| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1979 |
| Prevalence of Second Most Common Vertical Interval |
0.1787 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9032 |
| Vertical Unisons |
0.03321 |
| Vertical Minor Seconds |
0.006094 |
| Vertical Thirds |
0.3277 |
| Vertical Tritones |
0.009782 |
| Vertical Perfect Fourths |
0.08714 |
| Vertical Perfect Fifths |
0.1766 |
| Vertical Sixths |
0.1387 |
| Vertical Sevenths |
0.03508 |
| Vertical Octaves |
0.1647 |
| Perfect Vertical Intervals |
0.4616 |
| Vertical Dissonance Ratio |
0.07762 |
| Vertical Minor Third Prevalence |
0.4216 |
| Vertical Major Third Prevalence |
0.3623 |
| Chord Duration |
3.197 |
| Partial Chords |
0.5114 |
| Standard Triads |
0.3584 |
| Diminished and Augmented Triads |
0.01195 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01434 |
| Non-Standard Chords |
0.1159 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.521 |
| Average Number of Simultaneous Pitch Classes |
2.358 |
| Variability of Number of Simultaneous Pitch Classes |
0.7299 |
| Average Number of Simultaneous Pitches |
2.875 |
| Variability of Number of Simultaneous Pitches |
0.9552 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.709 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
99.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2211 |
| Stepwise Motion |
0.6385 |
| Melodic Thirds |
0.1339 |
| Melodic Perfect Fourths |
0.05982 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02211 |
| Melodic Sixths |
0.0013 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009103 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.641 |
| Melodic Embellishments |
0.01035 |
| Direction of Melodic Motion |
0.4436 |
| Average Length of Melodic Arcs |
1.979 |
| Average Interval Spanned by Melodic Arcs |
4.735 |
| Melodic Pitch Variety |
4.664 |
| Mean Melodic Interval |
2.082 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4174 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5296 |
| Amount of Arpeggiation |
0.3004 |
| Repeated Notes |
0.1352 |
| Importance of Middle Register |
0.7995 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.23 |
| Mean Pitch Class |
5.11 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1229 |
| Prevalence of Most Common Pitch Class |
0.1746 |
| Relative Prevalence of Top Pitches |
0.8211 |
| Relative Prevalence of Top Pitch Classes |
0.9185 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.391 |
| Pitch Class Variability |
3.377 |
| Pitch Class Variability After Folding |
3.726 |
| Pitch Skewness |
-0.09352 |
| Pitch Class Skewness |
0.09768 |
| Pitch Class Skewness After Folding |
0.8239 |
| Pitch Kurtosis |
5.721 |
| Pitch Class Kurtosis |
4.875 |
| Pitch Class Kurtosis After Folding |
5.558 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2005 |
| Note Density per Quarter Note |
0.8111 |
| Note Density per Quarter Note per Voice |
0.2028 |
| Note Density per Quarter Note Variability |
0.5362 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002587 |
| Prevalence of Medium Rhythmic Values |
0.4696 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7814 |
| Prevalence of Very Long Rhythmic Values |
0.2057 |
| Prevalence of Dotted Notes |
0.1242 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.614 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2885 |
| Relative Prevalence of Most Common Rhythmic Values |
0.87 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.596 |
| Rhythmic Value Skewness |
0.71 |
| Rhythmic Value Kurtosis |
7.272 |
| Mean Rhythmic Value Run Length |
1.484 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.025 |
| Mean Rhythmic Value Offset |
0.03622 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5564 |
| Complete Rests Fraction |
0.006642 |
| Partial Rests Fraction |
0.591 |
| Average Rest Fraction Across Voices |
0.2675 |
| Longest Complete Rest |
5.631 |
| Longest Partial Rest |
304.0 |
| Mean Complete Rest Duration |
3.165 |
| Mean Partial Rest Duration |
20.0 |
| Median Complete Rest Duration |
5.631 |
| Median Partial Rest Duration |
5.328 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
3.488 |
| Variability of Partial Rest Durations |
58.94 |
| Variability Across Voices of Combined Rests |
182.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5609 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2318 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.419 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7928 |
| Rhythmic Variability - Tempo Standardized |
0.0503 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
773.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.443 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7013 |
| Variability of Note Durations |
0.5547 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
332.7 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2923 |
| Strength of Second Strongest Rhythmic Pulse |
0.2341 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.248 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5265 |
| Rhythmic Variability |
0.03559 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
90.36 |
| Duration in Seconds |
185.0 |
| Note Density |
4.178 |
| Note Density Variability |
1.593 |
| Average Time Between Attacks |
0.4409 |
| Average Time Between Attacks for Each Voice |
1.197 |
| Variability of Time Between Attacks |
0.3351 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.2581 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.3364 |
| Relative Note Durations of Lowest Line |
1.123 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8706 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04749 |
| Average Number of Independent Voices |
2.989 |
| Similar Motion |
0.1588 |
| Contrary Motion |
0.1723 |
| Oblique Motion |
0.6214 |
| Parallel Fifths |
0.002714 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9644 |
| Voice Equality - Number of Notes |
99.02 |
| Voice Equality - Note Duration |
35.37 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
10.0 |