| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.213 |
| Prevalence of Second Most Common Vertical Interval |
0.1881 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8835 |
| Vertical Unisons |
0.01994 |
| Vertical Minor Seconds |
0.003679 |
| Vertical Thirds |
0.3086 |
| Vertical Tritones |
0.0127 |
| Vertical Perfect Fourths |
0.07836 |
| Vertical Perfect Fifths |
0.1881 |
| Vertical Sixths |
0.1508 |
| Vertical Sevenths |
0.0262 |
| Vertical Octaves |
0.193 |
| Perfect Vertical Intervals |
0.4795 |
| Vertical Dissonance Ratio |
0.06503 |
| Vertical Minor Third Prevalence |
0.4073 |
| Vertical Major Third Prevalence |
0.3542 |
| Chord Duration |
2.709 |
| Partial Chords |
0.5325 |
| Standard Triads |
0.3412 |
| Diminished and Augmented Triads |
0.02255 |
| Dominant Seventh Chords |
0.003316 |
| Seventh Chords |
0.01393 |
| Non-Standard Chords |
0.1124 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.0 |
| Average Number of Simultaneous Pitch Classes |
2.369 |
| Variability of Number of Simultaneous Pitch Classes |
0.69 |
| Average Number of Simultaneous Pitches |
2.971 |
| Variability of Number of Simultaneous Pitches |
0.9144 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.35 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
42.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1892 |
| Stepwise Motion |
0.5509 |
| Melodic Thirds |
0.1344 |
| Melodic Perfect Fourths |
0.05752 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03119 |
| Melodic Sixths |
0.001386 |
| Melodic Sevenths |
0.000693 |
| Melodic Octaves |
0.005544 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.853 |
| Melodic Embellishments |
0.01586 |
| Direction of Melodic Motion |
0.4752 |
| Average Length of Melodic Arcs |
1.799 |
| Average Interval Spanned by Melodic Arcs |
4.478 |
| Melodic Pitch Variety |
4.273 |
| Mean Melodic Interval |
1.954 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3617 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6034 |
| Amount of Arpeggiation |
0.3902 |
| Repeated Notes |
0.2183 |
| Importance of Middle Register |
0.7841 |
| Importance of High Register |
0.07172 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.05 |
| Mean Pitch Class |
4.595 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1124 |
| Prevalence of Most Common Pitch Class |
0.1986 |
| Relative Prevalence of Top Pitches |
0.865 |
| Relative Prevalence of Top Pitch Classes |
0.9236 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.263 |
| Pitch Class Variability |
3.445 |
| Pitch Class Variability After Folding |
4.237 |
| Pitch Skewness |
-0.1684 |
| Pitch Class Skewness |
-0.3525 |
| Pitch Class Skewness After Folding |
1.665 |
| Pitch Kurtosis |
5.233 |
| Pitch Class Kurtosis |
4.716 |
| Pitch Class Kurtosis After Folding |
4.507 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1441 |
| Note Density per Quarter Note |
0.8751 |
| Note Density per Quarter Note per Voice |
0.2188 |
| Note Density per Quarter Note Variability |
0.4518 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005517 |
| Prevalence of Medium Rhythmic Values |
0.509 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9028 |
| Prevalence of Very Long Rhythmic Values |
0.1421 |
| Prevalence of Dotted Notes |
0.09655 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.394 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4117 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7554 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.186 |
| Rhythmic Value Skewness |
1.914 |
| Rhythmic Value Kurtosis |
8.961 |
| Mean Rhythmic Value Run Length |
1.686 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.237 |
| Mean Rhythmic Value Offset |
0.08138 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.405 |
| Complete Rests Fraction |
0.0004338 |
| Partial Rests Fraction |
0.6166 |
| Average Rest Fraction Across Voices |
0.2501 |
| Longest Complete Rest |
0.7188 |
| Longest Partial Rest |
86.17 |
| Mean Complete Rest Duration |
0.7188 |
| Mean Partial Rest Duration |
13.37 |
| Median Complete Rest Duration |
0.7188 |
| Median Partial Rest Duration |
4.419 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.65 |
| Variability Across Voices of Combined Rests |
38.13 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.727 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.135 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.384 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8621 |
| Rhythmic Variability - Tempo Standardized |
0.059 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1450.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.352 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.56 |
| Average Note Duration |
0.648 |
| Variability of Note Durations |
0.4859 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
329.6 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2464 |
| Strength of Second Strongest Rhythmic Pulse |
0.2388 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.032 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4852 |
| Rhythmic Variability |
0.03502 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
67.48 |
| Duration in Seconds |
312.5 |
| Note Density |
4.641 |
| Note Density Variability |
1.448 |
| Average Time Between Attacks |
0.4066 |
| Average Time Between Attacks for Each Voice |
0.8565 |
| Variability of Time Between Attacks |
0.1878 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.2482 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.1931 |
| Relative Note Durations of Lowest Line |
1.035 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8345 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.04482 |
| Average Number of Independent Voices |
3.031 |
| Similar Motion |
0.1222 |
| Contrary Motion |
0.1606 |
| Oblique Motion |
0.6724 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.000815 |
| Variability of Number of Independent Voices |
0.9017 |
| Voice Equality - Number of Notes |
42.0 |
| Voice Equality - Note Duration |
7.191 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
10.0 |