| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1956 |
| Prevalence of Second Most Common Vertical Interval |
0.1953 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9986 |
| Vertical Unisons |
0.0332 |
| Vertical Minor Seconds |
0.004995 |
| Vertical Thirds |
0.3278 |
| Vertical Tritones |
0.006499 |
| Vertical Perfect Fourths |
0.09755 |
| Vertical Perfect Fifths |
0.19 |
| Vertical Sixths |
0.1404 |
| Vertical Sevenths |
0.02189 |
| Vertical Octaves |
0.1621 |
| Perfect Vertical Intervals |
0.4829 |
| Vertical Dissonance Ratio |
0.05137 |
| Vertical Minor Third Prevalence |
0.5952 |
| Vertical Major Third Prevalence |
0.4186 |
| Chord Duration |
2.66 |
| Partial Chords |
0.317 |
| Standard Triads |
0.5371 |
| Diminished and Augmented Triads |
0.01435 |
| Dominant Seventh Chords |
0.001196 |
| Seventh Chords |
0.02153 |
| Non-Standard Chords |
0.1244 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.467 |
| Average Number of Simultaneous Pitch Classes |
2.661 |
| Variability of Number of Simultaneous Pitch Classes |
0.6331 |
| Average Number of Simultaneous Pitches |
3.323 |
| Variability of Number of Simultaneous Pitches |
0.7846 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.249 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
57.48 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1997 |
| Stepwise Motion |
0.6239 |
| Melodic Thirds |
0.1388 |
| Melodic Perfect Fourths |
0.06744 |
| Melodic Tritones |
0.001297 |
| Melodic Perfect Fifths |
0.05577 |
| Melodic Sixths |
0.002594 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01427 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.972 |
| Melodic Embellishments |
0.01161 |
| Direction of Melodic Motion |
0.4864 |
| Average Length of Melodic Arcs |
1.844 |
| Average Interval Spanned by Melodic Arcs |
4.918 |
| Melodic Pitch Variety |
5.093 |
| Mean Melodic Interval |
2.44 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4241 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4709 |
| Amount of Arpeggiation |
0.3048 |
| Repeated Notes |
0.09598 |
| Importance of Middle Register |
0.8245 |
| Importance of High Register |
0.02452 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.11 |
| Mean Pitch Class |
5.289 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1045 |
| Prevalence of Most Common Pitch Class |
0.1819 |
| Relative Prevalence of Top Pitches |
0.9136 |
| Relative Prevalence of Top Pitch Classes |
0.9362 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.751 |
| Pitch Class Variability |
3.374 |
| Pitch Class Variability After Folding |
3.999 |
| Pitch Skewness |
-0.2655 |
| Pitch Class Skewness |
0.257 |
| Pitch Class Skewness After Folding |
0.8867 |
| Pitch Kurtosis |
5.161 |
| Pitch Class Kurtosis |
4.754 |
| Pitch Class Kurtosis After Folding |
4.984 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.151 |
| Note Density per Quarter Note |
0.8878 |
| Note Density per Quarter Note per Voice |
0.2219 |
| Note Density per Quarter Note Variability |
0.4847 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4774 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7961 |
| Prevalence of Very Long Rhythmic Values |
0.191 |
| Prevalence of Dotted Notes |
0.1561 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.688 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2735 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9292 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.864 |
| Rhythmic Value Skewness |
0.7203 |
| Rhythmic Value Kurtosis |
7.583 |
| Mean Rhythmic Value Run Length |
1.465 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7973 |
| Mean Rhythmic Value Offset |
0.2271 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.282 |
| Complete Rests Fraction |
0.001039 |
| Partial Rests Fraction |
0.3725 |
| Average Rest Fraction Across Voices |
0.1248 |
| Longest Complete Rest |
0.9074 |
| Longest Partial Rest |
29.28 |
| Mean Complete Rest Duration |
0.9074 |
| Mean Partial Rest Duration |
7.924 |
| Median Complete Rest Duration |
0.9074 |
| Median Partial Rest Duration |
3.66 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.208 |
| Variability Across Voices of Combined Rests |
38.54 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5386 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2458 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.191 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7844 |
| Rhythmic Variability - Tempo Standardized |
0.04942 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
775.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.197 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.8979 |
| Variability of Note Durations |
0.8337 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
266.4 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2828 |
| Strength of Second Strongest Rhythmic Pulse |
0.2734 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.035 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5562 |
| Rhythmic Variability |
0.03753 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.25 |
| Duration in Seconds |
198.8 |
| Note Density |
3.899 |
| Note Density Variability |
1.443 |
| Average Time Between Attacks |
0.4965 |
| Average Time Between Attacks for Each Voice |
1.119 |
| Variability of Time Between Attacks |
0.364 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.2533 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.3561 |
| Relative Note Durations of Lowest Line |
0.966 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8284 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.05111 |
| Average Number of Independent Voices |
3.479 |
| Similar Motion |
0.1167 |
| Contrary Motion |
0.1522 |
| Oblique Motion |
0.68 |
| Parallel Fifths |
0.001111 |
| Parallel Octaves |
0.002222 |
| Variability of Number of Independent Voices |
0.7244 |
| Voice Equality - Number of Notes |
57.48 |
| Voice Equality - Note Duration |
8.775 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
10.0 |