| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.209 |
| Prevalence of Second Most Common Vertical Interval |
0.1976 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9455 |
| Vertical Unisons |
0.01993 |
| Vertical Minor Seconds |
0.00301 |
| Vertical Thirds |
0.3406 |
| Vertical Tritones |
0.007005 |
| Vertical Perfect Fourths |
0.08879 |
| Vertical Perfect Fifths |
0.1856 |
| Vertical Sixths |
0.1364 |
| Vertical Sevenths |
0.01899 |
| Vertical Octaves |
0.1891 |
| Perfect Vertical Intervals |
0.4834 |
| Vertical Dissonance Ratio |
0.04114 |
| Vertical Minor Third Prevalence |
0.4829 |
| Vertical Major Third Prevalence |
0.6067 |
| Chord Duration |
3.248 |
| Partial Chords |
0.3718 |
| Standard Triads |
0.4996 |
| Diminished and Augmented Triads |
0.00974 |
| Dominant Seventh Chords |
0.00487 |
| Seventh Chords |
0.01949 |
| Non-Standard Chords |
0.1092 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.069 |
| Average Number of Simultaneous Pitch Classes |
2.632 |
| Variability of Number of Simultaneous Pitch Classes |
0.5971 |
| Average Number of Simultaneous Pitches |
3.444 |
| Variability of Number of Simultaneous Pitches |
0.8268 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.357 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
17.73 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1586 |
| Stepwise Motion |
0.5557 |
| Melodic Thirds |
0.1303 |
| Melodic Perfect Fourths |
0.0675 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02198 |
| Melodic Sixths |
0.00157 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00314 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.306 |
| Melodic Embellishments |
0.0234 |
| Direction of Melodic Motion |
0.4789 |
| Average Length of Melodic Arcs |
1.814 |
| Average Interval Spanned by Melodic Arcs |
4.46 |
| Melodic Pitch Variety |
4.363 |
| Mean Melodic Interval |
1.943 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3972 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5534 |
| Amount of Arpeggiation |
0.3752 |
| Repeated Notes |
0.2198 |
| Importance of Middle Register |
0.3432 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
50.53 |
| Mean Pitch Class |
5.1 |
| Most Common Pitch |
46.0 |
| Most Common Pitch Class |
10.0 |
| Prevalence of Most Common Pitch |
0.1108 |
| Prevalence of Most Common Pitch Class |
0.1919 |
| Relative Prevalence of Top Pitches |
0.9718 |
| Relative Prevalence of Top Pitch Classes |
0.9106 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
8.0 |
| Pitch Variability |
7.015 |
| Pitch Class Variability |
3.527 |
| Pitch Class Variability After Folding |
4.447 |
| Pitch Skewness |
0.381 |
| Pitch Class Skewness |
0.08491 |
| Pitch Class Skewness After Folding |
1.65 |
| Pitch Kurtosis |
5.425 |
| Pitch Class Kurtosis |
4.669 |
| Pitch Class Kurtosis After Folding |
4.206 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
34.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.6568 |
| Note Density per Quarter Note |
0.7622 |
| Note Density per Quarter Note per Voice |
0.1905 |
| Note Density per Quarter Note Variability |
0.3285 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1794 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9548 |
| Prevalence of Very Long Rhythmic Values |
0.2917 |
| Prevalence of Dotted Notes |
0.2356 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.587 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4462 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3846 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.266 |
| Rhythmic Value Skewness |
0.7775 |
| Rhythmic Value Kurtosis |
6.894 |
| Mean Rhythmic Value Run Length |
1.571 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.042 |
| Mean Rhythmic Value Offset |
0.1849 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.275 |
| Complete Rests Fraction |
0.001179 |
| Partial Rests Fraction |
0.2771 |
| Average Rest Fraction Across Voices |
0.1159 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.724 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.466 |
| Variability Across Voices of Combined Rests |
33.52 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.333 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5656 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2245 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.52 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7901 |
| Rhythmic Variability - Tempo Standardized |
0.04902 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
641.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8827 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.9666 |
| Variability of Note Durations |
0.6083 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4103 |
| Strength of Second Strongest Rhythmic Pulse |
0.198 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.072 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6084 |
| Rhythmic Variability |
0.03887 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001472 |
| Duration in Seconds |
175.2 |
| Note Density |
3.659 |
| Note Density Variability |
1.323 |
| Average Time Between Attacks |
0.5693 |
| Average Time Between Attacks for Each Voice |
1.08 |
| Variability of Time Between Attacks |
0.275 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.5 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.3682 |
| Relative Note Durations of Lowest Line |
1.082 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.741 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04421 |
| Average Number of Independent Voices |
3.54 |
| Similar Motion |
0.1296 |
| Contrary Motion |
0.1768 |
| Oblique Motion |
0.6494 |
| Parallel Fifths |
0.001524 |
| Parallel Octaves |
0.003049 |
| Variability of Number of Independent Voices |
0.7963 |
| Voice Equality - Number of Notes |
17.73 |
| Voice Equality - Note Duration |
6.983 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.594 |
| Importance of Loudest Voice |
10.0 |