| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.222 |
| Prevalence of Second Most Common Vertical Interval |
0.2211 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9961 |
| Vertical Unisons |
0.03342 |
| Vertical Minor Seconds |
0.001142 |
| Vertical Thirds |
0.3229 |
| Vertical Tritones |
0.004416 |
| Vertical Perfect Fourths |
0.08039 |
| Vertical Perfect Fifths |
0.2211 |
| Vertical Sixths |
0.1228 |
| Vertical Sevenths |
0.01693 |
| Vertical Octaves |
0.1886 |
| Perfect Vertical Intervals |
0.5235 |
| Vertical Dissonance Ratio |
0.03179 |
| Vertical Minor Third Prevalence |
0.472 |
| Vertical Major Third Prevalence |
0.4084 |
| Chord Duration |
2.541 |
| Partial Chords |
0.4937 |
| Standard Triads |
0.4482 |
| Diminished and Augmented Triads |
0.01024 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.05802 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.68 |
| Average Number of Simultaneous Pitch Classes |
2.439 |
| Variability of Number of Simultaneous Pitch Classes |
0.6128 |
| Average Number of Simultaneous Pitches |
3.119 |
| Variability of Number of Simultaneous Pitches |
0.8206 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.935 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
39.42 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1649 |
| Stepwise Motion |
0.4505 |
| Melodic Thirds |
0.1412 |
| Melodic Perfect Fourths |
0.06907 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03093 |
| Melodic Sixths |
0.004124 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006186 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.796 |
| Melodic Embellishments |
0.001027 |
| Direction of Melodic Motion |
0.4626 |
| Average Length of Melodic Arcs |
1.72 |
| Average Interval Spanned by Melodic Arcs |
4.581 |
| Melodic Pitch Variety |
3.862 |
| Mean Melodic Interval |
1.88 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2979 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9585 |
| Amount of Arpeggiation |
0.4763 |
| Repeated Notes |
0.2979 |
| Importance of Middle Register |
0.6632 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.58 |
| Mean Pitch Class |
5.093 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1222 |
| Prevalence of Most Common Pitch Class |
0.2105 |
| Relative Prevalence of Top Pitches |
0.8571 |
| Relative Prevalence of Top Pitch Classes |
0.9366 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.007 |
| Pitch Class Variability |
3.407 |
| Pitch Class Variability After Folding |
3.802 |
| Pitch Skewness |
0.07868 |
| Pitch Class Skewness |
0.08227 |
| Pitch Class Skewness After Folding |
0.8012 |
| Pitch Kurtosis |
5.262 |
| Pitch Class Kurtosis |
4.65 |
| Pitch Class Kurtosis After Folding |
5.413 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3368 |
| Note Density per Quarter Note |
1.048 |
| Note Density per Quarter Note per Voice |
0.2621 |
| Note Density per Quarter Note Variability |
0.41 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6643 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9333 |
| Prevalence of Very Long Rhythmic Values |
0.09138 |
| Prevalence of Dotted Notes |
0.02977 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.974 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5975 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3746 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.935 |
| Rhythmic Value Skewness |
1.51 |
| Rhythmic Value Kurtosis |
10.34 |
| Mean Rhythmic Value Run Length |
2.297 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.712 |
| Mean Rhythmic Value Offset |
0.1232 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.477 |
| Complete Rests Fraction |
0.001067 |
| Partial Rests Fraction |
0.5091 |
| Average Rest Fraction Across Voices |
0.1881 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.575 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.199 |
| Variability Across Voices of Combined Rests |
34.63 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8526 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.07442 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
11.46 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.927 |
| Rhythmic Variability - Tempo Standardized |
0.06762 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
974.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.091 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
16.67 |
| Average Note Duration |
0.6453 |
| Variability of Note Durations |
0.7249 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3194 |
| Strength of Second Strongest Rhythmic Pulse |
0.3014 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.059 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6208 |
| Rhythmic Variability |
0.04169 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002236 |
| Duration in Seconds |
193.5 |
| Note Density |
5.033 |
| Note Density Variability |
1.346 |
| Average Time Between Attacks |
0.4186 |
| Average Time Between Attacks for Each Voice |
0.7946 |
| Variability of Time Between Attacks |
0.1708 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3643 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2628 |
| Relative Note Durations of Lowest Line |
0.954 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.806 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.03094 |
| Average Number of Independent Voices |
3.251 |
| Similar Motion |
0.1927 |
| Contrary Motion |
0.1688 |
| Oblique Motion |
0.6076 |
| Parallel Fifths |
0.004219 |
| Parallel Octaves |
0.002813 |
| Variability of Number of Independent Voices |
0.8256 |
| Voice Equality - Number of Notes |
39.42 |
| Voice Equality - Note Duration |
7.214 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
10.0 |