| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2424 |
| Prevalence of Second Most Common Vertical Interval |
0.1849 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7629 |
| Vertical Unisons |
0.05577 |
| Vertical Minor Seconds |
0.004607 |
| Vertical Thirds |
0.3664 |
| Vertical Tritones |
0.01697 |
| Vertical Perfect Fourths |
0.03948 |
| Vertical Perfect Fifths |
0.1404 |
| Vertical Sixths |
0.1314 |
| Vertical Sevenths |
0.03209 |
| Vertical Octaves |
0.1866 |
| Perfect Vertical Intervals |
0.4223 |
| Vertical Dissonance Ratio |
0.08681 |
| Vertical Minor Third Prevalence |
0.3707 |
| Vertical Major Third Prevalence |
0.3707 |
| Chord Duration |
1.925 |
| Partial Chords |
0.596 |
| Standard Triads |
0.2424 |
| Diminished and Augmented Triads |
0.0404 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1616 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2 |
| Average Number of Simultaneous Pitch Classes |
2.198 |
| Variability of Number of Simultaneous Pitch Classes |
0.6724 |
| Average Number of Simultaneous Pitches |
2.586 |
| Variability of Number of Simultaneous Pitches |
0.5833 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.58 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.028 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2114 |
| Stepwise Motion |
0.6971 |
| Melodic Thirds |
0.1629 |
| Melodic Perfect Fourths |
0.04 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002857 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7812 |
| Melodic Embellishments |
0.04249 |
| Direction of Melodic Motion |
0.4758 |
| Average Length of Melodic Arcs |
2.102 |
| Average Interval Spanned by Melodic Arcs |
5.0 |
| Melodic Pitch Variety |
5.197 |
| Mean Melodic Interval |
2.277 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4857 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4353 |
| Amount of Arpeggiation |
0.2629 |
| Repeated Notes |
0.05714 |
| Importance of Middle Register |
0.6997 |
| Importance of High Register |
0.06516 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.59 |
| Mean Pitch Class |
4.459 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1076 |
| Prevalence of Most Common Pitch Class |
0.2181 |
| Relative Prevalence of Top Pitches |
0.9211 |
| Relative Prevalence of Top Pitch Classes |
0.8571 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.804 |
| Pitch Class Variability |
3.403 |
| Pitch Class Variability After Folding |
3.26 |
| Pitch Skewness |
0.3158 |
| Pitch Class Skewness |
0.4046 |
| Pitch Class Skewness After Folding |
1.043 |
| Pitch Kurtosis |
5.285 |
| Pitch Class Kurtosis |
5.177 |
| Pitch Class Kurtosis After Folding |
7.184 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2351 |
| Note Density per Quarter Note |
1.011 |
| Note Density per Quarter Note per Voice |
0.3372 |
| Note Density per Quarter Note Variability |
0.4016 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5807 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7904 |
| Prevalence of Very Long Rhythmic Values |
0.03683 |
| Prevalence of Dotted Notes |
0.119 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.686 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3711 |
| Relative Prevalence of Most Common Rhythmic Values |
0.771 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.604 |
| Rhythmic Value Skewness |
1.282 |
| Rhythmic Value Kurtosis |
15.28 |
| Mean Rhythmic Value Run Length |
1.515 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.055 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002842 |
| Partial Rests Fraction |
0.2435 |
| Average Rest Fraction Across Voices |
0.09453 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.713 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.179 |
| Variability Across Voices of Combined Rests |
10.58 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5498 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2327 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.363 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7825 |
| Rhythmic Variability - Tempo Standardized |
0.04985 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
353.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4553 |
| Minimum Note Duration |
0.2381 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.6394 |
| Variability of Note Durations |
0.382 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2783 |
| Strength of Second Strongest Rhythmic Pulse |
0.2771 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.004 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5555 |
| Rhythmic Variability |
0.03772 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.00000000003925 |
| Duration in Seconds |
83.09 |
| Note Density |
4.248 |
| Note Density Variability |
1.6 |
| Average Time Between Attacks |
0.4281 |
| Average Time Between Attacks for Each Voice |
0.66 |
| Variability of Time Between Attacks |
0.218 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6471 |
| Relative Range Isolation of Loudest Voice |
0.4375 |
| Relative Range of Highest Line |
0.6471 |
| Relative Note Density of Highest Line |
0.5779 |
| Relative Note Durations of Lowest Line |
1.033 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7365 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.0339 |
| Average Number of Independent Voices |
2.724 |
| Similar Motion |
0.1492 |
| Contrary Motion |
0.2644 |
| Oblique Motion |
0.5525 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5184 |
| Voice Equality - Number of Notes |
6.028 |
| Voice Equality - Note Duration |
2.52 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.606 |
| Importance of Loudest Voice |
12.5 |