| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2056 |
| Prevalence of Second Most Common Vertical Interval |
0.1656 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8054 |
| Vertical Unisons |
0.0235 |
| Vertical Minor Seconds |
0.005863 |
| Vertical Thirds |
0.3024 |
| Vertical Tritones |
0.01054 |
| Vertical Perfect Fourths |
0.1024 |
| Vertical Perfect Fifths |
0.1648 |
| Vertical Sixths |
0.1521 |
| Vertical Sevenths |
0.03164 |
| Vertical Octaves |
0.1821 |
| Perfect Vertical Intervals |
0.4729 |
| Vertical Dissonance Ratio |
0.07835 |
| Vertical Minor Third Prevalence |
0.533 |
| Vertical Major Third Prevalence |
0.4296 |
| Chord Duration |
1.96 |
| Partial Chords |
0.3641 |
| Standard Triads |
0.4349 |
| Diminished and Augmented Triads |
0.02338 |
| Dominant Seventh Chords |
0.002454 |
| Seventh Chords |
0.01788 |
| Non-Standard Chords |
0.1831 |
| Complex Chords |
0.004909 |
| Minor Major Triad Ratio |
1.437 |
| Average Number of Simultaneous Pitch Classes |
2.607 |
| Variability of Number of Simultaneous Pitch Classes |
0.7275 |
| Average Number of Simultaneous Pitches |
3.416 |
| Variability of Number of Simultaneous Pitches |
1.063 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.246 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
48.42 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2292 |
| Stepwise Motion |
0.7117 |
| Melodic Thirds |
0.1244 |
| Melodic Perfect Fourths |
0.04462 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04071 |
| Melodic Sixths |
0.002231 |
| Melodic Sevenths |
0.001673 |
| Melodic Octaves |
0.003346 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.859 |
| Melodic Embellishments |
0.01613 |
| Direction of Melodic Motion |
0.4979 |
| Average Length of Melodic Arcs |
1.914 |
| Average Interval Spanned by Melodic Arcs |
4.499 |
| Melodic Pitch Variety |
4.958 |
| Mean Melodic Interval |
2.194 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4824 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4751 |
| Amount of Arpeggiation |
0.2415 |
| Repeated Notes |
0.07139 |
| Importance of Middle Register |
0.7436 |
| Importance of High Register |
0.06841 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.28 |
| Mean Pitch Class |
5.107 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.08676 |
| Prevalence of Most Common Pitch Class |
0.1758 |
| Relative Prevalence of Top Pitches |
0.9936 |
| Relative Prevalence of Top Pitch Classes |
0.9146 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.479 |
| Pitch Class Variability |
3.286 |
| Pitch Class Variability After Folding |
3.954 |
| Pitch Skewness |
-0.08969 |
| Pitch Class Skewness |
0.09748 |
| Pitch Class Skewness After Folding |
1.006 |
| Pitch Kurtosis |
5.152 |
| Pitch Class Kurtosis |
4.777 |
| Pitch Class Kurtosis After Folding |
5.008 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.188 |
| Note Density per Quarter Note |
1.179 |
| Note Density per Quarter Note per Voice |
0.2358 |
| Note Density per Quarter Note Variability |
0.5375 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003337 |
| Prevalence of Medium Rhythmic Values |
0.5751 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7069 |
| Prevalence of Very Long Rhythmic Values |
0.09121 |
| Prevalence of Dotted Notes |
0.1568 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.837 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2875 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9807 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.15 |
| Rhythmic Value Skewness |
1.167 |
| Rhythmic Value Kurtosis |
11.09 |
| Mean Rhythmic Value Run Length |
1.432 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9311 |
| Mean Rhythmic Value Offset |
0.1607 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.621 |
| Complete Rests Fraction |
0.0005868 |
| Partial Rests Fraction |
0.7573 |
| Average Rest Fraction Across Voices |
0.2952 |
| Longest Complete Rest |
0.8948 |
| Longest Partial Rest |
470.1 |
| Mean Complete Rest Duration |
0.8948 |
| Mean Partial Rest Duration |
17.45 |
| Median Complete Rest Duration |
0.8948 |
| Median Partial Rest Duration |
3.609 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
64.38 |
| Variability Across Voices of Combined Rests |
337.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4558 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2929 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.556 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7487 |
| Rhythmic Variability - Tempo Standardized |
0.04649 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1798.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.012 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
12.41 |
| Average Note Duration |
0.6901 |
| Variability of Note Durations |
0.7335 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
262.9 |
| Strongest Rhythmic Pulse |
44.0 |
| Second Strongest Rhythmic Pulse |
65.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.2663 |
| Strength of Second Strongest Rhythmic Pulse |
0.244 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.091 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5103 |
| Rhythmic Variability |
0.036 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
27.85 |
| Duration in Seconds |
352.1 |
| Note Density |
5.106 |
| Note Density Variability |
1.583 |
| Average Time Between Attacks |
0.383 |
| Average Time Between Attacks for Each Voice |
1.185 |
| Variability of Time Between Attacks |
0.2314 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.408 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.1947 |
| Relative Note Durations of Lowest Line |
0.9919 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8515 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04569 |
| Average Number of Independent Voices |
3.535 |
| Similar Motion |
0.1138 |
| Contrary Motion |
0.1747 |
| Oblique Motion |
0.6659 |
| Parallel Fifths |
0.001904 |
| Parallel Octaves |
0.001428 |
| Variability of Number of Independent Voices |
1.091 |
| Voice Equality - Number of Notes |
171.0 |
| Voice Equality - Note Duration |
77.99 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.864 |
| Importance of Loudest Voice |
12.5 |