| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.202 |
| Prevalence of Second Most Common Vertical Interval |
0.179 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8861 |
| Vertical Unisons |
0.03742 |
| Vertical Minor Seconds |
0.006496 |
| Vertical Thirds |
0.2958 |
| Vertical Tritones |
0.00687 |
| Vertical Perfect Fourths |
0.1067 |
| Vertical Perfect Fifths |
0.179 |
| Vertical Sixths |
0.1449 |
| Vertical Sevenths |
0.03369 |
| Vertical Octaves |
0.1646 |
| Perfect Vertical Intervals |
0.4877 |
| Vertical Dissonance Ratio |
0.07715 |
| Vertical Minor Third Prevalence |
0.4466 |
| Vertical Major Third Prevalence |
0.413 |
| Chord Duration |
2.167 |
| Partial Chords |
0.4103 |
| Standard Triads |
0.4092 |
| Diminished and Augmented Triads |
0.0102 |
| Dominant Seventh Chords |
0.001056 |
| Seventh Chords |
0.02076 |
| Non-Standard Chords |
0.1597 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.637 |
| Average Number of Simultaneous Pitch Classes |
2.554 |
| Variability of Number of Simultaneous Pitch Classes |
0.7113 |
| Average Number of Simultaneous Pitches |
3.152 |
| Variability of Number of Simultaneous Pitches |
0.8618 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.401 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
25.86 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1985 |
| Stepwise Motion |
0.6326 |
| Melodic Thirds |
0.1122 |
| Melodic Perfect Fourths |
0.05907 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03367 |
| Melodic Sixths |
0.0005907 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00886 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.75 |
| Melodic Embellishments |
0.03477 |
| Direction of Melodic Motion |
0.4812 |
| Average Length of Melodic Arcs |
1.978 |
| Average Interval Spanned by Melodic Arcs |
4.818 |
| Melodic Pitch Variety |
4.54 |
| Mean Melodic Interval |
2.069 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4341 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4571 |
| Amount of Arpeggiation |
0.3077 |
| Repeated Notes |
0.153 |
| Importance of Middle Register |
0.6912 |
| Importance of High Register |
0.01945 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.8 |
| Mean Pitch Class |
5.272 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1102 |
| Prevalence of Most Common Pitch Class |
0.1909 |
| Relative Prevalence of Top Pitches |
0.8396 |
| Relative Prevalence of Top Pitch Classes |
0.9198 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.435 |
| Pitch Class Variability |
3.383 |
| Pitch Class Variability After Folding |
3.827 |
| Pitch Skewness |
0.09225 |
| Pitch Class Skewness |
0.2409 |
| Pitch Class Skewness After Folding |
0.7774 |
| Pitch Kurtosis |
5.412 |
| Pitch Class Kurtosis |
4.687 |
| Pitch Class Kurtosis After Folding |
5.34 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2893 |
| Note Density per Quarter Note |
1.116 |
| Note Density per Quarter Note per Voice |
0.2789 |
| Note Density per Quarter Note Variability |
0.525 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009428 |
| Prevalence of Medium Rhythmic Values |
0.5032 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7802 |
| Prevalence of Very Long Rhythmic Values |
0.07307 |
| Prevalence of Dotted Notes |
0.1214 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.931 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3394 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8351 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.759 |
| Rhythmic Value Skewness |
1.588 |
| Rhythmic Value Kurtosis |
9.558 |
| Mean Rhythmic Value Run Length |
1.602 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.34 |
| Mean Rhythmic Value Offset |
0.02829 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6437 |
| Complete Rests Fraction |
0.001843 |
| Partial Rests Fraction |
0.4774 |
| Average Rest Fraction Across Voices |
0.1837 |
| Longest Complete Rest |
2.115 |
| Longest Partial Rest |
116.3 |
| Mean Complete Rest Duration |
1.402 |
| Mean Partial Rest Duration |
11.06 |
| Median Complete Rest Duration |
2.115 |
| Median Partial Rest Duration |
2.115 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.009 |
| Variability of Partial Rest Durations |
21.21 |
| Variability Across Voices of Combined Rests |
54.23 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5234 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2416 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.167 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.765 |
| Rhythmic Variability - Tempo Standardized |
0.0487 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1697.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.252 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.5765 |
| Variability of Note Durations |
0.378 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
311.9 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.275 |
| Strength of Second Strongest Rhythmic Pulse |
0.2346 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.172 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5096 |
| Rhythmic Variability |
0.03464 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
55.14 |
| Duration in Seconds |
299.6 |
| Note Density |
5.664 |
| Note Density Variability |
1.689 |
| Average Time Between Attacks |
0.3715 |
| Average Time Between Attacks for Each Voice |
0.6987 |
| Variability of Time Between Attacks |
0.201 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5556 |
| Relative Range Isolation of Loudest Voice |
0.2397 |
| Relative Range of Highest Line |
0.5556 |
| Relative Note Density of Highest Line |
0.1579 |
| Relative Note Durations of Lowest Line |
1.021 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8656 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04071 |
| Average Number of Independent Voices |
3.308 |
| Similar Motion |
0.1333 |
| Contrary Motion |
0.1994 |
| Oblique Motion |
0.6265 |
| Parallel Fifths |
0.00059 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8589 |
| Voice Equality - Number of Notes |
25.86 |
| Voice Equality - Note Duration |
10.68 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |