| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2031 |
| Prevalence of Second Most Common Vertical Interval |
0.1964 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9671 |
| Vertical Unisons |
0.05346 |
| Vertical Minor Seconds |
0.002008 |
| Vertical Thirds |
0.3323 |
| Vertical Tritones |
0.007387 |
| Vertical Perfect Fourths |
0.07482 |
| Vertical Perfect Fifths |
0.1964 |
| Vertical Sixths |
0.1404 |
| Vertical Sevenths |
0.02469 |
| Vertical Octaves |
0.1496 |
| Perfect Vertical Intervals |
0.4744 |
| Vertical Dissonance Ratio |
0.05583 |
| Vertical Minor Third Prevalence |
0.3927 |
| Vertical Major Third Prevalence |
0.3369 |
| Chord Duration |
2.99 |
| Partial Chords |
0.5946 |
| Standard Triads |
0.2985 |
| Diminished and Augmented Triads |
0.01606 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.00357 |
| Non-Standard Chords |
0.1033 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.912 |
| Average Number of Simultaneous Pitch Classes |
2.27 |
| Variability of Number of Simultaneous Pitch Classes |
0.6624 |
| Average Number of Simultaneous Pitches |
2.659 |
| Variability of Number of Simultaneous Pitches |
0.8394 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.175 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
248.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1971 |
| Stepwise Motion |
0.6448 |
| Melodic Thirds |
0.1894 |
| Melodic Perfect Fourths |
0.0649 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04071 |
| Melodic Sixths |
0.00118 |
| Melodic Sevenths |
0.00118 |
| Melodic Octaves |
0.00944 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.169 |
| Melodic Embellishments |
0.02825 |
| Direction of Melodic Motion |
0.4582 |
| Average Length of Melodic Arcs |
1.923 |
| Average Interval Spanned by Melodic Arcs |
4.926 |
| Melodic Pitch Variety |
5.538 |
| Mean Melodic Interval |
2.45 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4478 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4401 |
| Amount of Arpeggiation |
0.2891 |
| Repeated Notes |
0.04838 |
| Importance of Middle Register |
0.6215 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.3 |
| Mean Pitch Class |
5.039 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1107 |
| Prevalence of Most Common Pitch Class |
0.219 |
| Relative Prevalence of Top Pitches |
0.9787 |
| Relative Prevalence of Top Pitch Classes |
0.7016 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.84 |
| Pitch Class Variability |
3.196 |
| Pitch Class Variability After Folding |
3.741 |
| Pitch Skewness |
-0.04595 |
| Pitch Class Skewness |
0.03647 |
| Pitch Class Skewness After Folding |
0.8845 |
| Pitch Kurtosis |
5.155 |
| Pitch Class Kurtosis |
4.838 |
| Pitch Class Kurtosis After Folding |
5.409 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3785 |
| Note Density per Quarter Note |
0.6772 |
| Note Density per Quarter Note per Voice |
0.1693 |
| Note Density per Quarter Note Variability |
0.4084 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002354 |
| Prevalence of Medium Rhythmic Values |
0.4291 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8623 |
| Prevalence of Very Long Rhythmic Values |
0.2242 |
| Prevalence of Dotted Notes |
0.1783 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.926 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2913 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9798 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.805 |
| Rhythmic Value Skewness |
-0.07931 |
| Rhythmic Value Kurtosis |
7.426 |
| Mean Rhythmic Value Run Length |
1.489 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.124 |
| Mean Rhythmic Value Offset |
0.2354 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.44 |
| Complete Rests Fraction |
0.0002452 |
| Partial Rests Fraction |
0.7098 |
| Average Rest Fraction Across Voices |
0.2965 |
| Longest Complete Rest |
0.6153 |
| Longest Partial Rest |
516.1 |
| Mean Complete Rest Duration |
0.6153 |
| Mean Partial Rest Duration |
25.0 |
| Median Complete Rest Duration |
0.6153 |
| Median Partial Rest Duration |
4.964 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
69.95 |
| Variability Across Voices of Combined Rests |
477.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5895 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2156 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.734 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8051 |
| Rhythmic Variability - Tempo Standardized |
0.05152 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1699.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.446 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.8425 |
| Variability of Note Durations |
0.7544 |
| Amount of Staccato |
0.002354 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
307.7 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.2953 |
| Strength of Second Strongest Rhythmic Pulse |
0.2692 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.097 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5645 |
| Rhythmic Variability |
0.03675 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
68.51 |
| Duration in Seconds |
508.6 |
| Note Density |
3.34 |
| Note Density Variability |
1.218 |
| Average Time Between Attacks |
0.491 |
| Average Time Between Attacks for Each Voice |
2.3 |
| Variability of Time Between Attacks |
0.3047 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5938 |
| Relative Range Isolation of Loudest Voice |
0.1357 |
| Relative Range of Highest Line |
0.5938 |
| Relative Note Density of Highest Line |
0.1483 |
| Relative Note Durations of Lowest Line |
0.9745 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9282 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.04106 |
| Average Number of Independent Voices |
2.819 |
| Similar Motion |
0.1239 |
| Contrary Motion |
0.1552 |
| Oblique Motion |
0.6799 |
| Parallel Fifths |
0.001392 |
| Parallel Octaves |
0.002088 |
| Variability of Number of Independent Voices |
0.9106 |
| Voice Equality - Number of Notes |
248.9 |
| Voice Equality - Note Duration |
96.84 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.403 |
| Importance of Loudest Voice |
11.67 |