| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.196 |
| Prevalence of Second Most Common Vertical Interval |
0.1887 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9627 |
| Vertical Unisons |
0.02586 |
| Vertical Minor Seconds |
0.01 |
| Vertical Thirds |
0.3392 |
| Vertical Tritones |
0.01179 |
| Vertical Perfect Fourths |
0.0784 |
| Vertical Perfect Fifths |
0.1659 |
| Vertical Sixths |
0.1363 |
| Vertical Sevenths |
0.03646 |
| Vertical Octaves |
0.1702 |
| Perfect Vertical Intervals |
0.4404 |
| Vertical Dissonance Ratio |
0.09185 |
| Vertical Minor Third Prevalence |
0.5823 |
| Vertical Major Third Prevalence |
0.5518 |
| Chord Duration |
1.91 |
| Partial Chords |
0.2795 |
| Standard Triads |
0.5031 |
| Diminished and Augmented Triads |
0.02484 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02795 |
| Non-Standard Chords |
0.1894 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.7 |
| Average Number of Simultaneous Pitch Classes |
2.765 |
| Variability of Number of Simultaneous Pitch Classes |
0.6072 |
| Average Number of Simultaneous Pitches |
3.537 |
| Variability of Number of Simultaneous Pitches |
0.6236 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.224 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
27.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2177 |
| Stepwise Motion |
0.6855 |
| Melodic Thirds |
0.1344 |
| Melodic Perfect Fourths |
0.06183 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02688 |
| Melodic Sixths |
0.005376 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008065 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.083 |
| Melodic Embellishments |
0.03457 |
| Direction of Melodic Motion |
0.4373 |
| Average Length of Melodic Arcs |
1.96 |
| Average Interval Spanned by Melodic Arcs |
4.754 |
| Melodic Pitch Variety |
4.87 |
| Mean Melodic Interval |
2.261 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4677 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4655 |
| Amount of Arpeggiation |
0.2473 |
| Repeated Notes |
0.07796 |
| Importance of Middle Register |
0.6197 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.92 |
| Mean Pitch Class |
5.112 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.0984 |
| Prevalence of Most Common Pitch Class |
0.1782 |
| Relative Prevalence of Top Pitches |
0.9459 |
| Relative Prevalence of Top Pitch Classes |
0.9851 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.108 |
| Pitch Class Variability |
3.332 |
| Pitch Class Variability After Folding |
3.889 |
| Pitch Skewness |
0.2582 |
| Pitch Class Skewness |
0.1006 |
| Pitch Class Skewness After Folding |
1.014 |
| Pitch Kurtosis |
5.027 |
| Pitch Class Kurtosis |
4.815 |
| Pitch Class Kurtosis After Folding |
5.159 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3803 |
| Note Density per Quarter Note |
1.143 |
| Note Density per Quarter Note per Voice |
0.2857 |
| Note Density per Quarter Note Variability |
0.5192 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5372 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7394 |
| Prevalence of Very Long Rhythmic Values |
0.125 |
| Prevalence of Dotted Notes |
0.1356 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.122 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2766 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9423 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.379 |
| Rhythmic Value Skewness |
1.415 |
| Rhythmic Value Kurtosis |
9.071 |
| Mean Rhythmic Value Run Length |
1.541 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.222 |
| Mean Rhythmic Value Offset |
0.07447 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5414 |
| Complete Rests Fraction |
0.003014 |
| Partial Rests Fraction |
0.3009 |
| Average Rest Fraction Across Voices |
0.0866 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.07 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.57 |
| Variability Across Voices of Combined Rests |
8.226 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5114 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2581 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.982 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7695 |
| Rhythmic Variability - Tempo Standardized |
0.04842 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
376.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6565 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.666 |
| Variability of Note Durations |
0.5621 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2501 |
| Strength of Second Strongest Rhythmic Pulse |
0.2297 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.089 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4798 |
| Rhythmic Variability |
0.03412 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000002224 |
| Duration in Seconds |
68.54 |
| Note Density |
5.486 |
| Note Density Variability |
1.47 |
| Average Time Between Attacks |
0.3529 |
| Average Time Between Attacks for Each Voice |
0.7573 |
| Variability of Time Between Attacks |
0.2444 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.5612 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.7021 |
| Relative Note Durations of Lowest Line |
0.8891 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7979 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.04889 |
| Average Number of Independent Voices |
3.665 |
| Similar Motion |
0.1133 |
| Contrary Motion |
0.1622 |
| Oblique Motion |
0.6756 |
| Parallel Fifths |
0.004444 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5661 |
| Voice Equality - Number of Notes |
27.02 |
| Voice Equality - Note Duration |
1.714 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
10.0 |