| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2081 |
| Prevalence of Second Most Common Vertical Interval |
0.1935 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9301 |
| Vertical Unisons |
0.02111 |
| Vertical Minor Seconds |
0.004925 |
| Vertical Thirds |
0.3686 |
| Vertical Tritones |
0.01253 |
| Vertical Perfect Fourths |
0.0815 |
| Vertical Perfect Fifths |
0.1684 |
| Vertical Sixths |
0.1144 |
| Vertical Sevenths |
0.03374 |
| Vertical Octaves |
0.1724 |
| Perfect Vertical Intervals |
0.4435 |
| Vertical Dissonance Ratio |
0.07943 |
| Vertical Minor Third Prevalence |
0.4955 |
| Vertical Major Third Prevalence |
0.4397 |
| Chord Duration |
1.931 |
| Partial Chords |
0.4675 |
| Standard Triads |
0.4 |
| Diminished and Augmented Triads |
0.004819 |
| Dominant Seventh Chords |
0.00241 |
| Seventh Chords |
0.009639 |
| Non-Standard Chords |
0.1229 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.721 |
| Average Number of Simultaneous Pitch Classes |
2.46 |
| Variability of Number of Simultaneous Pitch Classes |
0.69 |
| Average Number of Simultaneous Pitches |
3.047 |
| Variability of Number of Simultaneous Pitches |
0.9186 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.587 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.06 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2685 |
| Stepwise Motion |
0.6868 |
| Melodic Thirds |
0.1186 |
| Melodic Perfect Fourths |
0.03132 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01566 |
| Melodic Sixths |
0.006711 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002237 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.312 |
| Melodic Embellishments |
0.03104 |
| Direction of Melodic Motion |
0.4519 |
| Average Length of Melodic Arcs |
2.016 |
| Average Interval Spanned by Melodic Arcs |
4.225 |
| Melodic Pitch Variety |
4.413 |
| Mean Melodic Interval |
1.846 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4183 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6417 |
| Amount of Arpeggiation |
0.2752 |
| Repeated Notes |
0.1387 |
| Importance of Middle Register |
0.7849 |
| Importance of High Register |
0.1109 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.8 |
| Mean Pitch Class |
5.41 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1508 |
| Prevalence of Most Common Pitch Class |
0.2129 |
| Relative Prevalence of Top Pitches |
0.6471 |
| Relative Prevalence of Top Pitch Classes |
0.7188 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.097 |
| Pitch Class Variability |
3.498 |
| Pitch Class Variability After Folding |
3.537 |
| Pitch Skewness |
-0.8182 |
| Pitch Class Skewness |
0.3518 |
| Pitch Class Skewness After Folding |
0.9158 |
| Pitch Kurtosis |
5.402 |
| Pitch Class Kurtosis |
4.801 |
| Pitch Class Kurtosis After Folding |
5.817 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1042 |
| Note Density per Quarter Note |
1.004 |
| Note Density per Quarter Note per Voice |
0.2511 |
| Note Density per Quarter Note Variability |
0.5261 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5011 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7583 |
| Prevalence of Very Long Rhythmic Values |
0.09313 |
| Prevalence of Dotted Notes |
0.08869 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.069 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3415 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7597 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.037 |
| Rhythmic Value Skewness |
1.574 |
| Rhythmic Value Kurtosis |
9.113 |
| Mean Rhythmic Value Run Length |
1.683 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9944 |
| Mean Rhythmic Value Offset |
0.03548 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3754 |
| Complete Rests Fraction |
0.002209 |
| Partial Rests Fraction |
0.559 |
| Average Rest Fraction Across Voices |
0.2205 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.899 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.51 |
| Variability Across Voices of Combined Rests |
14.79 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5554 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2326 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.388 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7881 |
| Rhythmic Variability - Tempo Standardized |
0.05008 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
451.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.12 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
3.31 |
| Average Note Duration |
0.6423 |
| Variability of Note Durations |
0.4591 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2773 |
| Strength of Second Strongest Rhythmic Pulse |
0.2324 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.193 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5098 |
| Rhythmic Variability |
0.03518 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000001962 |
| Duration in Seconds |
92.9 |
| Note Density |
4.855 |
| Note Density Variability |
1.882 |
| Average Time Between Attacks |
0.3729 |
| Average Time Between Attacks for Each Voice |
0.7783 |
| Variability of Time Between Attacks |
0.215 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.3968 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
0.6386 |
| Relative Note Durations of Lowest Line |
1.091 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7539 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.06122 |
| Average Number of Independent Voices |
3.125 |
| Similar Motion |
0.1122 |
| Contrary Motion |
0.1653 |
| Oblique Motion |
0.6612 |
| Parallel Fifths |
0.002041 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8977 |
| Voice Equality - Number of Notes |
11.06 |
| Voice Equality - Note Duration |
3.059 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
10.0 |