| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2109 |
| Prevalence of Second Most Common Vertical Interval |
0.2055 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9744 |
| Vertical Unisons |
0.01966 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.2973 |
| Vertical Tritones |
0.01142 |
| Vertical Perfect Fourths |
0.08651 |
| Vertical Perfect Fifths |
0.2109 |
| Vertical Sixths |
0.1512 |
| Vertical Sevenths |
0.02359 |
| Vertical Octaves |
0.1858 |
| Perfect Vertical Intervals |
0.5028 |
| Vertical Dissonance Ratio |
0.05111 |
| Vertical Minor Third Prevalence |
0.2379 |
| Vertical Major Third Prevalence |
0.3191 |
| Chord Duration |
2.887 |
| Partial Chords |
0.6501 |
| Standard Triads |
0.2822 |
| Diminished and Augmented Triads |
0.01383 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0166 |
| Non-Standard Chords |
0.05118 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.283 |
| Average Number of Simultaneous Pitch Classes |
2.087 |
| Variability of Number of Simultaneous Pitch Classes |
0.7256 |
| Average Number of Simultaneous Pitches |
2.511 |
| Variability of Number of Simultaneous Pitches |
0.9822 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.298 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
22.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1829 |
| Stepwise Motion |
0.5607 |
| Melodic Thirds |
0.1624 |
| Melodic Perfect Fourths |
0.04957 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02222 |
| Melodic Sixths |
0.001709 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01197 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.879 |
| Melodic Embellishments |
0.01698 |
| Direction of Melodic Motion |
0.463 |
| Average Length of Melodic Arcs |
1.739 |
| Average Interval Spanned by Melodic Arcs |
4.346 |
| Melodic Pitch Variety |
4.27 |
| Mean Melodic Interval |
2.043 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3778 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5068 |
| Amount of Arpeggiation |
0.388 |
| Repeated Notes |
0.1915 |
| Importance of Middle Register |
0.8048 |
| Importance of High Register |
0.01358 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.49 |
| Mean Pitch Class |
5.248 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1171 |
| Prevalence of Most Common Pitch Class |
0.1935 |
| Relative Prevalence of Top Pitches |
0.7826 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.076 |
| Pitch Class Variability |
3.699 |
| Pitch Class Variability After Folding |
3.159 |
| Pitch Skewness |
0.3246 |
| Pitch Class Skewness |
0.201 |
| Pitch Class Skewness After Folding |
1.043 |
| Pitch Kurtosis |
5.448 |
| Pitch Class Kurtosis |
4.786 |
| Pitch Class Kurtosis After Folding |
7.345 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1817 |
| Note Density per Quarter Note |
0.6451 |
| Note Density per Quarter Note per Voice |
0.1613 |
| Note Density per Quarter Note Variability |
0.3618 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4228 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8846 |
| Prevalence of Very Long Rhythmic Values |
0.1766 |
| Prevalence of Dotted Notes |
0.1121 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.796 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3599 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8538 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.567 |
| Rhythmic Value Skewness |
-0.2381 |
| Rhythmic Value Kurtosis |
8.158 |
| Mean Rhythmic Value Run Length |
1.499 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.01 |
| Mean Rhythmic Value Offset |
0.1698 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.319 |
| Complete Rests Fraction |
0.001086 |
| Partial Rests Fraction |
0.7196 |
| Average Rest Fraction Across Voices |
0.3603 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
304.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
23.09 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
68.21 |
| Variability Across Voices of Combined Rests |
49.67 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6762 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1622 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.168 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8384 |
| Rhythmic Variability - Tempo Standardized |
0.05609 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
589.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.446 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.8206 |
| Variability of Note Durations |
0.69 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.337 |
| Strength of Second Strongest Rhythmic Pulse |
0.2538 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.328 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5908 |
| Rhythmic Variability |
0.03868 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000006323 |
| Duration in Seconds |
188.9 |
| Note Density |
3.118 |
| Note Density Variability |
1.242 |
| Average Time Between Attacks |
0.5065 |
| Average Time Between Attacks for Each Voice |
1.042 |
| Variability of Time Between Attacks |
0.3173 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.3772 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.4686 |
| Relative Note Durations of Lowest Line |
1.056 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7691 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.04513 |
| Average Number of Independent Voices |
2.561 |
| Similar Motion |
0.1235 |
| Contrary Motion |
0.19 |
| Oblique Motion |
0.6413 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9893 |
| Voice Equality - Number of Notes |
22.9 |
| Voice Equality - Note Duration |
10.28 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.582 |
| Importance of Loudest Voice |
10.0 |