| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.221 |
| Prevalence of Second Most Common Vertical Interval |
0.167 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7558 |
| Vertical Unisons |
0.06036 |
| Vertical Minor Seconds |
0.005231 |
| Vertical Thirds |
0.2877 |
| Vertical Tritones |
0.01606 |
| Vertical Perfect Fourths |
0.1052 |
| Vertical Perfect Fifths |
0.167 |
| Vertical Sixths |
0.1307 |
| Vertical Sevenths |
0.03572 |
| Vertical Octaves |
0.1606 |
| Perfect Vertical Intervals |
0.4932 |
| Vertical Dissonance Ratio |
0.09699 |
| Vertical Minor Third Prevalence |
0.4963 |
| Vertical Major Third Prevalence |
0.4012 |
| Chord Duration |
1.845 |
| Partial Chords |
0.3722 |
| Standard Triads |
0.3628 |
| Diminished and Augmented Triads |
0.04685 |
| Dominant Seventh Chords |
0.002677 |
| Seventh Chords |
0.01473 |
| Non-Standard Chords |
0.2503 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4492 |
| Average Number of Simultaneous Pitch Classes |
2.581 |
| Variability of Number of Simultaneous Pitch Classes |
0.706 |
| Average Number of Simultaneous Pitches |
3.224 |
| Variability of Number of Simultaneous Pitches |
0.9702 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.084 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
30.76 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2375 |
| Stepwise Motion |
0.667 |
| Melodic Thirds |
0.175 |
| Melodic Perfect Fourths |
0.06681 |
| Melodic Tritones |
0.00106 |
| Melodic Perfect Fifths |
0.03075 |
| Melodic Sixths |
0.00106 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01485 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.797 |
| Melodic Embellishments |
0.03059 |
| Direction of Melodic Motion |
0.48 |
| Average Length of Melodic Arcs |
1.891 |
| Average Interval Spanned by Melodic Arcs |
4.748 |
| Melodic Pitch Variety |
5.306 |
| Mean Melodic Interval |
2.426 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4295 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5531 |
| Amount of Arpeggiation |
0.2641 |
| Repeated Notes |
0.04348 |
| Importance of Middle Register |
0.7532 |
| Importance of High Register |
0.01477 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.83 |
| Mean Pitch Class |
5.284 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1192 |
| Prevalence of Most Common Pitch Class |
0.1951 |
| Relative Prevalence of Top Pitches |
0.7788 |
| Relative Prevalence of Top Pitch Classes |
0.8486 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.933 |
| Pitch Class Variability |
3.507 |
| Pitch Class Variability After Folding |
3.242 |
| Pitch Skewness |
0.1228 |
| Pitch Class Skewness |
0.2428 |
| Pitch Class Skewness After Folding |
1.288 |
| Pitch Kurtosis |
5.453 |
| Pitch Class Kurtosis |
4.881 |
| Pitch Class Kurtosis After Folding |
6.866 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2321 |
| Note Density per Quarter Note |
1.184 |
| Note Density per Quarter Note per Voice |
0.2367 |
| Note Density per Quarter Note Variability |
0.6065 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.596 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7321 |
| Prevalence of Very Long Rhythmic Values |
0.08017 |
| Prevalence of Dotted Notes |
0.1108 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.85 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3281 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8167 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.178 |
| Rhythmic Value Skewness |
1.171 |
| Rhythmic Value Kurtosis |
11.36 |
| Mean Rhythmic Value Run Length |
1.618 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.208 |
| Mean Rhythmic Value Offset |
0.1139 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9212 |
| Complete Rests Fraction |
0.001331 |
| Partial Rests Fraction |
0.8212 |
| Average Rest Fraction Across Voices |
0.299 |
| Longest Complete Rest |
1.066 |
| Longest Partial Rest |
83.86 |
| Mean Complete Rest Duration |
1.066 |
| Mean Partial Rest Duration |
17.35 |
| Median Complete Rest Duration |
1.066 |
| Median Partial Rest Duration |
10.75 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.18 |
| Variability Across Voices of Combined Rests |
105.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5088 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2507 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.029 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7595 |
| Rhythmic Variability - Tempo Standardized |
0.04831 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
948.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.898 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7124 |
| Variability of Note Durations |
0.6576 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.3 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
63.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2621 |
| Strength of Second Strongest Rhythmic Pulse |
0.2607 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.006 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5228 |
| Rhythmic Variability |
0.03678 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
27.66 |
| Duration in Seconds |
192.7 |
| Note Density |
4.92 |
| Note Density Variability |
1.822 |
| Average Time Between Attacks |
0.3888 |
| Average Time Between Attacks for Each Voice |
1.021 |
| Variability of Time Between Attacks |
0.2318 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4681 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.3534 |
| Relative Note Durations of Lowest Line |
1.098 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8713 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.217 |
| Parallel Motion |
0.04158 |
| Average Number of Independent Voices |
3.513 |
| Similar Motion |
0.1166 |
| Contrary Motion |
0.1613 |
| Oblique Motion |
0.6805 |
| Parallel Fifths |
0.002028 |
| Parallel Octaves |
0.001014 |
| Variability of Number of Independent Voices |
1.02 |
| Voice Equality - Number of Notes |
48.72 |
| Voice Equality - Note Duration |
25.36 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.168 |
| Importance of Loudest Voice |
10.0 |