| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2162 |
| Prevalence of Second Most Common Vertical Interval |
0.1745 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8072 |
| Vertical Unisons |
0.03647 |
| Vertical Minor Seconds |
0.007674 |
| Vertical Thirds |
0.2771 |
| Vertical Tritones |
0.0234 |
| Vertical Perfect Fourths |
0.1031 |
| Vertical Perfect Fifths |
0.1745 |
| Vertical Sixths |
0.1334 |
| Vertical Sevenths |
0.03179 |
| Vertical Octaves |
0.1797 |
| Perfect Vertical Intervals |
0.4938 |
| Vertical Dissonance Ratio |
0.1058 |
| Vertical Minor Third Prevalence |
0.525 |
| Vertical Major Third Prevalence |
0.35 |
| Chord Duration |
2.097 |
| Partial Chords |
0.2059 |
| Standard Triads |
0.4941 |
| Diminished and Augmented Triads |
0.05882 |
| Dominant Seventh Chords |
0.005882 |
| Seventh Chords |
0.01765 |
| Non-Standard Chords |
0.2824 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7143 |
| Average Number of Simultaneous Pitch Classes |
2.61 |
| Variability of Number of Simultaneous Pitch Classes |
0.8414 |
| Average Number of Simultaneous Pitches |
3.405 |
| Variability of Number of Simultaneous Pitches |
0.7688 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.473 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.9574 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1983 |
| Stepwise Motion |
0.6582 |
| Melodic Thirds |
0.1097 |
| Melodic Perfect Fourths |
0.08861 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04219 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.0 |
| Melodic Embellishments |
0.0249 |
| Direction of Melodic Motion |
0.4554 |
| Average Length of Melodic Arcs |
1.704 |
| Average Interval Spanned by Melodic Arcs |
4.176 |
| Melodic Pitch Variety |
4.219 |
| Mean Melodic Interval |
2.241 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4599 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4312 |
| Amount of Arpeggiation |
0.2532 |
| Repeated Notes |
0.1013 |
| Importance of Middle Register |
0.8008 |
| Importance of High Register |
0.0332 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.06 |
| Mean Pitch Class |
5.432 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1079 |
| Prevalence of Most Common Pitch Class |
0.1992 |
| Relative Prevalence of Top Pitches |
0.8462 |
| Relative Prevalence of Top Pitch Classes |
0.8542 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.885 |
| Pitch Class Variability |
3.359 |
| Pitch Class Variability After Folding |
3.733 |
| Pitch Skewness |
-0.2405 |
| Pitch Class Skewness |
0.3855 |
| Pitch Class Skewness After Folding |
0.8136 |
| Pitch Kurtosis |
5.057 |
| Pitch Class Kurtosis |
4.946 |
| Pitch Class Kurtosis After Folding |
5.531 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.166 |
| Note Density per Quarter Note |
1.199 |
| Note Density per Quarter Note per Voice |
0.2998 |
| Note Density per Quarter Note Variability |
0.5332 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4481 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8921 |
| Prevalence of Very Long Rhythmic Values |
0.01245 |
| Prevalence of Dotted Notes |
0.06639 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.971 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4813 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7069 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.199 |
| Rhythmic Value Skewness |
-0.0727 |
| Rhythmic Value Kurtosis |
5.943 |
| Mean Rhythmic Value Run Length |
2.008 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.831 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.004934 |
| Partial Rests Fraction |
0.3035 |
| Average Rest Fraction Across Voices |
0.1094 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.142 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.211 |
| Variability Across Voices of Combined Rests |
2.582 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6829 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1587 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.302 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8416 |
| Rhythmic Variability - Tempo Standardized |
0.05648 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
241.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3689 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.6189 |
| Variability of Note Durations |
0.2497 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3371 |
| Strength of Second Strongest Rhythmic Pulse |
0.2477 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.361 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5848 |
| Rhythmic Variability |
0.03859 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000002149 |
| Duration in Seconds |
41.87 |
| Note Density |
5.755 |
| Note Density Variability |
1.779 |
| Average Time Between Attacks |
0.4107 |
| Average Time Between Attacks for Each Voice |
0.677 |
| Variability of Time Between Attacks |
0.1683 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4286 |
| Relative Range Isolation of Loudest Voice |
0.3934 |
| Relative Range of Highest Line |
0.4286 |
| Relative Note Density of Highest Line |
1.145 |
| Relative Note Durations of Lowest Line |
1.011 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7925 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.08846 |
| Average Number of Independent Voices |
3.58 |
| Similar Motion |
0.1269 |
| Contrary Motion |
0.2115 |
| Oblique Motion |
0.5731 |
| Parallel Fifths |
0.01154 |
| Parallel Octaves |
0.01154 |
| Variability of Number of Independent Voices |
0.6954 |
| Voice Equality - Number of Notes |
0.9574 |
| Voice Equality - Note Duration |
0.5379 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
10.0 |