| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1653 |
| Prevalence of Second Most Common Vertical Interval |
0.1629 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9855 |
| Vertical Unisons |
0.02166 |
| Vertical Minor Seconds |
0.001316 |
| Vertical Thirds |
0.3269 |
| Vertical Tritones |
0.01114 |
| Vertical Perfect Fourths |
0.1082 |
| Vertical Perfect Fifths |
0.1629 |
| Vertical Sixths |
0.1957 |
| Vertical Sevenths |
0.02478 |
| Vertical Octaves |
0.1314 |
| Perfect Vertical Intervals |
0.4242 |
| Vertical Dissonance Ratio |
0.05618 |
| Vertical Minor Third Prevalence |
0.375 |
| Vertical Major Third Prevalence |
0.3878 |
| Chord Duration |
2.031 |
| Partial Chords |
0.4966 |
| Standard Triads |
0.4007 |
| Diminished and Augmented Triads |
0.003367 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1027 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.245 |
| Average Number of Simultaneous Pitch Classes |
2.431 |
| Variability of Number of Simultaneous Pitch Classes |
0.5843 |
| Average Number of Simultaneous Pitches |
2.75 |
| Variability of Number of Simultaneous Pitches |
0.4617 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.645 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.028 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2516 |
| Stepwise Motion |
0.7643 |
| Melodic Thirds |
0.07325 |
| Melodic Perfect Fourths |
0.06688 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03503 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01911 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.6429 |
| Melodic Embellishments |
0.02208 |
| Direction of Melodic Motion |
0.4751 |
| Average Length of Melodic Arcs |
2.048 |
| Average Interval Spanned by Melodic Arcs |
4.905 |
| Melodic Pitch Variety |
5.514 |
| Mean Melodic Interval |
2.35 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5127 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4907 |
| Amount of Arpeggiation |
0.1688 |
| Repeated Notes |
0.0414 |
| Importance of Middle Register |
0.8486 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.0 |
| Mean Pitch Class |
5.88 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1104 |
| Prevalence of Most Common Pitch Class |
0.1861 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.9661 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.228 |
| Pitch Class Variability |
3.465 |
| Pitch Class Variability After Folding |
3.312 |
| Pitch Skewness |
0.3525 |
| Pitch Class Skewness |
-0.9697 |
| Pitch Class Skewness After Folding |
0.62 |
| Pitch Kurtosis |
5.075 |
| Pitch Class Kurtosis |
5.021 |
| Pitch Class Kurtosis After Folding |
6.399 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.1514 |
| Note Density per Quarter Note |
1.013 |
| Note Density per Quarter Note per Voice |
0.3376 |
| Note Density per Quarter Note Variability |
0.5171 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006309 |
| Prevalence of Medium Rhythmic Values |
0.5899 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7666 |
| Prevalence of Very Long Rhythmic Values |
0.05994 |
| Prevalence of Dotted Notes |
0.1041 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.763 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3565 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8319 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.839 |
| Rhythmic Value Skewness |
1.245 |
| Rhythmic Value Kurtosis |
14.55 |
| Mean Rhythmic Value Run Length |
1.577 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.051 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003168 |
| Partial Rests Fraction |
0.1949 |
| Average Rest Fraction Across Voices |
0.06707 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.499 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.359 |
| Variability Across Voices of Combined Rests |
4.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5416 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2322 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.332 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7738 |
| Rhythmic Variability - Tempo Standardized |
0.0492 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
317.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.492 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.658 |
| Variability of Note Durations |
0.4379 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2791 |
| Strength of Second Strongest Rhythmic Pulse |
0.2754 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.013 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5545 |
| Rhythmic Variability |
0.03744 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.00000000004084 |
| Duration in Seconds |
74.52 |
| Note Density |
4.254 |
| Note Density Variability |
1.674 |
| Average Time Between Attacks |
0.4774 |
| Average Time Between Attacks for Each Voice |
0.6755 |
| Variability of Time Between Attacks |
0.2377 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4167 |
| Relative Range Isolation of Loudest Voice |
0.7524 |
| Relative Range of Highest Line |
0.4167 |
| Relative Note Density of Highest Line |
0.6341 |
| Relative Note Durations of Lowest Line |
1.041 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.7508 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
6.364 |
| Parallel Motion |
0.1127 |
| Average Number of Independent Voices |
2.808 |
| Similar Motion |
0.1891 |
| Contrary Motion |
0.2291 |
| Oblique Motion |
0.4691 |
| Parallel Fifths |
0.007273 |
| Parallel Octaves |
0.003636 |
| Variability of Number of Independent Voices |
0.3941 |
| Voice Equality - Number of Notes |
6.028 |
| Voice Equality - Note Duration |
0.9524 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
4.041 |
| Importance of Loudest Voice |
12.5 |