| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2358 |
| Prevalence of Second Most Common Vertical Interval |
0.2106 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8929 |
| Vertical Unisons |
0.01843 |
| Vertical Minor Seconds |
0.00612 |
| Vertical Thirds |
0.3531 |
| Vertical Tritones |
0.001715 |
| Vertical Perfect Fourths |
0.03124 |
| Vertical Perfect Fifths |
0.2358 |
| Vertical Sixths |
0.1274 |
| Vertical Sevenths |
0.03058 |
| Vertical Octaves |
0.1741 |
| Perfect Vertical Intervals |
0.4596 |
| Vertical Dissonance Ratio |
0.06373 |
| Vertical Minor Third Prevalence |
0.475 |
| Vertical Major Third Prevalence |
0.3091 |
| Chord Duration |
2.37 |
| Partial Chords |
0.5138 |
| Standard Triads |
0.3759 |
| Diminished and Augmented Triads |
0.005013 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1103 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.409 |
| Average Number of Simultaneous Pitch Classes |
2.348 |
| Variability of Number of Simultaneous Pitch Classes |
0.6428 |
| Average Number of Simultaneous Pitches |
2.75 |
| Variability of Number of Simultaneous Pitches |
0.5057 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.331 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
13.53 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2432 |
| Stepwise Motion |
0.6787 |
| Melodic Thirds |
0.1081 |
| Melodic Perfect Fourths |
0.06607 |
| Melodic Tritones |
0.003003 |
| Melodic Perfect Fifths |
0.07508 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.003003 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.6 |
| Melodic Embellishments |
0.01786 |
| Direction of Melodic Motion |
0.463 |
| Average Length of Melodic Arcs |
2.145 |
| Average Interval Spanned by Melodic Arcs |
5.31 |
| Melodic Pitch Variety |
5.143 |
| Mean Melodic Interval |
2.372 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4354 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5586 |
| Amount of Arpeggiation |
0.2523 |
| Repeated Notes |
0.06607 |
| Importance of Middle Register |
0.6429 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.14 |
| Mean Pitch Class |
5.807 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1071 |
| Prevalence of Most Common Pitch Class |
0.2351 |
| Relative Prevalence of Top Pitches |
0.8333 |
| Relative Prevalence of Top Pitch Classes |
0.6329 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.024 |
| Pitch Class Variability |
3.107 |
| Pitch Class Variability After Folding |
4.067 |
| Pitch Skewness |
0.168 |
| Pitch Class Skewness |
-1.152 |
| Pitch Class Skewness After Folding |
1.161 |
| Pitch Kurtosis |
5.0 |
| Pitch Class Kurtosis |
5.001 |
| Pitch Class Kurtosis After Folding |
4.706 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3571 |
| Note Density per Quarter Note |
0.7619 |
| Note Density per Quarter Note per Voice |
0.254 |
| Note Density per Quarter Note Variability |
0.3428 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4048 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7917 |
| Prevalence of Very Long Rhythmic Values |
0.1786 |
| Prevalence of Dotted Notes |
0.09226 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.631 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.369 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5645 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.372 |
| Rhythmic Value Skewness |
-0.4668 |
| Rhythmic Value Kurtosis |
6.888 |
| Mean Rhythmic Value Run Length |
1.585 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9723 |
| Mean Rhythmic Value Offset |
0.03571 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3768 |
| Complete Rests Fraction |
0.002249 |
| Partial Rests Fraction |
0.1746 |
| Average Rest Fraction Across Voices |
0.06877 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.549 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.136 |
| Variability Across Voices of Combined Rests |
16.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5492 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2496 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.201 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7988 |
| Rhythmic Variability - Tempo Standardized |
0.04989 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
336.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5433 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7051 |
| Variability of Note Durations |
0.4852 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3005 |
| Strength of Second Strongest Rhythmic Pulse |
0.2339 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.285 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5344 |
| Rhythmic Variability |
0.03576 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000004033 |
| Duration in Seconds |
84.81 |
| Note Density |
3.962 |
| Note Density Variability |
1.225 |
| Average Time Between Attacks |
0.4117 |
| Average Time Between Attacks for Each Voice |
0.735 |
| Variability of Time Between Attacks |
0.2377 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.8254 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.5893 |
| Relative Note Durations of Lowest Line |
1.03 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.5804 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.02915 |
| Average Number of Independent Voices |
2.8 |
| Similar Motion |
0.1224 |
| Contrary Motion |
0.2041 |
| Oblique Motion |
0.6443 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4632 |
| Voice Equality - Number of Notes |
13.53 |
| Voice Equality - Note Duration |
3.109 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.528 |
| Importance of Loudest Voice |
12.5 |