| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1967 |
| Prevalence of Second Most Common Vertical Interval |
0.1966 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9992 |
| Vertical Unisons |
0.04448 |
| Vertical Minor Seconds |
0.005862 |
| Vertical Thirds |
0.3712 |
| Vertical Tritones |
0.0116 |
| Vertical Perfect Fourths |
0.08525 |
| Vertical Perfect Fifths |
0.1666 |
| Vertical Sixths |
0.1314 |
| Vertical Sevenths |
0.01784 |
| Vertical Octaves |
0.1521 |
| Perfect Vertical Intervals |
0.4484 |
| Vertical Dissonance Ratio |
0.0515 |
| Vertical Minor Third Prevalence |
0.6021 |
| Vertical Major Third Prevalence |
0.6167 |
| Chord Duration |
2.782 |
| Partial Chords |
0.2821 |
| Standard Triads |
0.5705 |
| Diminished and Augmented Triads |
0.02137 |
| Dominant Seventh Chords |
0.002137 |
| Seventh Chords |
0.02137 |
| Non-Standard Chords |
0.1261 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.282 |
| Average Number of Simultaneous Pitch Classes |
2.733 |
| Variability of Number of Simultaneous Pitch Classes |
0.6019 |
| Average Number of Simultaneous Pitches |
3.321 |
| Variability of Number of Simultaneous Pitches |
0.6592 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.08 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
14.45 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2082 |
| Stepwise Motion |
0.6102 |
| Melodic Thirds |
0.1429 |
| Melodic Perfect Fourths |
0.06295 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03632 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007264 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.269 |
| Melodic Embellishments |
0.01432 |
| Direction of Melodic Motion |
0.4535 |
| Average Length of Melodic Arcs |
1.868 |
| Average Interval Spanned by Melodic Arcs |
4.632 |
| Melodic Pitch Variety |
4.321 |
| Mean Melodic Interval |
2.16 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4019 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5181 |
| Amount of Arpeggiation |
0.3269 |
| Repeated Notes |
0.1404 |
| Importance of Middle Register |
0.8544 |
| Importance of High Register |
0.03819 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.56 |
| Mean Pitch Class |
4.936 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1527 |
| Prevalence of Most Common Pitch Class |
0.2243 |
| Relative Prevalence of Top Pitches |
0.8906 |
| Relative Prevalence of Top Pitch Classes |
0.7872 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.102 |
| Pitch Class Variability |
3.329 |
| Pitch Class Variability After Folding |
3.62 |
| Pitch Skewness |
-0.4834 |
| Pitch Class Skewness |
-0.05807 |
| Pitch Class Skewness After Folding |
0.892 |
| Pitch Kurtosis |
5.679 |
| Pitch Class Kurtosis |
5.023 |
| Pitch Class Kurtosis After Folding |
5.796 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1074 |
| Note Density per Quarter Note |
0.8711 |
| Note Density per Quarter Note per Voice |
0.2178 |
| Note Density per Quarter Note Variability |
0.3446 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
1.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.253 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8759 |
| Prevalence of Very Long Rhythmic Values |
0.2076 |
| Prevalence of Dotted Notes |
0.1217 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.033 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.506 |
| Relative Prevalence of Most Common Rhythmic Values |
0.2547 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.09 |
| Rhythmic Value Skewness |
0.04797 |
| Rhythmic Value Kurtosis |
6.879 |
| Mean Rhythmic Value Run Length |
1.814 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.493 |
| Mean Rhythmic Value Offset |
0.009547 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1954 |
| Complete Rests Fraction |
0.002062 |
| Partial Rests Fraction |
0.4678 |
| Average Rest Fraction Across Voices |
0.1278 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.234 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.902 |
| Variability Across Voices of Combined Rests |
30.87 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5739 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2525 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.273 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8265 |
| Rhythmic Variability - Tempo Standardized |
0.05106 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
419.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7122 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7775 |
| Variability of Note Durations |
0.4106 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4293 |
| Strength of Second Strongest Rhythmic Pulse |
0.2185 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.965 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6478 |
| Rhythmic Variability |
0.04089 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004424 |
| Duration in Seconds |
92.5 |
| Note Density |
4.53 |
| Note Density Variability |
1.151 |
| Average Time Between Attacks |
0.4917 |
| Average Time Between Attacks for Each Voice |
0.8735 |
| Variability of Time Between Attacks |
0.2945 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4828 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.6587 |
| Relative Note Durations of Lowest Line |
0.9819 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7208 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.07216 |
| Average Number of Independent Voices |
3.496 |
| Similar Motion |
0.1701 |
| Contrary Motion |
0.1727 |
| Oblique Motion |
0.5851 |
| Parallel Fifths |
0.005155 |
| Parallel Octaves |
0.002577 |
| Variability of Number of Independent Voices |
0.5701 |
| Voice Equality - Number of Notes |
14.45 |
| Voice Equality - Note Duration |
5.937 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.162 |
| Importance of Loudest Voice |
11.67 |