| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2174 |
| Prevalence of Second Most Common Vertical Interval |
0.1747 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8034 |
| Vertical Unisons |
0.03608 |
| Vertical Minor Seconds |
0.003373 |
| Vertical Thirds |
0.3191 |
| Vertical Tritones |
0.005307 |
| Vertical Perfect Fourths |
0.1014 |
| Vertical Perfect Fifths |
0.1747 |
| Vertical Sixths |
0.1354 |
| Vertical Sevenths |
0.02669 |
| Vertical Octaves |
0.1813 |
| Perfect Vertical Intervals |
0.4935 |
| Vertical Dissonance Ratio |
0.05489 |
| Vertical Minor Third Prevalence |
0.4268 |
| Vertical Major Third Prevalence |
0.3993 |
| Chord Duration |
2.603 |
| Partial Chords |
0.4762 |
| Standard Triads |
0.4016 |
| Diminished and Augmented Triads |
0.01172 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.004318 |
| Non-Standard Chords |
0.1178 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.35 |
| Average Number of Simultaneous Pitch Classes |
2.43 |
| Variability of Number of Simultaneous Pitch Classes |
0.6508 |
| Average Number of Simultaneous Pitches |
3.023 |
| Variability of Number of Simultaneous Pitches |
0.809 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
4.855 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
190.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2018 |
| Stepwise Motion |
0.6412 |
| Melodic Thirds |
0.1318 |
| Melodic Perfect Fourths |
0.07188 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06053 |
| Melodic Sixths |
0.005044 |
| Melodic Sevenths |
0.0006305 |
| Melodic Octaves |
0.01198 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.986 |
| Melodic Embellishments |
0.02138 |
| Direction of Melodic Motion |
0.457 |
| Average Length of Melodic Arcs |
1.758 |
| Average Interval Spanned by Melodic Arcs |
4.738 |
| Melodic Pitch Variety |
5.054 |
| Mean Melodic Interval |
2.495 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4395 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4591 |
| Amount of Arpeggiation |
0.2818 |
| Repeated Notes |
0.07692 |
| Importance of Middle Register |
0.8302 |
| Importance of High Register |
0.03333 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.41 |
| Mean Pitch Class |
5.284 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.105 |
| Prevalence of Most Common Pitch Class |
0.1994 |
| Relative Prevalence of Top Pitches |
0.976 |
| Relative Prevalence of Top Pitch Classes |
0.8612 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.767 |
| Pitch Class Variability |
3.373 |
| Pitch Class Variability After Folding |
3.91 |
| Pitch Skewness |
-0.0764 |
| Pitch Class Skewness |
0.2529 |
| Pitch Class Skewness After Folding |
1.518 |
| Pitch Kurtosis |
5.154 |
| Pitch Class Kurtosis |
4.725 |
| Pitch Class Kurtosis After Folding |
5.174 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1365 |
| Note Density per Quarter Note |
0.9091 |
| Note Density per Quarter Note per Voice |
0.2273 |
| Note Density per Quarter Note Variability |
0.4559 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002516 |
| Prevalence of Medium Rhythmic Values |
0.5226 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7692 |
| Prevalence of Very Long Rhythmic Values |
0.1572 |
| Prevalence of Dotted Notes |
0.1384 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.33 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2918 |
| Relative Prevalence of Most Common Rhythmic Values |
0.819 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.54 |
| Rhythmic Value Skewness |
1.57 |
| Rhythmic Value Kurtosis |
8.321 |
| Mean Rhythmic Value Run Length |
1.485 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.936 |
| Mean Rhythmic Value Offset |
0.1434 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.131 |
| Complete Rests Fraction |
0.0005455 |
| Partial Rests Fraction |
0.5894 |
| Average Rest Fraction Across Voices |
0.2062 |
| Longest Complete Rest |
0.9541 |
| Longest Partial Rest |
346.4 |
| Mean Complete Rest Duration |
0.9541 |
| Mean Partial Rest Duration |
17.38 |
| Median Complete Rest Duration |
0.9541 |
| Median Partial Rest Duration |
3.849 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
48.62 |
| Variability Across Voices of Combined Rests |
340.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5302 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2355 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.251 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7658 |
| Rhythmic Variability - Tempo Standardized |
0.04899 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1590.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.998 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7562 |
| Variability of Note Durations |
0.7145 |
| Amount of Staccato |
0.002516 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
279.5 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2479 |
| Strength of Second Strongest Rhythmic Pulse |
0.2381 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.041 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.486 |
| Rhythmic Variability |
0.03424 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
24.37 |
| Duration in Seconds |
378.7 |
| Note Density |
4.198 |
| Note Density Variability |
1.395 |
| Average Time Between Attacks |
0.4436 |
| Average Time Between Attacks for Each Voice |
1.359 |
| Variability of Time Between Attacks |
0.3207 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.4263 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.1736 |
| Relative Note Durations of Lowest Line |
0.9236 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8384 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.06432 |
| Average Number of Independent Voices |
3.159 |
| Similar Motion |
0.1572 |
| Contrary Motion |
0.1793 |
| Oblique Motion |
0.5992 |
| Parallel Fifths |
0.003574 |
| Parallel Octaves |
0.001787 |
| Variability of Number of Independent Voices |
0.8025 |
| Voice Equality - Number of Notes |
190.9 |
| Voice Equality - Note Duration |
73.64 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.082 |
| Importance of Loudest Voice |
10.0 |