| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2091 |
| Prevalence of Second Most Common Vertical Interval |
0.188 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8993 |
| Vertical Unisons |
0.02874 |
| Vertical Minor Seconds |
0.005591 |
| Vertical Thirds |
0.3258 |
| Vertical Tritones |
0.009213 |
| Vertical Perfect Fourths |
0.09145 |
| Vertical Perfect Fifths |
0.1718 |
| Vertical Sixths |
0.1285 |
| Vertical Sevenths |
0.02943 |
| Vertical Octaves |
0.1803 |
| Perfect Vertical Intervals |
0.4723 |
| Vertical Dissonance Ratio |
0.07928 |
| Vertical Minor Third Prevalence |
0.5049 |
| Vertical Major Third Prevalence |
0.3951 |
| Chord Duration |
2.138 |
| Partial Chords |
0.4312 |
| Standard Triads |
0.3995 |
| Diminished and Augmented Triads |
0.01984 |
| Dominant Seventh Chords |
0.003968 |
| Seventh Chords |
0.0119 |
| Non-Standard Chords |
0.1574 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.673 |
| Average Number of Simultaneous Pitch Classes |
2.484 |
| Variability of Number of Simultaneous Pitch Classes |
0.6939 |
| Average Number of Simultaneous Pitches |
3.14 |
| Variability of Number of Simultaneous Pitches |
0.9072 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.387 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.88 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2155 |
| Stepwise Motion |
0.6442 |
| Melodic Thirds |
0.1733 |
| Melodic Perfect Fourths |
0.05587 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02965 |
| Melodic Sixths |
0.003421 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006842 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.338 |
| Melodic Embellishments |
0.01362 |
| Direction of Melodic Motion |
0.4619 |
| Average Length of Melodic Arcs |
1.935 |
| Average Interval Spanned by Melodic Arcs |
4.732 |
| Melodic Pitch Variety |
4.88 |
| Mean Melodic Interval |
2.265 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4287 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5027 |
| Amount of Arpeggiation |
0.2965 |
| Repeated Notes |
0.08666 |
| Importance of Middle Register |
0.8059 |
| Importance of High Register |
0.1385 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.02 |
| Mean Pitch Class |
5.205 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1067 |
| Prevalence of Most Common Pitch Class |
0.1737 |
| Relative Prevalence of Top Pitches |
0.9362 |
| Relative Prevalence of Top Pitch Classes |
0.9804 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.651 |
| Pitch Class Variability |
3.344 |
| Pitch Class Variability After Folding |
3.356 |
| Pitch Skewness |
0.08652 |
| Pitch Class Skewness |
0.1843 |
| Pitch Class Skewness After Folding |
0.6686 |
| Pitch Kurtosis |
5.482 |
| Pitch Class Kurtosis |
4.928 |
| Pitch Class Kurtosis After Folding |
6.404 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.05562 |
| Note Density per Quarter Note |
1.073 |
| Note Density per Quarter Note per Voice |
0.2683 |
| Note Density per Quarter Note Variability |
0.5169 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5414 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7662 |
| Prevalence of Very Long Rhythmic Values |
0.07491 |
| Prevalence of Dotted Notes |
0.1067 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.935 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3076 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9963 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.003 |
| Rhythmic Value Skewness |
1.401 |
| Rhythmic Value Kurtosis |
11.44 |
| Mean Rhythmic Value Run Length |
1.522 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.014 |
| Mean Rhythmic Value Offset |
0.09535 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.031 |
| Complete Rests Fraction |
0.001077 |
| Partial Rests Fraction |
0.4613 |
| Average Rest Fraction Across Voices |
0.1927 |
| Longest Complete Rest |
0.8841 |
| Longest Partial Rest |
79.44 |
| Mean Complete Rest Duration |
0.8841 |
| Mean Partial Rest Duration |
10.91 |
| Median Complete Rest Duration |
0.8841 |
| Median Partial Rest Duration |
3.566 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
17.38 |
| Variability Across Voices of Combined Rests |
17.46 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5444 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2311 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.355 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7755 |
| Rhythmic Variability - Tempo Standardized |
0.04962 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
881.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.036 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6661 |
| Variability of Note Durations |
0.5747 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
274.7 |
| Strongest Rhythmic Pulse |
46.0 |
| Second Strongest Rhythmic Pulse |
68.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.2782 |
| Strength of Second Strongest Rhythmic Pulse |
0.2703 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.029 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5485 |
| Rhythmic Variability |
0.03757 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
30.57 |
| Duration in Seconds |
181.7 |
| Note Density |
4.847 |
| Note Density Variability |
1.794 |
| Average Time Between Attacks |
0.386 |
| Average Time Between Attacks for Each Voice |
0.7753 |
| Variability of Time Between Attacks |
0.241 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.5062 |
| Relative Range of Highest Line |
0.4828 |
| Relative Note Density of Highest Line |
0.3314 |
| Relative Note Durations of Lowest Line |
1.104 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8059 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.03912 |
| Average Number of Independent Voices |
3.256 |
| Similar Motion |
0.1234 |
| Contrary Motion |
0.1595 |
| Oblique Motion |
0.678 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001003 |
| Variability of Number of Independent Voices |
0.9027 |
| Voice Equality - Number of Notes |
24.88 |
| Voice Equality - Note Duration |
3.866 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
10.0 |