| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2086 |
| Prevalence of Second Most Common Vertical Interval |
0.1948 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9338 |
| Vertical Unisons |
0.03151 |
| Vertical Minor Seconds |
0.004513 |
| Vertical Thirds |
0.3052 |
| Vertical Tritones |
0.003207 |
| Vertical Perfect Fourths |
0.1048 |
| Vertical Perfect Fifths |
0.1948 |
| Vertical Sixths |
0.1398 |
| Vertical Sevenths |
0.02067 |
| Vertical Octaves |
0.1771 |
| Perfect Vertical Intervals |
0.5083 |
| Vertical Dissonance Ratio |
0.04905 |
| Vertical Minor Third Prevalence |
0.3979 |
| Vertical Major Third Prevalence |
0.5155 |
| Chord Duration |
2.164 |
| Partial Chords |
0.3824 |
| Standard Triads |
0.4829 |
| Diminished and Augmented Triads |
0.008865 |
| Dominant Seventh Chords |
0.001773 |
| Seventh Chords |
0.0133 |
| Non-Standard Chords |
0.1215 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5444 |
| Average Number of Simultaneous Pitch Classes |
2.552 |
| Variability of Number of Simultaneous Pitch Classes |
0.6801 |
| Average Number of Simultaneous Pitches |
3.236 |
| Variability of Number of Simultaneous Pitches |
0.793 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.662 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
52.74 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1325 |
| Stepwise Motion |
0.5239 |
| Melodic Thirds |
0.2049 |
| Melodic Perfect Fourths |
0.05239 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05085 |
| Melodic Sixths |
0.001541 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009245 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.325 |
| Melodic Embellishments |
0.03063 |
| Direction of Melodic Motion |
0.4771 |
| Average Length of Melodic Arcs |
1.961 |
| Average Interval Spanned by Melodic Arcs |
5.384 |
| Melodic Pitch Variety |
4.388 |
| Mean Melodic Interval |
2.333 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3914 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4016 |
| Amount of Arpeggiation |
0.4222 |
| Repeated Notes |
0.1572 |
| Importance of Middle Register |
0.8162 |
| Importance of High Register |
0.01991 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.78 |
| Mean Pitch Class |
5.585 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1562 |
| Prevalence of Most Common Pitch Class |
0.2772 |
| Relative Prevalence of Top Pitches |
0.7843 |
| Relative Prevalence of Top Pitch Classes |
0.6188 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.876 |
| Pitch Class Variability |
3.492 |
| Pitch Class Variability After Folding |
2.676 |
| Pitch Skewness |
0.1356 |
| Pitch Class Skewness |
-1.216 |
| Pitch Class Skewness After Folding |
0.898 |
| Pitch Kurtosis |
5.439 |
| Pitch Class Kurtosis |
4.919 |
| Pitch Class Kurtosis After Folding |
9.029 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1639 |
| Note Density per Quarter Note |
1.079 |
| Note Density per Quarter Note per Voice |
0.2698 |
| Note Density per Quarter Note Variability |
0.5714 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.04441 |
| Prevalence of Medium Rhythmic Values |
0.5697 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7642 |
| Prevalence of Very Long Rhythmic Values |
0.1286 |
| Prevalence of Dotted Notes |
0.1822 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.07 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3338 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6055 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.447 |
| Rhythmic Value Skewness |
1.311 |
| Rhythmic Value Kurtosis |
10.18 |
| Mean Rhythmic Value Run Length |
1.423 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8254 |
| Mean Rhythmic Value Offset |
0.04977 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.493 |
| Complete Rests Fraction |
0.001472 |
| Partial Rests Fraction |
0.4605 |
| Average Rest Fraction Across Voices |
0.1599 |
| Longest Complete Rest |
0.8905 |
| Longest Partial Rest |
42.36 |
| Mean Complete Rest Duration |
0.8905 |
| Mean Partial Rest Duration |
5.862 |
| Median Complete Rest Duration |
0.8905 |
| Median Partial Rest Duration |
2.353 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.214 |
| Variability Across Voices of Combined Rests |
62.29 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4838 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2592 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.866 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.743 |
| Rhythmic Variability - Tempo Standardized |
0.04644 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
653.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8994 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.6843 |
| Variability of Note Durations |
0.5964 |
| Amount of Staccato |
0.03828 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
276.4 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2477 |
| Strength of Second Strongest Rhythmic Pulse |
0.2448 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.012 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4925 |
| Rhythmic Variability |
0.03462 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
29.68 |
| Duration in Seconds |
133.0 |
| Note Density |
4.911 |
| Note Density Variability |
2.259 |
| Average Time Between Attacks |
0.3751 |
| Average Time Between Attacks for Each Voice |
0.8503 |
| Variability of Time Between Attacks |
0.2871 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.4408 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.4104 |
| Relative Note Durations of Lowest Line |
1.048 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8025 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.03091 |
| Average Number of Independent Voices |
3.371 |
| Similar Motion |
0.1159 |
| Contrary Motion |
0.1345 |
| Oblique Motion |
0.7187 |
| Parallel Fifths |
0.001546 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7942 |
| Voice Equality - Number of Notes |
52.74 |
| Voice Equality - Note Duration |
13.69 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
11.67 |