| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2475 |
| Prevalence of Second Most Common Vertical Interval |
0.2124 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8582 |
| Vertical Unisons |
0.02647 |
| Vertical Minor Seconds |
0.003591 |
| Vertical Thirds |
0.358 |
| Vertical Tritones |
0.003842 |
| Vertical Perfect Fourths |
0.04412 |
| Vertical Perfect Fifths |
0.1922 |
| Vertical Sixths |
0.1111 |
| Vertical Sevenths |
0.02192 |
| Vertical Octaves |
0.221 |
| Perfect Vertical Intervals |
0.4838 |
| Vertical Dissonance Ratio |
0.04943 |
| Vertical Minor Third Prevalence |
0.4461 |
| Vertical Major Third Prevalence |
0.3333 |
| Chord Duration |
2.337 |
| Partial Chords |
0.59 |
| Standard Triads |
0.3047 |
| Diminished and Augmented Triads |
0.00831 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1053 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.2 |
| Average Number of Simultaneous Pitch Classes |
2.248 |
| Variability of Number of Simultaneous Pitch Classes |
0.6455 |
| Average Number of Simultaneous Pitches |
2.775 |
| Variability of Number of Simultaneous Pitches |
0.4351 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.417 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.11 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.195 |
| Stepwise Motion |
0.6602 |
| Melodic Thirds |
0.1476 |
| Melodic Perfect Fourths |
0.06407 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05292 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02228 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.533 |
| Melodic Embellishments |
0.01934 |
| Direction of Melodic Motion |
0.4676 |
| Average Length of Melodic Arcs |
1.977 |
| Average Interval Spanned by Melodic Arcs |
5.273 |
| Melodic Pitch Variety |
5.446 |
| Mean Melodic Interval |
2.568 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4652 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4192 |
| Amount of Arpeggiation |
0.2758 |
| Repeated Notes |
0.05292 |
| Importance of Middle Register |
0.6575 |
| Importance of High Register |
0.008287 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.78 |
| Mean Pitch Class |
5.575 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09945 |
| Prevalence of Most Common Pitch Class |
0.2155 |
| Relative Prevalence of Top Pitches |
0.8611 |
| Relative Prevalence of Top Pitch Classes |
0.8077 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.187 |
| Pitch Class Variability |
3.278 |
| Pitch Class Variability After Folding |
3.876 |
| Pitch Skewness |
0.1275 |
| Pitch Class Skewness |
-1.305 |
| Pitch Class Skewness After Folding |
0.7868 |
| Pitch Kurtosis |
4.995 |
| Pitch Class Kurtosis |
4.842 |
| Pitch Class Kurtosis After Folding |
5.272 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3343 |
| Note Density per Quarter Note |
0.8851 |
| Note Density per Quarter Note per Voice |
0.295 |
| Note Density per Quarter Note Variability |
0.398 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4834 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.895 |
| Prevalence of Very Long Rhythmic Values |
0.08564 |
| Prevalence of Dotted Notes |
0.09392 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.177 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3867 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9786 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.762 |
| Rhythmic Value Skewness |
0.301 |
| Rhythmic Value Kurtosis |
11.02 |
| Mean Rhythmic Value Run Length |
1.668 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.135 |
| Mean Rhythmic Value Offset |
0.03315 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3631 |
| Complete Rests Fraction |
0.002425 |
| Partial Rests Fraction |
0.154 |
| Average Rest Fraction Across Voices |
0.05296 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.249 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.383 |
| Variability Across Voices of Combined Rests |
8.083 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6928 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1613 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.295 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8542 |
| Rhythmic Variability - Tempo Standardized |
0.05707 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
362.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4417 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.6173 |
| Variability of Note Durations |
0.376 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.327 |
| Strength of Second Strongest Rhythmic Pulse |
0.2713 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.205 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5982 |
| Rhythmic Variability |
0.03888 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003664 |
| Duration in Seconds |
78.65 |
| Note Density |
4.603 |
| Note Density Variability |
1.304 |
| Average Time Between Attacks |
0.4281 |
| Average Time Between Attacks for Each Voice |
0.6355 |
| Variability of Time Between Attacks |
0.253 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.7063 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.5552 |
| Relative Note Durations of Lowest Line |
0.9846 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.6215 |
| Voice Separation |
9.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.0462 |
| Average Number of Independent Voices |
2.848 |
| Similar Motion |
0.1716 |
| Contrary Motion |
0.3036 |
| Oblique Motion |
0.4785 |
| Parallel Fifths |
0.0033 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.359 |
| Voice Equality - Number of Notes |
6.11 |
| Voice Equality - Note Duration |
1.554 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
12.5 |