| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1956 |
| Prevalence of Second Most Common Vertical Interval |
0.1841 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9412 |
| Vertical Unisons |
0.03063 |
| Vertical Minor Seconds |
0.001759 |
| Vertical Thirds |
0.3078 |
| Vertical Tritones |
0.01692 |
| Vertical Perfect Fourths |
0.06415 |
| Vertical Perfect Fifths |
0.1789 |
| Vertical Sixths |
0.1809 |
| Vertical Sevenths |
0.02973 |
| Vertical Octaves |
0.165 |
| Perfect Vertical Intervals |
0.4387 |
| Vertical Dissonance Ratio |
0.07832 |
| Vertical Minor Third Prevalence |
0.3264 |
| Vertical Major Third Prevalence |
0.2292 |
| Chord Duration |
2.174 |
| Partial Chords |
0.6516 |
| Standard Triads |
0.2254 |
| Diminished and Augmented Triads |
0.03279 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.123 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6667 |
| Average Number of Simultaneous Pitch Classes |
2.142 |
| Variability of Number of Simultaneous Pitch Classes |
0.654 |
| Average Number of Simultaneous Pitches |
2.476 |
| Variability of Number of Simultaneous Pitches |
0.6004 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.466 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
7.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1746 |
| Stepwise Motion |
0.6389 |
| Melodic Thirds |
0.131 |
| Melodic Perfect Fourths |
0.07143 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02778 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003968 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.714 |
| Melodic Embellishments |
0.01961 |
| Direction of Melodic Motion |
0.4955 |
| Average Length of Melodic Arcs |
2.222 |
| Average Interval Spanned by Melodic Arcs |
5.283 |
| Melodic Pitch Variety |
5.039 |
| Mean Melodic Interval |
2.123 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4643 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3761 |
| Amount of Arpeggiation |
0.2897 |
| Repeated Notes |
0.127 |
| Importance of Middle Register |
0.8627 |
| Importance of High Register |
0.03137 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.62 |
| Mean Pitch Class |
5.278 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1294 |
| Prevalence of Most Common Pitch Class |
0.1882 |
| Relative Prevalence of Top Pitches |
0.8182 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.398 |
| Pitch Class Variability |
3.396 |
| Pitch Class Variability After Folding |
3.452 |
| Pitch Skewness |
0.01471 |
| Pitch Class Skewness |
0.246 |
| Pitch Class Skewness After Folding |
1.336 |
| Pitch Kurtosis |
5.236 |
| Pitch Class Kurtosis |
4.858 |
| Pitch Class Kurtosis After Folding |
6.402 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1059 |
| Note Density per Quarter Note |
0.8824 |
| Note Density per Quarter Note per Voice |
0.2941 |
| Note Density per Quarter Note Variability |
0.4182 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5961 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8588 |
| Prevalence of Very Long Rhythmic Values |
0.06275 |
| Prevalence of Dotted Notes |
0.102 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.824 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4549 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6121 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.668 |
| Rhythmic Value Skewness |
1.481 |
| Rhythmic Value Kurtosis |
13.38 |
| Mean Rhythmic Value Run Length |
1.809 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
1.055 |
| Mean Rhythmic Value Offset |
0.04706 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7515 |
| Complete Rests Fraction |
0.003431 |
| Partial Rests Fraction |
0.4187 |
| Average Rest Fraction Across Voices |
0.1557 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
36.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.749 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.645 |
| Variability Across Voices of Combined Rests |
12.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6591 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1823 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.616 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8414 |
| Rhythmic Variability - Tempo Standardized |
0.05515 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
255.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5721 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.552 |
| Variability of Note Durations |
0.3948 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
156.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2863 |
| Strength of Second Strongest Rhythmic Pulse |
0.2622 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.092 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5485 |
| Rhythmic Variability |
0.03719 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001554 |
| Duration in Seconds |
55.58 |
| Note Density |
4.588 |
| Note Density Variability |
1.862 |
| Average Time Between Attacks |
0.3622 |
| Average Time Between Attacks for Each Voice |
0.6025 |
| Variability of Time Between Attacks |
0.1456 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.5699 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.8 |
| Relative Note Durations of Lowest Line |
1.007 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7255 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.05882 |
| Average Number of Independent Voices |
2.542 |
| Similar Motion |
0.1275 |
| Contrary Motion |
0.2108 |
| Oblique Motion |
0.6029 |
| Parallel Fifths |
0.009804 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5759 |
| Voice Equality - Number of Notes |
7.0 |
| Voice Equality - Note Duration |
2.34 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.528 |
| Importance of Loudest Voice |
12.5 |