| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2297 |
| Prevalence of Second Most Common Vertical Interval |
0.1979 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8613 |
| Vertical Unisons |
0.02993 |
| Vertical Minor Seconds |
0.005795 |
| Vertical Thirds |
0.2564 |
| Vertical Tritones |
0.01241 |
| Vertical Perfect Fourths |
0.09395 |
| Vertical Perfect Fifths |
0.1979 |
| Vertical Sixths |
0.1395 |
| Vertical Sevenths |
0.03958 |
| Vertical Octaves |
0.1998 |
| Perfect Vertical Intervals |
0.5216 |
| Vertical Dissonance Ratio |
0.08988 |
| Vertical Minor Third Prevalence |
0.3136 |
| Vertical Major Third Prevalence |
0.2871 |
| Chord Duration |
1.981 |
| Partial Chords |
0.5857 |
| Standard Triads |
0.2661 |
| Diminished and Augmented Triads |
0.009721 |
| Dominant Seventh Chords |
0.00486 |
| Seventh Chords |
0.02066 |
| Non-Standard Chords |
0.1276 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9554 |
| Average Number of Simultaneous Pitch Classes |
2.284 |
| Variability of Number of Simultaneous Pitch Classes |
0.7492 |
| Average Number of Simultaneous Pitches |
2.846 |
| Variability of Number of Simultaneous Pitches |
0.9855 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.522 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
35.33 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2288 |
| Stepwise Motion |
0.7327 |
| Melodic Thirds |
0.08911 |
| Melodic Perfect Fourths |
0.06601 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0407 |
| Melodic Sixths |
0.0022 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0033 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.05 |
| Melodic Embellishments |
0.01752 |
| Direction of Melodic Motion |
0.4747 |
| Average Length of Melodic Arcs |
1.961 |
| Average Interval Spanned by Melodic Arcs |
4.577 |
| Melodic Pitch Variety |
4.695 |
| Mean Melodic Interval |
2.199 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5039 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4541 |
| Amount of Arpeggiation |
0.1991 |
| Repeated Notes |
0.06601 |
| Importance of Middle Register |
0.782 |
| Importance of High Register |
0.02081 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.19 |
| Mean Pitch Class |
5.394 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1161 |
| Prevalence of Most Common Pitch Class |
0.1917 |
| Relative Prevalence of Top Pitches |
0.6792 |
| Relative Prevalence of Top Pitch Classes |
0.8343 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.115 |
| Pitch Class Variability |
3.438 |
| Pitch Class Variability After Folding |
3.915 |
| Pitch Skewness |
-0.586 |
| Pitch Class Skewness |
0.3441 |
| Pitch Class Skewness After Folding |
0.9232 |
| Pitch Kurtosis |
5.246 |
| Pitch Class Kurtosis |
4.661 |
| Pitch Class Kurtosis After Folding |
5.006 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1972 |
| Note Density per Quarter Note |
0.9661 |
| Note Density per Quarter Note per Voice |
0.2415 |
| Note Density per Quarter Note Variability |
0.5047 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01314 |
| Prevalence of Medium Rhythmic Values |
0.5214 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7448 |
| Prevalence of Very Long Rhythmic Values |
0.1008 |
| Prevalence of Dotted Notes |
0.138 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.019 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2804 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9492 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.158 |
| Rhythmic Value Skewness |
1.416 |
| Rhythmic Value Kurtosis |
10.03 |
| Mean Rhythmic Value Run Length |
1.499 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8924 |
| Mean Rhythmic Value Offset |
0.03067 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3491 |
| Complete Rests Fraction |
0.0009312 |
| Partial Rests Fraction |
0.593 |
| Average Rest Fraction Across Voices |
0.2678 |
| Longest Complete Rest |
0.8799 |
| Longest Partial Rest |
70.99 |
| Mean Complete Rest Duration |
0.8799 |
| Mean Partial Rest Duration |
16.6 |
| Median Complete Rest Duration |
0.8799 |
| Median Partial Rest Duration |
3.549 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.55 |
| Variability Across Voices of Combined Rests |
43.55 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5066 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2455 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.063 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7521 |
| Rhythmic Variability - Tempo Standardized |
0.04812 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
913.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.631 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7068 |
| Variability of Note Durations |
0.528 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
260.5 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.2677 |
| Strength of Second Strongest Rhythmic Pulse |
0.2622 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.021 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5298 |
| Rhythmic Variability |
0.03672 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
29.0 |
| Duration in Seconds |
220.3 |
| Note Density |
4.144 |
| Note Density Variability |
1.701 |
| Average Time Between Attacks |
0.4042 |
| Average Time Between Attacks for Each Voice |
0.9349 |
| Variability of Time Between Attacks |
0.2728 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.6263 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.2979 |
| Relative Note Durations of Lowest Line |
1.089 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7579 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.03232 |
| Average Number of Independent Voices |
2.949 |
| Similar Motion |
0.1107 |
| Contrary Motion |
0.1587 |
| Oblique Motion |
0.6983 |
| Parallel Fifths |
0.002938 |
| Parallel Octaves |
0.001959 |
| Variability of Number of Independent Voices |
0.9642 |
| Voice Equality - Number of Notes |
35.33 |
| Voice Equality - Note Duration |
10.15 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
10.0 |