File

Last modified on: April 19, 2024, 5:17 p.m.

F164_52_Josquin_Si_jay_JRP_corrJ.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Se j'ay perdu mon amy
File Type
Symbolic Music
File Format
xml
File Size
190.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2407
Prevalence of Second Most Common Vertical Interval 0.1917
Prevalence Ratio of Two Most Common Vertical Intervals 0.7963
Vertical Unisons 0.03433
Vertical Minor Seconds 0.003269
Vertical Thirds 0.2656
Vertical Tritones 0.01389
Vertical Perfect Fourths 0.121
Vertical Perfect Fifths 0.1917
Vertical Sixths 0.1165
Vertical Sevenths 0.02942
Vertical Octaves 0.2064
Perfect Vertical Intervals 0.5533
Vertical Dissonance Ratio 0.06903
Vertical Minor Third Prevalence 0.392
Vertical Major Third Prevalence 0.2784
Chord Duration 1.966
Partial Chords 0.5566
Standard Triads 0.3042
Diminished and Augmented Triads 0.01618
Dominant Seventh Chords 0.006472
Seventh Chords 0.02265
Non-Standard Chords 0.1165
Complex Chords 0.0
Minor Major Triad Ratio 0.9583
Average Number of Simultaneous Pitch Classes 2.312
Variability of Number of Simultaneous Pitch Classes 0.7417
Average Number of Simultaneous Pitches 2.92
Variability of Number of Simultaneous Pitches 0.9708
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1357
Stepwise Motion 0.5449
Melodic Thirds 0.06472
Melodic Perfect Fourths 0.07307
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04175
Melodic Sixths 0.002088
Melodic Sevenths 0.002088
Melodic Octaves 0.02088
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.429
Melodic Embellishments 0.01449
Direction of Melodic Motion 0.468
Average Length of Melodic Arcs 1.561
Average Interval Spanned by Melodic Arcs 4.326
Melodic Pitch Variety 4.371
Mean Melodic Interval 2.109
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4092
Relative Prevalence of Most Common Melodic Intervals 0.6122
Amount of Arpeggiation 0.38
Repeated Notes 0.2505
Importance of Middle Register 0.793
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.0
Mean Pitch Class 5.656
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1346
Prevalence of Most Common Pitch Class 0.2277
Relative Prevalence of Top Pitches 0.8462
Relative Prevalence of Top Pitch Classes 0.7091
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.505
Pitch Class Variability 3.314
Pitch Class Variability After Folding 4.206
Pitch Skewness 0.5175
Pitch Class Skewness -1.216
Pitch Class Skewness After Folding 1.722
Pitch Kurtosis 5.407
Pitch Class Kurtosis 4.885
Pitch Class Kurtosis After Folding 4.706
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.008282
Average Range of Glissandos 0.0
Number of Pitches 17.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.008282
Number of Pitch Classes 7.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.207
Note Density per Quarter Note 1.368
Note Density per Quarter Note per Voice 1.368
Note Density per Quarter Note Variability 0.729
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.7909
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7122
Prevalence of Very Long Rhythmic Values 0.0352
Prevalence of Dotted Notes 0.07453
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.215
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5031
Relative Prevalence of Most Common Rhythmic Values 0.572
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.492
Rhythmic Value Skewness 0.4328
Rhythmic Value Kurtosis 17.86
Mean Rhythmic Value Run Length 2.216
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.727
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.002833
Partial Rests Fraction 0.002833
Average Rest Fraction Across Voices 0.002833
Longest Complete Rest 1.0
Longest Partial Rest 1.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 1.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 1.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5308
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2482
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.139
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7789
Rhythmic Variability - Tempo Standardized 0.04911
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 483.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1272
Minimum Note Duration 0.1875
Maximum Note Duration 2.25
Average Note Duration 0.4154
Variability of Note Durations 0.2798
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 160.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.1921
Strength of Second Strongest Rhythmic Pulse 0.1885
Strength Ratio of Two Strongest Rhythmic Pulses 1.019
Combined Strength of Two Strongest Rhythmic Pulses 0.3806
Rhythmic Variability 0.03108
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 66.19
Note Density 7.297
Note Density Variability 2.963
Average Time Between Attacks 0.3084
Average Time Between Attacks for Each Voice 0.3084
Variability of Time Between Attacks 0.1272
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1222
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06983
Average Number of Independent Voices 1.0
Similar Motion 0.1297
Contrary Motion 0.2244
Oblique Motion 0.5761
Parallel Fifths 0.01247
Parallel Octaves 0.002494
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0