| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1978 |
| Prevalence of Second Most Common Vertical Interval |
0.1871 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9458 |
| Vertical Unisons |
0.01769 |
| Vertical Minor Seconds |
0.003881 |
| Vertical Thirds |
0.3593 |
| Vertical Tritones |
0.01076 |
| Vertical Perfect Fourths |
0.04791 |
| Vertical Perfect Fifths |
0.1978 |
| Vertical Sixths |
0.18 |
| Vertical Sevenths |
0.02862 |
| Vertical Octaves |
0.1287 |
| Perfect Vertical Intervals |
0.3921 |
| Vertical Dissonance Ratio |
0.07372 |
| Vertical Minor Third Prevalence |
0.3774 |
| Vertical Major Third Prevalence |
0.3914 |
| Chord Duration |
1.944 |
| Partial Chords |
0.4568 |
| Standard Triads |
0.411 |
| Diminished and Augmented Triads |
0.01233 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1322 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.098 |
| Average Number of Simultaneous Pitch Classes |
2.367 |
| Variability of Number of Simultaneous Pitch Classes |
0.6786 |
| Average Number of Simultaneous Pitches |
2.666 |
| Variability of Number of Simultaneous Pitches |
0.5863 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.588 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
157.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2552 |
| Stepwise Motion |
0.7655 |
| Melodic Thirds |
0.1147 |
| Melodic Perfect Fourths |
0.04253 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03093 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01289 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.708 |
| Melodic Embellishments |
0.02182 |
| Direction of Melodic Motion |
0.4653 |
| Average Length of Melodic Arcs |
2.055 |
| Average Interval Spanned by Melodic Arcs |
4.729 |
| Melodic Pitch Variety |
5.287 |
| Mean Melodic Interval |
2.235 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5103 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.192 |
| Repeated Notes |
0.03351 |
| Importance of Middle Register |
0.561 |
| Importance of High Register |
0.01027 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.7 |
| Mean Pitch Class |
4.789 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1168 |
| Prevalence of Most Common Pitch Class |
0.2246 |
| Relative Prevalence of Top Pitches |
0.8571 |
| Relative Prevalence of Top Pitch Classes |
0.6514 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.634 |
| Pitch Class Variability |
3.306 |
| Pitch Class Variability After Folding |
3.762 |
| Pitch Skewness |
0.05246 |
| Pitch Class Skewness |
0.7163 |
| Pitch Class Skewness After Folding |
0.991 |
| Pitch Kurtosis |
4.989 |
| Pitch Class Kurtosis |
4.828 |
| Pitch Class Kurtosis After Folding |
5.279 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4288 |
| Note Density per Quarter Note |
0.9443 |
| Note Density per Quarter Note per Voice |
0.3148 |
| Note Density per Quarter Note Variability |
0.4043 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03594 |
| Prevalence of Medium Rhythmic Values |
0.5148 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6996 |
| Prevalence of Very Long Rhythmic Values |
0.08344 |
| Prevalence of Dotted Notes |
0.1361 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.847 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3068 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8619 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.917 |
| Rhythmic Value Skewness |
1.326 |
| Rhythmic Value Kurtosis |
9.221 |
| Mean Rhythmic Value Run Length |
1.411 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7989 |
| Mean Rhythmic Value Offset |
0.02054 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3507 |
| Complete Rests Fraction |
0.001202 |
| Partial Rests Fraction |
0.2364 |
| Average Rest Fraction Across Voices |
0.09736 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.088 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.209 |
| Variability Across Voices of Combined Rests |
33.01 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4344 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2864 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.517 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7208 |
| Rhythmic Variability - Tempo Standardized |
0.04525 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
779.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5855 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.846 |
| Average Note Duration |
0.5515 |
| Variability of Note Durations |
0.393 |
| Amount of Staccato |
0.03594 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
52.0 |
| Second Strongest Rhythmic Pulse |
78.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2293 |
| Strength of Second Strongest Rhythmic Pulse |
0.2273 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.009 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4566 |
| Rhythmic Variability |
0.03214 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000006226 |
| Duration in Seconds |
158.7 |
| Note Density |
4.91 |
| Note Density Variability |
1.359 |
| Average Time Between Attacks |
0.355 |
| Average Time Between Attacks for Each Voice |
0.5983 |
| Variability of Time Between Attacks |
0.2268 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.3921 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2503 |
| Relative Note Durations of Lowest Line |
1.121 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8074 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.05038 |
| Average Number of Independent Voices |
2.711 |
| Similar Motion |
0.1461 |
| Contrary Motion |
0.2091 |
| Oblique Motion |
0.5945 |
| Parallel Fifths |
0.002519 |
| Parallel Octaves |
0.002519 |
| Variability of Number of Independent Voices |
0.5588 |
| Voice Equality - Number of Notes |
18.01 |
| Voice Equality - Note Duration |
6.347 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.528 |
| Importance of Loudest Voice |
20.0 |