| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2181 |
| Prevalence of Second Most Common Vertical Interval |
0.2082 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9547 |
| Vertical Unisons |
0.01688 |
| Vertical Minor Seconds |
0.001137 |
| Vertical Thirds |
0.3261 |
| Vertical Tritones |
0.004763 |
| Vertical Perfect Fourths |
0.09635 |
| Vertical Perfect Fifths |
0.1839 |
| Vertical Sixths |
0.1601 |
| Vertical Sevenths |
0.01034 |
| Vertical Octaves |
0.1914 |
| Perfect Vertical Intervals |
0.4885 |
| Vertical Dissonance Ratio |
0.02593 |
| Vertical Minor Third Prevalence |
0.4916 |
| Vertical Major Third Prevalence |
0.7213 |
| Chord Duration |
3.992 |
| Partial Chords |
0.2568 |
| Standard Triads |
0.6616 |
| Diminished and Augmented Triads |
0.01361 |
| Dominant Seventh Chords |
0.003401 |
| Seventh Chords |
0.01361 |
| Non-Standard Chords |
0.06803 |
| Complex Chords |
0.003401 |
| Minor Major Triad Ratio |
0.4904 |
| Average Number of Simultaneous Pitch Classes |
2.775 |
| Variability of Number of Simultaneous Pitch Classes |
0.5313 |
| Average Number of Simultaneous Pitches |
3.838 |
| Variability of Number of Simultaneous Pitches |
0.8427 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.763 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
12.87 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1591 |
| Stepwise Motion |
0.5429 |
| Melodic Thirds |
0.1692 |
| Melodic Perfect Fourths |
0.07828 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02525 |
| Melodic Sixths |
0.002525 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.045 |
| Melodic Embellishments |
0.05486 |
| Direction of Melodic Motion |
0.5062 |
| Average Length of Melodic Arcs |
1.742 |
| Average Interval Spanned by Melodic Arcs |
4.349 |
| Melodic Pitch Variety |
4.169 |
| Mean Melodic Interval |
2.081 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3838 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4737 |
| Amount of Arpeggiation |
0.3763 |
| Repeated Notes |
0.1818 |
| Importance of Middle Register |
0.3741 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
49.73 |
| Mean Pitch Class |
5.292 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1147 |
| Prevalence of Most Common Pitch Class |
0.1845 |
| Relative Prevalence of Top Pitches |
0.7609 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
9.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.705 |
| Pitch Class Variability |
3.379 |
| Pitch Class Variability After Folding |
4.449 |
| Pitch Skewness |
-0.2962 |
| Pitch Class Skewness |
0.2591 |
| Pitch Class Skewness After Folding |
-1.564 |
| Pitch Kurtosis |
5.147 |
| Pitch Class Kurtosis |
4.802 |
| Pitch Class Kurtosis After Folding |
4.199 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
34.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.6259 |
| Note Density per Quarter Note |
0.6762 |
| Note Density per Quarter Note per Voice |
0.1352 |
| Note Density per Quarter Note Variability |
0.3844 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2544 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9776 |
| Prevalence of Very Long Rhythmic Values |
0.4364 |
| Prevalence of Dotted Notes |
0.212 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.277 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3017 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7686 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.974 |
| Rhythmic Value Skewness |
1.288 |
| Rhythmic Value Kurtosis |
5.768 |
| Mean Rhythmic Value Run Length |
1.341 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8052 |
| Mean Rhythmic Value Offset |
0.5387 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.834 |
| Complete Rests Fraction |
0.001672 |
| Partial Rests Fraction |
0.7673 |
| Average Rest Fraction Across Voices |
0.2135 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
328.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
15.82 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
51.29 |
| Variability Across Voices of Combined Rests |
141.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8937 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.06172 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
14.48 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9554 |
| Rhythmic Variability - Tempo Standardized |
0.07064 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
401.0 |
| Initial Tempo |
400.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9236 |
| Minimum Note Duration |
0.15 |
| Maximum Note Duration |
7.2 |
| Average Note Duration |
0.8723 |
| Variability of Note Durations |
0.7369 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
400.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.282 |
| Strength of Second Strongest Rhythmic Pulse |
0.2261 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.247 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5081 |
| Rhythmic Variability |
0.03502 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
88.95 |
| Note Density |
4.508 |
| Note Density Variability |
1.456 |
| Average Time Between Attacks |
0.5135 |
| Average Time Between Attacks for Each Voice |
0.9717 |
| Variability of Time Between Attacks |
0.3202 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.2895 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.7232 |
| Relative Note Durations of Lowest Line |
1.056 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.8928 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.05882 |
| Average Number of Independent Voices |
3.939 |
| Similar Motion |
0.1578 |
| Contrary Motion |
0.1684 |
| Oblique Motion |
0.615 |
| Parallel Fifths |
0.005348 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8361 |
| Voice Equality - Number of Notes |
31.17 |
| Voice Equality - Note Duration |
21.29 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.789 |
| Importance of Loudest Voice |
12.5 |