| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2262 |
| Prevalence of Second Most Common Vertical Interval |
0.1812 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.801 |
| Vertical Unisons |
0.02858 |
| Vertical Minor Seconds |
0.002902 |
| Vertical Thirds |
0.2847 |
| Vertical Tritones |
0.008979 |
| Vertical Perfect Fourths |
0.112 |
| Vertical Perfect Fifths |
0.1812 |
| Vertical Sixths |
0.1406 |
| Vertical Sevenths |
0.02482 |
| Vertical Octaves |
0.1976 |
| Perfect Vertical Intervals |
0.5193 |
| Vertical Dissonance Ratio |
0.05859 |
| Vertical Minor Third Prevalence |
0.537 |
| Vertical Major Third Prevalence |
0.5822 |
| Chord Duration |
2.03 |
| Partial Chords |
0.2512 |
| Standard Triads |
0.5457 |
| Diminished and Augmented Triads |
0.02644 |
| Dominant Seventh Chords |
0.003606 |
| Seventh Chords |
0.02644 |
| Non-Standard Chords |
0.1767 |
| Complex Chords |
0.002404 |
| Minor Major Triad Ratio |
0.4012 |
| Average Number of Simultaneous Pitch Classes |
2.767 |
| Variability of Number of Simultaneous Pitch Classes |
0.6511 |
| Average Number of Simultaneous Pitches |
3.833 |
| Variability of Number of Simultaneous Pitches |
0.9801 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.25 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
73.79 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1926 |
| Stepwise Motion |
0.5833 |
| Melodic Thirds |
0.1528 |
| Melodic Perfect Fourths |
0.08241 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03704 |
| Melodic Sixths |
0.0009259 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007407 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9412 |
| Melodic Embellishments |
0.01935 |
| Direction of Melodic Motion |
0.5038 |
| Average Length of Melodic Arcs |
1.822 |
| Average Interval Spanned by Melodic Arcs |
4.773 |
| Melodic Pitch Variety |
4.718 |
| Mean Melodic Interval |
2.28 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3907 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4929 |
| Amount of Arpeggiation |
0.3333 |
| Repeated Notes |
0.1361 |
| Importance of Middle Register |
0.7032 |
| Importance of High Register |
0.01382 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.44 |
| Mean Pitch Class |
5.19 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.0977 |
| Prevalence of Most Common Pitch Class |
0.1945 |
| Relative Prevalence of Top Pitches |
0.8774 |
| Relative Prevalence of Top Pitch Classes |
0.8815 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.792 |
| Pitch Class Variability |
3.574 |
| Pitch Class Variability After Folding |
3.168 |
| Pitch Skewness |
-0.07381 |
| Pitch Class Skewness |
0.1594 |
| Pitch Class Skewness After Folding |
1.141 |
| Pitch Kurtosis |
5.29 |
| Pitch Class Kurtosis |
4.866 |
| Pitch Class Kurtosis After Folding |
7.194 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2829 |
| Note Density per Quarter Note |
1.254 |
| Note Density per Quarter Note per Voice |
0.2509 |
| Note Density per Quarter Note Variability |
0.5776 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5604 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7659 |
| Prevalence of Very Long Rhythmic Values |
0.1088 |
| Prevalence of Dotted Notes |
0.1272 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.094 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3263 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7345 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.401 |
| Rhythmic Value Skewness |
1.367 |
| Rhythmic Value Kurtosis |
10.07 |
| Mean Rhythmic Value Run Length |
1.46 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9392 |
| Mean Rhythmic Value Offset |
0.1069 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.911 |
| Complete Rests Fraction |
0.001013 |
| Partial Rests Fraction |
0.6318 |
| Average Rest Fraction Across Voices |
0.1976 |
| Longest Complete Rest |
0.8762 |
| Longest Partial Rest |
53.01 |
| Mean Complete Rest Duration |
0.8762 |
| Mean Partial Rest Duration |
9.823 |
| Median Complete Rest Duration |
0.8762 |
| Median Partial Rest Duration |
4.418 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.23 |
| Variability Across Voices of Combined Rests |
35.67 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5327 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2353 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.264 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.768 |
| Rhythmic Variability - Tempo Standardized |
0.04916 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1085.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.282 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.749 |
| Variability of Note Durations |
0.6758 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
259.4 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2801 |
| Strength of Second Strongest Rhythmic Pulse |
0.2608 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.074 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5409 |
| Rhythmic Variability |
0.03727 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
28.96 |
| Duration in Seconds |
202.6 |
| Note Density |
5.357 |
| Note Density Variability |
1.91 |
| Average Time Between Attacks |
0.387 |
| Average Time Between Attacks for Each Voice |
0.9325 |
| Variability of Time Between Attacks |
0.2538 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.5353 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.3134 |
| Relative Note Durations of Lowest Line |
1.077 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.826 |
| Parallel Motion |
0.02948 |
| Average Number of Independent Voices |
4.02 |
| Similar Motion |
0.1299 |
| Contrary Motion |
0.1323 |
| Oblique Motion |
0.7084 |
| Parallel Fifths |
0.00239 |
| Parallel Octaves |
0.0007968 |
| Variability of Number of Independent Voices |
0.9817 |
| Voice Equality - Number of Notes |
45.71 |
| Voice Equality - Note Duration |
8.352 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.304 |
| Importance of Loudest Voice |
12.5 |