| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2436 |
| Prevalence of Second Most Common Vertical Interval |
0.1836 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7539 |
| Vertical Unisons |
0.05346 |
| Vertical Minor Seconds |
0.003021 |
| Vertical Thirds |
0.2844 |
| Vertical Tritones |
0.01276 |
| Vertical Perfect Fourths |
0.09065 |
| Vertical Perfect Fifths |
0.1836 |
| Vertical Sixths |
0.124 |
| Vertical Sevenths |
0.02875 |
| Vertical Octaves |
0.1901 |
| Perfect Vertical Intervals |
0.5179 |
| Vertical Dissonance Ratio |
0.07966 |
| Vertical Minor Third Prevalence |
0.4345 |
| Vertical Major Third Prevalence |
0.4233 |
| Chord Duration |
1.904 |
| Partial Chords |
0.4349 |
| Standard Triads |
0.3578 |
| Diminished and Augmented Triads |
0.02272 |
| Dominant Seventh Chords |
0.006745 |
| Seventh Chords |
0.03053 |
| Non-Standard Chords |
0.1768 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5 |
| Average Number of Simultaneous Pitch Classes |
2.517 |
| Variability of Number of Simultaneous Pitch Classes |
0.7102 |
| Average Number of Simultaneous Pitches |
3.256 |
| Variability of Number of Simultaneous Pitches |
0.9625 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.914 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
69.41 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2121 |
| Stepwise Motion |
0.6578 |
| Melodic Thirds |
0.123 |
| Melodic Perfect Fourths |
0.05704 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04367 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01248 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.136 |
| Melodic Embellishments |
0.01863 |
| Direction of Melodic Motion |
0.4945 |
| Average Length of Melodic Arcs |
1.963 |
| Average Interval Spanned by Melodic Arcs |
4.914 |
| Melodic Pitch Variety |
5.2 |
| Mean Melodic Interval |
2.252 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4456 |
| Relative Prevalence of Most Common Melodic Intervals |
0.476 |
| Amount of Arpeggiation |
0.2852 |
| Repeated Notes |
0.1061 |
| Importance of Middle Register |
0.7205 |
| Importance of High Register |
0.01154 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.4 |
| Mean Pitch Class |
5.273 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1189 |
| Prevalence of Most Common Pitch Class |
0.2174 |
| Relative Prevalence of Top Pitches |
0.7015 |
| Relative Prevalence of Top Pitch Classes |
0.7143 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.003 |
| Pitch Class Variability |
3.345 |
| Pitch Class Variability After Folding |
3.368 |
| Pitch Skewness |
-0.0631 |
| Pitch Class Skewness |
0.2451 |
| Pitch Class Skewness After Folding |
1.298 |
| Pitch Kurtosis |
5.307 |
| Pitch Class Kurtosis |
4.987 |
| Pitch Class Kurtosis After Folding |
6.619 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.268 |
| Note Density per Quarter Note |
1.117 |
| Note Density per Quarter Note per Voice |
0.2234 |
| Note Density per Quarter Note Variability |
0.5125 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5359 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6965 |
| Prevalence of Very Long Rhythmic Values |
0.11 |
| Prevalence of Dotted Notes |
0.1553 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.064 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2848 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8879 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.289 |
| Rhythmic Value Skewness |
1.395 |
| Rhythmic Value Kurtosis |
9.431 |
| Mean Rhythmic Value Run Length |
1.71 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.356 |
| Mean Rhythmic Value Offset |
0.09598 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6475 |
| Complete Rests Fraction |
0.0009828 |
| Partial Rests Fraction |
0.8256 |
| Average Rest Fraction Across Voices |
0.2987 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
92.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
15.54 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.32 |
| Variability Across Voices of Combined Rests |
47.02 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4595 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2197 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.092 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6792 |
| Rhythmic Variability - Tempo Standardized |
0.04356 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1127.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.681 |
| Minimum Note Duration |
0.1379 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.6495 |
| Variability of Note Durations |
0.5557 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2674 |
| Strength of Second Strongest Rhythmic Pulse |
0.1973 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.355 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4647 |
| Rhythmic Variability |
0.03223 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000005558 |
| Duration in Seconds |
208.8 |
| Note Density |
5.399 |
| Note Density Variability |
1.782 |
| Average Time Between Attacks |
0.3627 |
| Average Time Between Attacks for Each Voice |
0.9102 |
| Variability of Time Between Attacks |
0.2273 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.4418 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.2972 |
| Relative Note Durations of Lowest Line |
1.08 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.866 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.986 |
| Parallel Motion |
0.0495 |
| Average Number of Independent Voices |
3.51 |
| Similar Motion |
0.1134 |
| Contrary Motion |
0.1656 |
| Oblique Motion |
0.6715 |
| Parallel Fifths |
0.0036 |
| Parallel Octaves |
0.0027 |
| Variability of Number of Independent Voices |
0.994 |
| Voice Equality - Number of Notes |
32.91 |
| Voice Equality - Note Duration |
9.728 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.095 |
| Importance of Loudest Voice |
8.75 |