| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.259 |
| Prevalence of Second Most Common Vertical Interval |
0.1641 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6336 |
| Vertical Unisons |
0.1165 |
| Vertical Minor Seconds |
0.008851 |
| Vertical Thirds |
0.4187 |
| Vertical Tritones |
0.02438 |
| Vertical Perfect Fourths |
0.09083 |
| Vertical Perfect Fifths |
0.1616 |
| Vertical Sixths |
0.08481 |
| Vertical Sevenths |
0.0164 |
| Vertical Octaves |
0.04759 |
| Perfect Vertical Intervals |
0.4165 |
| Vertical Dissonance Ratio |
0.08689 |
| Vertical Minor Third Prevalence |
0.5085 |
| Vertical Major Third Prevalence |
0.3381 |
| Chord Duration |
1.984 |
| Partial Chords |
0.5323 |
| Standard Triads |
0.3032 |
| Diminished and Augmented Triads |
0.04516 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1645 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.186 |
| Average Number of Simultaneous Pitch Classes |
2.293 |
| Variability of Number of Simultaneous Pitch Classes |
0.6676 |
| Average Number of Simultaneous Pitches |
2.395 |
| Variability of Number of Simultaneous Pitches |
0.6744 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.3 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
93.34 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2436 |
| Stepwise Motion |
0.6686 |
| Melodic Thirds |
0.1926 |
| Melodic Perfect Fourths |
0.07082 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01983 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008499 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.778 |
| Melodic Embellishments |
0.03933 |
| Direction of Melodic Motion |
0.469 |
| Average Length of Melodic Arcs |
2.23 |
| Average Interval Spanned by Melodic Arcs |
5.329 |
| Melodic Pitch Variety |
5.699 |
| Mean Melodic Interval |
2.317 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4249 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5733 |
| Amount of Arpeggiation |
0.2606 |
| Repeated Notes |
0.03966 |
| Importance of Middle Register |
1.0 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
63.06 |
| Mean Pitch Class |
4.86 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1966 |
| Prevalence of Most Common Pitch Class |
0.1966 |
| Relative Prevalence of Top Pitches |
0.8857 |
| Relative Prevalence of Top Pitch Classes |
0.8857 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
3.713 |
| Pitch Class Variability |
3.39 |
| Pitch Class Variability After Folding |
3.315 |
| Pitch Skewness |
-0.2042 |
| Pitch Class Skewness |
0.7607 |
| Pitch Class Skewness After Folding |
0.7676 |
| Pitch Kurtosis |
5.607 |
| Pitch Class Kurtosis |
5.009 |
| Pitch Class Kurtosis After Folding |
6.397 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
62.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
15.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
17.0 |
| Importance of Bass Register |
0.0 |
| Note Density per Quarter Note |
1.009 |
| Note Density per Quarter Note per Voice |
0.3362 |
| Note Density per Quarter Note Variability |
0.4193 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005618 |
| Prevalence of Medium Rhythmic Values |
0.6011 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8287 |
| Prevalence of Very Long Rhythmic Values |
0.02809 |
| Prevalence of Dotted Notes |
0.0927 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.64 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4298 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6928 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.375 |
| Rhythmic Value Skewness |
1.397 |
| Rhythmic Value Kurtosis |
12.45 |
| Mean Rhythmic Value Run Length |
1.589 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.051 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002363 |
| Partial Rests Fraction |
0.2858 |
| Average Rest Fraction Across Voices |
0.1145 |
| Longest Complete Rest |
0.8341 |
| Longest Partial Rest |
33.33 |
| Mean Complete Rest Duration |
0.8341 |
| Mean Partial Rest Duration |
4.332 |
| Median Complete Rest Duration |
0.8341 |
| Median Partial Rest Duration |
2.083 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.45 |
| Variability Across Voices of Combined Rests |
17.22 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6308 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1861 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.389 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8169 |
| Rhythmic Variability - Tempo Standardized |
0.0535 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
356.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4082 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.6022 |
| Variability of Note Durations |
0.313 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
264.4 |
| Strongest Rhythmic Pulse |
44.0 |
| Second Strongest Rhythmic Pulse |
66.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2945 |
| Strength of Second Strongest Rhythmic Pulse |
0.2867 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.027 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5812 |
| Rhythmic Variability |
0.03899 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
24.3 |
| Duration in Seconds |
80.7 |
| Note Density |
4.411 |
| Note Density Variability |
1.616 |
| Average Time Between Attacks |
0.4159 |
| Average Time Between Attacks for Each Voice |
0.6395 |
| Variability of Time Between Attacks |
0.1861 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.008929 |
| Relative Range of Highest Line |
0.8824 |
| Relative Note Density of Highest Line |
0.5393 |
| Relative Note Durations of Lowest Line |
1.045 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9972 |
| Voice Separation |
1.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.115 |
| Average Number of Independent Voices |
2.67 |
| Similar Motion |
0.22 |
| Contrary Motion |
0.15 |
| Oblique Motion |
0.515 |
| Parallel Fifths |
0.005 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5685 |
| Voice Equality - Number of Notes |
12.42 |
| Voice Equality - Note Duration |
3.937 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
20.0 |