melodic Arcs |
2.144 |
| Average Interval Spanned by Melodic Arcs |
4.928 |
| Melodic Pitch Variety |
5.119 |
| Mean Melodic Interval |
2.241 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5145 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4294 |
| Amount of Arpeggiation |
0.218 |
| Repeated Notes |
0.04651 |
| Importance of Middle Register |
0.5014 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
55.25 |
| Mean Pitch Class |
4.853 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1095 |
| Prevalence of Most Common Pitch Class |
0.1931 |
| Relative Prevalence of Top Pitches |
0.8158 |
| Relative Prevalence of Top Pitch Classes |
0.8209 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.228 |
| Pitch Class Variability |
3.397 |
| Pitch Class Variability After Folding |
3.62 |
| Pitch Skewness |
0.2428 |
| Pitch Class Skewness |
-0.1298 |
| Pitch Class Skewness After Folding |
0.8479 |
| Pitch Kurtosis |
5.055 |
| Pitch Class Kurtosis |
5.0 |
| Pitch Class Kurtosis After Folding |
5.774 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.4986 |
| Note Density per Quarter Note |
0.8484 |
| Note Density per Quarter Note per Voice |
0.2828 |
| Note Density per Quarter Note Variability |
0.4288 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01153 |
| Prevalence of Medium Rhythmic Values |
0.4813 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8098 |
| Prevalence of Very Long Rhythmic Values |
0.08357 |
| Prevalence of Dotted Notes |
0.1066 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.118 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3833 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7594 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.979 |
| Rhythmic Value Skewness |
0.1791 |
| Rhythmic Value Kurtosis |
11.77 |
| Mean Rhythmic Value Run Length |
1.798 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.261 |
| Mean Rhythmic Value Offset |
0.09222 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7993 |
| Complete Rests Fraction |
0.002425 |
| Partial Rests Fraction |
0.2714 |
| Average Rest Fraction Across Voices |
0.09208 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.184 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.027 |
| Variability Across Voices of Combined Rests |
11.72 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5508 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2492 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.21 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7999 |
| Rhythmic Variability - Tempo Standardized |
0.04989 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
347.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6249 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.6174 |
| Variability of Note Durations |
0.4788 |
| Amount of Staccato |
0.01153 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3387 |
| Strength of Second Strongest Rhythmic Pulse |
0.2247 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.507 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5634 |
| Rhythmic Variability |
0.0368 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003664 |
| Duration in Seconds |
78.65 |
| Note Density |
4.412 |
| Note Density Variability |
1.158 |
| Average Time Between Attacks |
0.4405 |
| Average Time Between Attacks for Each Voice |
0.6603 |
| Variability of Time Between Attacks |
0.3302 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.4211 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.5533 |
| Relative Note Durations of Lowest Line |
1.008 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8473 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.1268 |
| Average Number of Independent Voices |
2.73 |
| Similar Motion |
0.1479 |
| Contrary Motion |
0.2923 |
| Oblique Motion |
0.4331 |
| Parallel Fifths |
0.01056 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4438 |
| Voice Equality - Number of Notes |
2.082 |
| Voice Equality - Note Duration |
2.254 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
20.0 |