| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2111 |
| Prevalence of Second Most Common Vertical Interval |
0.194 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9189 |
| Vertical Unisons |
0.02286 |
| Vertical Minor Seconds |
0.003072 |
| Vertical Thirds |
0.3364 |
| Vertical Tritones |
0.005348 |
| Vertical Perfect Fourths |
0.08702 |
| Vertical Perfect Fifths |
0.194 |
| Vertical Sixths |
0.1294 |
| Vertical Sevenths |
0.01615 |
| Vertical Octaves |
0.1883 |
| Perfect Vertical Intervals |
0.4922 |
| Vertical Dissonance Ratio |
0.0439 |
| Vertical Minor Third Prevalence |
0.5976 |
| Vertical Major Third Prevalence |
0.5171 |
| Chord Duration |
2.524 |
| Partial Chords |
0.2914 |
| Standard Triads |
0.5768 |
| Diminished and Augmented Triads |
0.01571 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01396 |
| Non-Standard Chords |
0.1178 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.295 |
| Average Number of Simultaneous Pitch Classes |
2.725 |
| Variability of Number of Simultaneous Pitch Classes |
0.5784 |
| Average Number of Simultaneous Pitches |
3.586 |
| Variability of Number of Simultaneous Pitches |
0.638 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.684 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
39.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1859 |
| Stepwise Motion |
0.6132 |
| Melodic Thirds |
0.1694 |
| Melodic Perfect Fourths |
0.07346 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04948 |
| Melodic Sixths |
0.004498 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005997 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.054 |
| Melodic Embellishments |
0.008942 |
| Direction of Melodic Motion |
0.4681 |
| Average Length of Melodic Arcs |
1.746 |
| Average Interval Spanned by Melodic Arcs |
4.571 |
| Melodic Pitch Variety |
4.772 |
| Mean Melodic Interval |
2.426 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4273 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4351 |
| Amount of Arpeggiation |
0.3088 |
| Repeated Notes |
0.08396 |
| Importance of Middle Register |
0.7943 |
| Importance of High Register |
0.04024 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.94 |
| Mean Pitch Class |
5.615 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1088 |
| Prevalence of Most Common Pitch Class |
0.1833 |
| Relative Prevalence of Top Pitches |
0.8082 |
| Relative Prevalence of Top Pitch Classes |
0.8293 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.096 |
| Pitch Class Variability |
3.653 |
| Pitch Class Variability After Folding |
3.047 |
| Pitch Skewness |
0.567 |
| Pitch Class Skewness |
0.5055 |
| Pitch Class Skewness After Folding |
0.4798 |
| Pitch Kurtosis |
5.255 |
| Pitch Class Kurtosis |
4.794 |
| Pitch Class Kurtosis After Folding |
7.238 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1654 |
| Note Density per Quarter Note |
1.147 |
| Note Density per Quarter Note per Voice |
0.2868 |
| Note Density per Quarter Note Variability |
0.5401 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002981 |
| Prevalence of Medium Rhythmic Values |
0.5693 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.845 |
| Prevalence of Very Long Rhythmic Values |
0.1043 |
| Prevalence of Dotted Notes |
0.1162 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.13 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4143 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6403 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.274 |
| Rhythmic Value Skewness |
1.491 |
| Rhythmic Value Kurtosis |
11.26 |
| Mean Rhythmic Value Run Length |
1.522 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9932 |
| Mean Rhythmic Value Offset |
0.09538 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9727 |
| Complete Rests Fraction |
0.001532 |
| Partial Rests Fraction |
0.2255 |
| Average Rest Fraction Across Voices |
0.07439 |
| Longest Complete Rest |
0.8964 |
| Longest Partial Rest |
26.72 |
| Mean Complete Rest Duration |
0.8964 |
| Mean Partial Rest Duration |
4.351 |
| Median Complete Rest Duration |
0.8964 |
| Median Partial Rest Duration |
1.908 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.876 |
| Variability Across Voices of Combined Rests |
24.46 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6436 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1837 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.504 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8273 |
| Rhythmic Variability - Tempo Standardized |
0.05425 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
671.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7889 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7048 |
| Variability of Note Durations |
0.5983 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
278.0 |
| Strongest Rhythmic Pulse |
46.0 |
| Second Strongest Rhythmic Pulse |
69.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2782 |
| Strength of Second Strongest Rhythmic Pulse |
0.2595 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.072 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5378 |
| Rhythmic Variability |
0.03673 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.56 |
| Duration in Seconds |
127.7 |
| Note Density |
5.253 |
| Note Density Variability |
1.692 |
| Average Time Between Attacks |
0.4225 |
| Average Time Between Attacks for Each Voice |
0.7896 |
| Variability of Time Between Attacks |
0.2593 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.5604 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.4173 |
| Relative Note Durations of Lowest Line |
0.9928 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7317 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.05485 |
| Average Number of Independent Voices |
3.705 |
| Similar Motion |
0.1441 |
| Contrary Motion |
0.2296 |
| Oblique Motion |
0.5714 |
| Parallel Fifths |
0.002551 |
| Parallel Octaves |
0.003827 |
| Variability of Number of Independent Voices |
0.6044 |
| Voice Equality - Number of Notes |
39.9 |
| Voice Equality - Note Duration |
5.341 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.708 |
| Importance of Loudest Voice |
11.67 |