| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2091 |
| Prevalence of Second Most Common Vertical Interval |
0.1721 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8232 |
| Vertical Unisons |
0.0391 |
| Vertical Minor Seconds |
0.004932 |
| Vertical Thirds |
0.3119 |
| Vertical Tritones |
0.01341 |
| Vertical Perfect Fourths |
0.1013 |
| Vertical Perfect Fifths |
0.1702 |
| Vertical Sixths |
0.1436 |
| Vertical Sevenths |
0.02814 |
| Vertical Octaves |
0.17 |
| Perfect Vertical Intervals |
0.4806 |
| Vertical Dissonance Ratio |
0.06839 |
| Vertical Minor Third Prevalence |
0.5249 |
| Vertical Major Third Prevalence |
0.4568 |
| Chord Duration |
2.202 |
| Partial Chords |
0.3109 |
| Standard Triads |
0.4987 |
| Diminished and Augmented Triads |
0.02961 |
| Dominant Seventh Chords |
0.001346 |
| Seventh Chords |
0.02692 |
| Non-Standard Chords |
0.1635 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.454 |
| Average Number of Simultaneous Pitch Classes |
2.704 |
| Variability of Number of Simultaneous Pitch Classes |
0.6215 |
| Average Number of Simultaneous Pitches |
3.421 |
| Variability of Number of Simultaneous Pitches |
0.6866 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.722 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
48.72 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2073 |
| Stepwise Motion |
0.6506 |
| Melodic Thirds |
0.1432 |
| Melodic Perfect Fourths |
0.05384 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04124 |
| Melodic Sixths |
0.009164 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008018 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.289 |
| Melodic Embellishments |
0.01481 |
| Direction of Melodic Motion |
0.4412 |
| Average Length of Melodic Arcs |
1.778 |
| Average Interval Spanned by Melodic Arcs |
4.465 |
| Melodic Pitch Variety |
4.862 |
| Mean Melodic Interval |
2.3 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4433 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4677 |
| Amount of Arpeggiation |
0.2864 |
| Repeated Notes |
0.09393 |
| Importance of Middle Register |
0.8121 |
| Importance of High Register |
0.02278 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.36 |
| Mean Pitch Class |
5.356 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1002 |
| Prevalence of Most Common Pitch Class |
0.1629 |
| Relative Prevalence of Top Pitches |
0.9545 |
| Relative Prevalence of Top Pitch Classes |
0.979 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.679 |
| Pitch Class Variability |
3.506 |
| Pitch Class Variability After Folding |
3.05 |
| Pitch Skewness |
-0.2113 |
| Pitch Class Skewness |
0.305 |
| Pitch Class Skewness After Folding |
0.3619 |
| Pitch Kurtosis |
5.092 |
| Pitch Class Kurtosis |
4.887 |
| Pitch Class Kurtosis After Folding |
7.41 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1651 |
| Note Density per Quarter Note |
1.148 |
| Note Density per Quarter Note per Voice |
0.2869 |
| Note Density per Quarter Note Variability |
0.5125 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01139 |
| Prevalence of Medium Rhythmic Values |
0.5387 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.779 |
| Prevalence of Very Long Rhythmic Values |
0.1116 |
| Prevalence of Dotted Notes |
0.115 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.089 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3178 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8244 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.215 |
| Rhythmic Value Skewness |
1.475 |
| Rhythmic Value Kurtosis |
9.226 |
| Mean Rhythmic Value Run Length |
1.516 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.031 |
| Mean Rhythmic Value Offset |
0.05695 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6627 |
| Complete Rests Fraction |
0.001169 |
| Partial Rests Fraction |
0.3407 |
| Average Rest Fraction Across Voices |
0.1024 |
| Longest Complete Rest |
0.8941 |
| Longest Partial Rest |
34.26 |
| Mean Complete Rest Duration |
0.8941 |
| Mean Partial Rest Duration |
6.815 |
| Median Complete Rest Duration |
0.8941 |
| Median Partial Rest Duration |
3.807 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.629 |
| Variability Across Voices of Combined Rests |
25.11 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5388 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2293 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.35 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7681 |
| Rhythmic Variability - Tempo Standardized |
0.04924 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
878.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7854 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6857 |
| Variability of Note Durations |
0.552 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
277.5 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2501 |
| Strength of Second Strongest Rhythmic Pulse |
0.2367 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.057 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4868 |
| Rhythmic Variability |
0.03433 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
29.32 |
| Duration in Seconds |
167.5 |
| Note Density |
5.243 |
| Note Density Variability |
2.067 |
| Average Time Between Attacks |
0.3773 |
| Average Time Between Attacks for Each Voice |
0.7734 |
| Variability of Time Between Attacks |
0.2492 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.406 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.3144 |
| Relative Note Durations of Lowest Line |
0.9815 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8246 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.03831 |
| Average Number of Independent Voices |
3.605 |
| Similar Motion |
0.1188 |
| Contrary Motion |
0.1839 |
| Oblique Motion |
0.659 |
| Parallel Fifths |
0.0009579 |
| Parallel Octaves |
0.001916 |
| Variability of Number of Independent Voices |
0.6082 |
| Voice Equality - Number of Notes |
48.72 |
| Voice Equality - Note Duration |
5.496 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
10.0 |