| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2118 |
| Prevalence of Second Most Common Vertical Interval |
0.1618 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.764 |
| Vertical Unisons |
0.03415 |
| Vertical Minor Seconds |
0.006255 |
| Vertical Thirds |
0.2981 |
| Vertical Tritones |
0.0143 |
| Vertical Perfect Fourths |
0.08875 |
| Vertical Perfect Fifths |
0.1585 |
| Vertical Sixths |
0.1759 |
| Vertical Sevenths |
0.02652 |
| Vertical Octaves |
0.1777 |
| Perfect Vertical Intervals |
0.4591 |
| Vertical Dissonance Ratio |
0.07177 |
| Vertical Minor Third Prevalence |
0.4184 |
| Vertical Major Third Prevalence |
0.4388 |
| Chord Duration |
2.044 |
| Partial Chords |
0.4211 |
| Standard Triads |
0.4598 |
| Diminished and Augmented Triads |
0.01385 |
| Dominant Seventh Chords |
0.00277 |
| Seventh Chords |
0.01108 |
| Non-Standard Chords |
0.108 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8043 |
| Average Number of Simultaneous Pitch Classes |
2.508 |
| Variability of Number of Simultaneous Pitch Classes |
0.7178 |
| Average Number of Simultaneous Pitches |
3.143 |
| Variability of Number of Simultaneous Pitches |
0.8748 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.066 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
52.55 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2065 |
| Stepwise Motion |
0.6222 |
| Melodic Thirds |
0.1637 |
| Melodic Perfect Fourths |
0.04282 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06045 |
| Melodic Sixths |
0.002519 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01259 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9697 |
| Melodic Embellishments |
0.02494 |
| Direction of Melodic Motion |
0.507 |
| Average Length of Melodic Arcs |
1.899 |
| Average Interval Spanned by Melodic Arcs |
5.0 |
| Melodic Pitch Variety |
4.534 |
| Mean Melodic Interval |
2.423 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4156 |
| Relative Prevalence of Most Common Melodic Intervals |
0.497 |
| Amount of Arpeggiation |
0.3325 |
| Repeated Notes |
0.09572 |
| Importance of Middle Register |
0.6933 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.1 |
| Mean Pitch Class |
5.466 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1072 |
| Prevalence of Most Common Pitch Class |
0.2244 |
| Relative Prevalence of Top Pitches |
0.9767 |
| Relative Prevalence of Top Pitch Classes |
0.7667 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.34 |
| Pitch Class Variability |
3.35 |
| Pitch Class Variability After Folding |
4.001 |
| Pitch Skewness |
0.3292 |
| Pitch Class Skewness |
0.4176 |
| Pitch Class Skewness After Folding |
0.9518 |
| Pitch Kurtosis |
5.583 |
| Pitch Class Kurtosis |
5.137 |
| Pitch Class Kurtosis After Folding |
5.199 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3067 |
| Note Density per Quarter Note |
1.02 |
| Note Density per Quarter Note per Voice |
0.2551 |
| Note Density per Quarter Note Variability |
0.4868 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5137 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8105 |
| Prevalence of Very Long Rhythmic Values |
0.1147 |
| Prevalence of Dotted Notes |
0.1297 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.142 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3242 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8846 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.099 |
| Rhythmic Value Skewness |
1.632 |
| Rhythmic Value Kurtosis |
9.441 |
| Mean Rhythmic Value Run Length |
1.496 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9579 |
| Mean Rhythmic Value Offset |
0.06983 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7177 |
| Complete Rests Fraction |
0.002523 |
| Partial Rests Fraction |
0.4249 |
| Average Rest Fraction Across Voices |
0.1806 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
50.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.35 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.07 |
| Variability Across Voices of Combined Rests |
38.05 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5844 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2164 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.701 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8008 |
| Rhythmic Variability - Tempo Standardized |
0.05135 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
401.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.113 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6692 |
| Variability of Note Durations |
0.5172 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2921 |
| Strength of Second Strongest Rhythmic Pulse |
0.2434 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.2 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5355 |
| Rhythmic Variability |
0.03597 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003341 |
| Duration in Seconds |
81.87 |
| Note Density |
4.898 |
| Note Density Variability |
1.766 |
| Average Time Between Attacks |
0.4003 |
| Average Time Between Attacks for Each Voice |
0.7972 |
| Variability of Time Between Attacks |
0.2057 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.4522 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.6584 |
| Relative Note Durations of Lowest Line |
0.9402 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7805 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.03722 |
| Average Number of Independent Voices |
3.286 |
| Similar Motion |
0.1563 |
| Contrary Motion |
0.2208 |
| Oblique Motion |
0.5856 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8864 |
| Voice Equality - Number of Notes |
18.1 |
| Voice Equality - Note Duration |
7.928 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
4.203 |
| Importance of Loudest Voice |
15.0 |