| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2423 |
| Prevalence of Second Most Common Vertical Interval |
0.1919 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7919 |
| Vertical Unisons |
0.03441 |
| Vertical Minor Seconds |
0.003249 |
| Vertical Thirds |
0.2648 |
| Vertical Tritones |
0.01374 |
| Vertical Perfect Fourths |
0.1208 |
| Vertical Perfect Fifths |
0.1919 |
| Vertical Sixths |
0.1162 |
| Vertical Sevenths |
0.02914 |
| Vertical Octaves |
0.2079 |
| Perfect Vertical Intervals |
0.555 |
| Vertical Dissonance Ratio |
0.06835 |
| Vertical Minor Third Prevalence |
0.392 |
| Vertical Major Third Prevalence |
0.2784 |
| Chord Duration |
1.965 |
| Partial Chords |
0.5566 |
| Standard Triads |
0.3042 |
| Diminished and Augmented Triads |
0.01618 |
| Dominant Seventh Chords |
0.006472 |
| Seventh Chords |
0.02265 |
| Non-Standard Chords |
0.1165 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9583 |
| Average Number of Simultaneous Pitch Classes |
2.312 |
| Variability of Number of Simultaneous Pitch Classes |
0.7417 |
| Average Number of Simultaneous Pitches |
2.92 |
| Variability of Number of Simultaneous Pitches |
0.9708 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.725 |
| Variation of Dynamics In Each Voice |
1.728 |
| Average Note to Note Change in Dynamics |
1.781 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1357 |
| Stepwise Motion |
0.5449 |
| Melodic Thirds |
0.06472 |
| Melodic Perfect Fourths |
0.07307 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04175 |
| Melodic Sixths |
0.002088 |
| Melodic Sevenths |
0.002088 |
| Melodic Octaves |
0.02088 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.429 |
| Melodic Embellishments |
0.00207 |
| Direction of Melodic Motion |
0.468 |
| Average Length of Melodic Arcs |
1.561 |
| Average Interval Spanned by Melodic Arcs |
4.326 |
| Melodic Pitch Variety |
4.136 |
| Mean Melodic Interval |
2.109 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4092 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6122 |
| Amount of Arpeggiation |
0.38 |
| Repeated Notes |
0.2505 |
| Importance of Middle Register |
0.793 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.87 |
| Mean Pitch Class |
5.656 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1346 |
| Prevalence of Most Common Pitch Class |
0.2277 |
| Relative Prevalence of Top Pitches |
0.8462 |
| Relative Prevalence of Top Pitch Classes |
0.7091 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.505 |
| Pitch Class Variability |
3.314 |
| Pitch Class Variability After Folding |
4.206 |
| Pitch Skewness |
0.5175 |
| Pitch Class Skewness |
-1.216 |
| Pitch Class Skewness After Folding |
1.722 |
| Pitch Kurtosis |
5.407 |
| Pitch Class Kurtosis |
4.885 |
| Pitch Class Kurtosis After Folding |
4.706 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.207 |
| Note Density per Quarter Note |
1.372 |
| Note Density per Quarter Note per Voice |
0.343 |
| Note Density per Quarter Note Variability |
0.729 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7909 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7122 |
| Prevalence of Very Long Rhythmic Values |
0.0352 |
| Prevalence of Dotted Notes |
0.07453 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.215 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5031 |
| Relative Prevalence of Most Common Rhythmic Values |
0.572 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.492 |
| Rhythmic Value Skewness |
0.4328 |
| Rhythmic Value Kurtosis |
17.86 |
| Mean Rhythmic Value Run Length |
2.216 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.727 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.000002959 |
| Partial Rests Fraction |
0.5625 |
| Average Rest Fraction Across Voices |
0.2401 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.66 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
12.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.913 |
| Variability Across Voices of Combined Rests |
33.92 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5338 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2456 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.173 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7794 |
| Rhythmic Variability - Tempo Standardized |
0.04923 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
483.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7211 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
2.25 |
| Average Note Duration |
0.4154 |
| Variability of Note Durations |
0.2798 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
160.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.1918 |
| Strength of Second Strongest Rhythmic Pulse |
0.1903 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.008 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3821 |
| Rhythmic Variability |
0.03116 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
66.0 |
| Note Density |
7.318 |
| Note Density Variability |
3.437 |
| Average Time Between Attacks |
0.3084 |
| Average Time Between Attacks for Each Voice |
0.5205 |
| Variability of Time Between Attacks |
0.1272 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3448 |
| Relative Note Density of Highest Line |
0.5549 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8344 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.06983 |
| Average Number of Independent Voices |
3.04 |
| Similar Motion |
0.1297 |
| Contrary Motion |
0.2244 |
| Oblique Motion |
0.5761 |
| Parallel Fifths |
0.01247 |
| Parallel Octaves |
0.002494 |
| Variability of Number of Independent Voices |
0.9556 |
| Voice Equality - Number of Notes |
18.87 |
| Voice Equality - Note Duration |
6.359 |
| Voice Equality - Dynamics |
0.5774 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
0.6667 |