| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2379 |
| Prevalence of Second Most Common Vertical Interval |
0.2034 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8551 |
| Vertical Unisons |
0.005251 |
| Vertical Minor Seconds |
0.00225 |
| Vertical Thirds |
0.3739 |
| Vertical Tritones |
0.00105 |
| Vertical Perfect Fourths |
0.09147 |
| Vertical Perfect Fifths |
0.1578 |
| Vertical Sixths |
0.1478 |
| Vertical Sevenths |
0.01488 |
| Vertical Octaves |
0.1982 |
| Perfect Vertical Intervals |
0.4527 |
| Vertical Dissonance Ratio |
0.02631 |
| Vertical Minor Third Prevalence |
0.4574 |
| Vertical Major Third Prevalence |
0.6011 |
| Chord Duration |
4.844 |
| Partial Chords |
0.3246 |
| Standard Triads |
0.5936 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02339 |
| Non-Standard Chords |
0.05848 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3533 |
| Average Number of Simultaneous Pitch Classes |
2.559 |
| Variability of Number of Simultaneous Pitch Classes |
0.7047 |
| Average Number of Simultaneous Pitches |
3.457 |
| Variability of Number of Simultaneous Pitches |
0.9857 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.349 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.44 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1435 |
| Stepwise Motion |
0.4574 |
| Melodic Thirds |
0.157 |
| Melodic Perfect Fourths |
0.1076 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04933 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.004484 |
| Melodic Octaves |
0.008969 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.692 |
| Melodic Embellishments |
0.03965 |
| Direction of Melodic Motion |
0.44 |
| Average Length of Melodic Arcs |
1.549 |
| Average Interval Spanned by Melodic Arcs |
4.425 |
| Melodic Pitch Variety |
4.261 |
| Mean Melodic Interval |
2.336 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3139 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6857 |
| Amount of Arpeggiation |
0.435 |
| Repeated Notes |
0.2152 |
| Importance of Middle Register |
0.7974 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.02 |
| Mean Pitch Class |
5.075 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1189 |
| Prevalence of Most Common Pitch Class |
0.207 |
| Relative Prevalence of Top Pitches |
0.7778 |
| Relative Prevalence of Top Pitch Classes |
0.8298 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.296 |
| Pitch Class Variability |
3.547 |
| Pitch Class Variability After Folding |
3.584 |
| Pitch Skewness |
-0.5615 |
| Pitch Class Skewness |
0.06334 |
| Pitch Class Skewness After Folding |
0.4093 |
| Pitch Kurtosis |
5.687 |
| Pitch Class Kurtosis |
4.958 |
| Pitch Class Kurtosis After Folding |
6.348 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2026 |
| Note Density per Quarter Note |
0.6021 |
| Note Density per Quarter Note per Voice |
0.1505 |
| Note Density per Quarter Note Variability |
0.4416 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2115 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9383 |
| Prevalence of Very Long Rhythmic Values |
0.4714 |
| Prevalence of Dotted Notes |
0.1498 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.471 |
| Most Common Rhythmic Value |
8.0 |
| Prevalence of Most Common Rhythmic Value |
0.3216 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9863 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.911 |
| Rhythmic Value Skewness |
1.517 |
| Rhythmic Value Kurtosis |
5.528 |
| Mean Rhythmic Value Run Length |
1.555 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.037 |
| Mean Rhythmic Value Offset |
0.2996 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.838 |
| Complete Rests Fraction |
0.002954 |
| Partial Rests Fraction |
0.1995 |
| Average Rest Fraction Across Voices |
0.1095 |
| Longest Complete Rest |
1.114 |
| Longest Partial Rest |
35.36 |
| Mean Complete Rest Duration |
1.114 |
| Mean Partial Rest Duration |
8.257 |
| Median Complete Rest Duration |
1.114 |
| Median Partial Rest Duration |
4.492 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.25 |
| Variability Across Voices of Combined Rests |
18.54 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7791 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1611 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.837 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9401 |
| Rhythmic Variability - Tempo Standardized |
0.06276 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
227.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.222 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
1.097 |
| Variability of Note Durations |
0.7878 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
336.1 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
81.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.4043 |
| Strength of Second Strongest Rhythmic Pulse |
0.2865 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.411 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6908 |
| Rhythmic Variability |
0.04142 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
70.34 |
| Duration in Seconds |
69.94 |
| Note Density |
3.246 |
| Note Density Variability |
0.9531 |
| Average Time Between Attacks |
0.7149 |
| Average Time Between Attacks for Each Voice |
1.256 |
| Variability of Time Between Attacks |
0.5021 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.5139 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
1.181 |
| Relative Note Durations of Lowest Line |
1.149 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.793 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.0856 |
| Average Number of Independent Voices |
3.484 |
| Similar Motion |
0.1712 |
| Contrary Motion |
0.1595 |
| Oblique Motion |
0.5837 |
| Parallel Fifths |
0.003891 |
| Parallel Octaves |
0.003891 |
| Variability of Number of Independent Voices |
0.9865 |
| Voice Equality - Number of Notes |
11.44 |
| Voice Equality - Note Duration |
3.439 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
10.0 |