| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2054 |
| Prevalence of Second Most Common Vertical Interval |
0.1858 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9045 |
| Vertical Unisons |
0.02157 |
| Vertical Minor Seconds |
0.005709 |
| Vertical Thirds |
0.3216 |
| Vertical Tritones |
0.01083 |
| Vertical Perfect Fourths |
0.08246 |
| Vertical Perfect Fifths |
0.1858 |
| Vertical Sixths |
0.1375 |
| Vertical Sevenths |
0.02679 |
| Vertical Octaves |
0.1839 |
| Perfect Vertical Intervals |
0.4737 |
| Vertical Dissonance Ratio |
0.07204 |
| Vertical Minor Third Prevalence |
0.3805 |
| Vertical Major Third Prevalence |
0.3528 |
| Chord Duration |
2.245 |
| Partial Chords |
0.5439 |
| Standard Triads |
0.3415 |
| Diminished and Augmented Triads |
0.01493 |
| Dominant Seventh Chords |
0.000878 |
| Seventh Chords |
0.003512 |
| Non-Standard Chords |
0.1111 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.091 |
| Average Number of Simultaneous Pitch Classes |
2.334 |
| Variability of Number of Simultaneous Pitch Classes |
0.6816 |
| Average Number of Simultaneous Pitches |
2.9 |
| Variability of Number of Simultaneous Pitches |
0.9386 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.969 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
169.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2098 |
| Stepwise Motion |
0.6391 |
| Melodic Thirds |
0.1158 |
| Melodic Perfect Fourths |
0.05225 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0217 |
| Melodic Sixths |
0.005627 |
| Melodic Sevenths |
0.001608 |
| Melodic Octaves |
0.008039 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.769 |
| Melodic Embellishments |
0.007212 |
| Direction of Melodic Motion |
0.4714 |
| Average Length of Melodic Arcs |
1.899 |
| Average Interval Spanned by Melodic Arcs |
4.544 |
| Melodic Pitch Variety |
4.469 |
| Mean Melodic Interval |
2.033 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4293 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4888 |
| Amount of Arpeggiation |
0.3031 |
| Repeated Notes |
0.1559 |
| Importance of Middle Register |
0.7412 |
| Importance of High Register |
0.00641 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.91 |
| Mean Pitch Class |
5.413 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1122 |
| Prevalence of Most Common Pitch Class |
0.1763 |
| Relative Prevalence of Top Pitches |
0.8714 |
| Relative Prevalence of Top Pitch Classes |
0.8955 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.821 |
| Pitch Class Variability |
3.466 |
| Pitch Class Variability After Folding |
4.084 |
| Pitch Skewness |
0.2072 |
| Pitch Class Skewness |
0.3579 |
| Pitch Class Skewness After Folding |
1.059 |
| Pitch Kurtosis |
5.457 |
| Pitch Class Kurtosis |
4.656 |
| Pitch Class Kurtosis After Folding |
4.712 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2524 |
| Note Density per Quarter Note |
0.9866 |
| Note Density per Quarter Note per Voice |
0.2466 |
| Note Density per Quarter Note Variability |
0.4745 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001603 |
| Prevalence of Medium Rhythmic Values |
0.5938 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.746 |
| Prevalence of Very Long Rhythmic Values |
0.1018 |
| Prevalence of Dotted Notes |
0.09054 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.929 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3397 |
| Relative Prevalence of Most Common Rhythmic Values |
0.75 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.158 |
| Rhythmic Value Skewness |
1.292 |
| Rhythmic Value Kurtosis |
10.2 |
| Mean Rhythmic Value Run Length |
1.675 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.075 |
| Mean Rhythmic Value Offset |
0.08333 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8734 |
| Complete Rests Fraction |
0.0007063 |
| Partial Rests Fraction |
0.6033 |
| Average Rest Fraction Across Voices |
0.2614 |
| Longest Complete Rest |
0.8935 |
| Longest Partial Rest |
134.2 |
| Mean Complete Rest Duration |
0.8935 |
| Mean Partial Rest Duration |
13.92 |
| Median Complete Rest Duration |
0.8935 |
| Median Partial Rest Duration |
3.604 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.01 |
| Variability Across Voices of Combined Rests |
34.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5607 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2288 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.451 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7895 |
| Rhythmic Variability - Tempo Standardized |
0.05028 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1248.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.9 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6925 |
| Variability of Note Durations |
0.6147 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
262.5 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.2834 |
| Strength of Second Strongest Rhythmic Pulse |
0.2662 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.064 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5496 |
| Rhythmic Variability |
0.03776 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.89 |
| Duration in Seconds |
292.5 |
| Note Density |
4.267 |
| Note Density Variability |
1.577 |
| Average Time Between Attacks |
0.4217 |
| Average Time Between Attacks for Each Voice |
0.898 |
| Variability of Time Between Attacks |
0.26 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3567 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2115 |
| Relative Note Durations of Lowest Line |
1.054 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8085 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04821 |
| Average Number of Independent Voices |
2.975 |
| Similar Motion |
0.1179 |
| Contrary Motion |
0.1786 |
| Oblique Motion |
0.6554 |
| Parallel Fifths |
0.002679 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9376 |
| Voice Equality - Number of Notes |
22.73 |
| Voice Equality - Note Duration |
7.979 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
15.0 |