| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2702 |
| Prevalence of Second Most Common Vertical Interval |
0.2683 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9931 |
| Vertical Unisons |
0.0193 |
| Vertical Minor Seconds |
0.001219 |
| Vertical Thirds |
0.373 |
| Vertical Tritones |
0.00237 |
| Vertical Perfect Fourths |
0.0303 |
| Vertical Perfect Fifths |
0.1616 |
| Vertical Sixths |
0.1231 |
| Vertical Sevenths |
0.01625 |
| Vertical Octaves |
0.2509 |
| Perfect Vertical Intervals |
0.4621 |
| Vertical Dissonance Ratio |
0.04359 |
| Vertical Minor Third Prevalence |
0.5032 |
| Vertical Major Third Prevalence |
0.2468 |
| Chord Duration |
2.32 |
| Partial Chords |
0.5962 |
| Standard Triads |
0.3019 |
| Diminished and Augmented Triads |
0.007547 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1019 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.424 |
| Average Number of Simultaneous Pitch Classes |
2.192 |
| Variability of Number of Simultaneous Pitch Classes |
0.6757 |
| Average Number of Simultaneous Pitches |
2.75 |
| Variability of Number of Simultaneous Pitches |
0.4476 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.698 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
9.292 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1479 |
| Stepwise Motion |
0.5282 |
| Melodic Thirds |
0.2254 |
| Melodic Perfect Fourths |
0.09507 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06338 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02465 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.923 |
| Melodic Embellishments |
0.02787 |
| Direction of Melodic Motion |
0.4474 |
| Average Length of Melodic Arcs |
1.81 |
| Average Interval Spanned by Melodic Arcs |
5.354 |
| Melodic Pitch Variety |
5.261 |
| Mean Melodic Interval |
2.845 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3803 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4722 |
| Amount of Arpeggiation |
0.3768 |
| Repeated Notes |
0.06338 |
| Importance of Middle Register |
0.7003 |
| Importance of High Register |
0.02439 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.59 |
| Mean Pitch Class |
5.899 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.101 |
| Prevalence of Most Common Pitch Class |
0.2718 |
| Relative Prevalence of Top Pitches |
0.8966 |
| Relative Prevalence of Top Pitch Classes |
0.6282 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
8.905 |
| Pitch Class Variability |
3.351 |
| Pitch Class Variability After Folding |
3.917 |
| Pitch Skewness |
-0.3228 |
| Pitch Class Skewness |
-0.9856 |
| Pitch Class Skewness After Folding |
1.465 |
| Pitch Kurtosis |
5.074 |
| Pitch Class Kurtosis |
4.967 |
| Pitch Class Kurtosis After Folding |
5.155 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2753 |
| Note Density per Quarter Note |
0.917 |
| Note Density per Quarter Note per Voice |
0.3057 |
| Note Density per Quarter Note Variability |
0.4039 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5261 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8676 |
| Prevalence of Very Long Rhythmic Values |
0.05575 |
| Prevalence of Dotted Notes |
0.1115 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.045 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3937 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8496 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.993 |
| Rhythmic Value Skewness |
1.573 |
| Rhythmic Value Kurtosis |
14.52 |
| Mean Rhythmic Value Run Length |
1.56 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9733 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003168 |
| Partial Rests Fraction |
0.1949 |
| Average Rest Fraction Across Voices |
0.0692 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.953 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.619 |
| Variability Across Voices of Combined Rests |
6.11 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6037 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2148 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.811 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8185 |
| Rhythmic Variability - Tempo Standardized |
0.05228 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
287.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5374 |
| Minimum Note Duration |
0.2381 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.7251 |
| Variability of Note Durations |
0.4746 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3107 |
| Strength of Second Strongest Rhythmic Pulse |
0.2846 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.092 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5953 |
| Rhythmic Variability |
0.0391 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000004084 |
| Duration in Seconds |
74.52 |
| Note Density |
3.851 |
| Note Density Variability |
1.279 |
| Average Time Between Attacks |
0.4839 |
| Average Time Between Attacks for Each Voice |
0.7577 |
| Variability of Time Between Attacks |
0.3127 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.5392 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.7108 |
| Relative Note Durations of Lowest Line |
1.142 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.5087 |
| Voice Separation |
10.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.04603 |
| Average Number of Independent Voices |
2.801 |
| Similar Motion |
0.159 |
| Contrary Motion |
0.2552 |
| Oblique Motion |
0.5397 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4148 |
| Voice Equality - Number of Notes |
9.292 |
| Voice Equality - Note Duration |
1.455 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
1.155 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
12.5 |