| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2324 |
| Prevalence of Second Most Common Vertical Interval |
0.1655 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.712 |
| Vertical Unisons |
0.0404 |
| Vertical Minor Seconds |
0.006225 |
| Vertical Thirds |
0.2851 |
| Vertical Tritones |
0.01083 |
| Vertical Perfect Fourths |
0.1064 |
| Vertical Perfect Fifths |
0.1655 |
| Vertical Sixths |
0.1333 |
| Vertical Sevenths |
0.03215 |
| Vertical Octaves |
0.192 |
| Perfect Vertical Intervals |
0.5042 |
| Vertical Dissonance Ratio |
0.084 |
| Vertical Minor Third Prevalence |
0.3618 |
| Vertical Major Third Prevalence |
0.3346 |
| Chord Duration |
1.856 |
| Partial Chords |
0.5877 |
| Standard Triads |
0.26 |
| Diminished and Augmented Triads |
0.02186 |
| Dominant Seventh Chords |
0.003123 |
| Seventh Chords |
0.01952 |
| Non-Standard Chords |
0.1327 |
| Complex Chords |
0.002343 |
| Minor Major Triad Ratio |
0.8197 |
| Average Number of Simultaneous Pitch Classes |
2.222 |
| Variability of Number of Simultaneous Pitch Classes |
0.7741 |
| Average Number of Simultaneous Pitches |
2.833 |
| Variability of Number of Simultaneous Pitches |
1.236 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.193 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
116.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2237 |
| Stepwise Motion |
0.6999 |
| Melodic Thirds |
0.1155 |
| Melodic Perfect Fourths |
0.04501 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04892 |
| Melodic Sixths |
0.006523 |
| Melodic Sevenths |
0.003914 |
| Melodic Octaves |
0.01174 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.688 |
| Melodic Embellishments |
0.01105 |
| Direction of Melodic Motion |
0.4979 |
| Average Length of Melodic Arcs |
2.031 |
| Average Interval Spanned by Melodic Arcs |
5.131 |
| Melodic Pitch Variety |
5.442 |
| Mean Melodic Interval |
2.358 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4762 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4699 |
| Amount of Arpeggiation |
0.2485 |
| Repeated Notes |
0.06849 |
| Importance of Middle Register |
0.7685 |
| Importance of High Register |
0.0143 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.71 |
| Mean Pitch Class |
5.218 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09428 |
| Prevalence of Most Common Pitch Class |
0.1736 |
| Relative Prevalence of Top Pitches |
0.9724 |
| Relative Prevalence of Top Pitch Classes |
0.9925 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.273 |
| Pitch Class Variability |
3.634 |
| Pitch Class Variability After Folding |
3.183 |
| Pitch Skewness |
-0.01019 |
| Pitch Class Skewness |
0.1804 |
| Pitch Class Skewness After Folding |
1.18 |
| Pitch Kurtosis |
5.36 |
| Pitch Class Kurtosis |
4.801 |
| Pitch Class Kurtosis After Folding |
7.157 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2172 |
| Note Density per Quarter Note |
1.001 |
| Note Density per Quarter Note per Voice |
0.2001 |
| Note Density per Quarter Note Variability |
0.5244 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5839 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.725 |
| Prevalence of Very Long Rhythmic Values |
0.1027 |
| Prevalence of Dotted Notes |
0.13 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.884 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3088 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8863 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.135 |
| Rhythmic Value Skewness |
1.242 |
| Rhythmic Value Kurtosis |
10.01 |
| Mean Rhythmic Value Run Length |
1.638 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.11 |
| Mean Rhythmic Value Offset |
0.09688 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.061 |
| Complete Rests Fraction |
0.0006491 |
| Partial Rests Fraction |
0.8024 |
| Average Rest Fraction Across Voices |
0.404 |
| Longest Complete Rest |
0.9976 |
| Longest Partial Rest |
362.1 |
| Mean Complete Rest Duration |
0.9976 |
| Mean Partial Rest Duration |
26.31 |
| Median Complete Rest Duration |
0.9976 |
| Median Partial Rest Duration |
3.996 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
70.28 |
| Variability Across Voices of Combined Rests |
239.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5174 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2461 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.102 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7635 |
| Rhythmic Variability - Tempo Standardized |
0.04853 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1538.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.681 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6167 |
| Variability of Note Durations |
0.5643 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
289.7 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2569 |
| Strength of Second Strongest Rhythmic Pulse |
0.2206 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.165 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4775 |
| Rhythmic Variability |
0.03406 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.6739 |
| Duration in Seconds |
318.3 |
| Note Density |
4.832 |
| Note Density Variability |
1.851 |
| Average Time Between Attacks |
0.3676 |
| Average Time Between Attacks for Each Voice |
1.007 |
| Variability of Time Between Attacks |
0.2249 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5335 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2211 |
| Relative Note Durations of Lowest Line |
1.11 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8049 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.05161 |
| Average Number of Independent Voices |
2.983 |
| Similar Motion |
0.1247 |
| Contrary Motion |
0.1599 |
| Oblique Motion |
0.6638 |
| Parallel Fifths |
0.0007168 |
| Parallel Octaves |
0.002151 |
| Variability of Number of Independent Voices |
1.313 |
| Voice Equality - Number of Notes |
110.6 |
| Voice Equality - Note Duration |
49.64 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
8.75 |