| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2405 |
| Prevalence of Second Most Common Vertical Interval |
0.1849 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7687 |
| Vertical Unisons |
0.03906 |
| Vertical Minor Seconds |
0.005725 |
| Vertical Thirds |
0.287 |
| Vertical Tritones |
0.004361 |
| Vertical Perfect Fourths |
0.1 |
| Vertical Perfect Fifths |
0.1849 |
| Vertical Sixths |
0.1425 |
| Vertical Sevenths |
0.0179 |
| Vertical Octaves |
0.2015 |
| Perfect Vertical Intervals |
0.5255 |
| Vertical Dissonance Ratio |
0.04714 |
| Vertical Minor Third Prevalence |
0.5703 |
| Vertical Major Third Prevalence |
0.5246 |
| Chord Duration |
2.195 |
| Partial Chords |
0.3253 |
| Standard Triads |
0.504 |
| Diminished and Augmented Triads |
0.01153 |
| Dominant Seventh Chords |
0.005767 |
| Seventh Chords |
0.03114 |
| Non-Standard Chords |
0.1396 |
| Complex Chords |
0.002307 |
| Minor Major Triad Ratio |
1.349 |
| Average Number of Simultaneous Pitch Classes |
2.69 |
| Variability of Number of Simultaneous Pitch Classes |
0.6493 |
| Average Number of Simultaneous Pitches |
3.743 |
| Variability of Number of Simultaneous Pitches |
1.04 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.308 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
85.14 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2244 |
| Stepwise Motion |
0.6322 |
| Melodic Thirds |
0.1561 |
| Melodic Perfect Fourths |
0.06634 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04293 |
| Melodic Sixths |
0.001951 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004878 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.0 |
| Melodic Embellishments |
0.02132 |
| Direction of Melodic Motion |
0.5038 |
| Average Length of Melodic Arcs |
1.931 |
| Average Interval Spanned by Melodic Arcs |
4.838 |
| Melodic Pitch Variety |
5.192 |
| Mean Melodic Interval |
2.295 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4078 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5502 |
| Amount of Arpeggiation |
0.2995 |
| Repeated Notes |
0.09561 |
| Importance of Middle Register |
0.6337 |
| Importance of High Register |
0.002907 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.7 |
| Mean Pitch Class |
5.233 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1037 |
| Prevalence of Most Common Pitch Class |
0.1899 |
| Relative Prevalence of Top Pitches |
0.8505 |
| Relative Prevalence of Top Pitch Classes |
0.9439 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.152 |
| Pitch Class Variability |
3.53 |
| Pitch Class Variability After Folding |
3.181 |
| Pitch Skewness |
0.09267 |
| Pitch Class Skewness |
0.1976 |
| Pitch Class Skewness After Folding |
0.5373 |
| Pitch Kurtosis |
5.369 |
| Pitch Class Kurtosis |
4.779 |
| Pitch Class Kurtosis After Folding |
6.866 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3634 |
| Note Density per Quarter Note |
1.151 |
| Note Density per Quarter Note per Voice |
0.2301 |
| Note Density per Quarter Note Variability |
0.5747 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5213 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8023 |
| Prevalence of Very Long Rhythmic Values |
0.1502 |
| Prevalence of Dotted Notes |
0.1337 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.341 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3236 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7874 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.479 |
| Rhythmic Value Skewness |
1.623 |
| Rhythmic Value Kurtosis |
8.726 |
| Mean Rhythmic Value Run Length |
1.566 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9659 |
| Mean Rhythmic Value Offset |
0.1279 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8258 |
| Complete Rests Fraction |
0.001221 |
| Partial Rests Fraction |
0.5917 |
| Average Rest Fraction Across Voices |
0.2107 |
| Longest Complete Rest |
1.095 |
| Longest Partial Rest |
97.19 |
| Mean Complete Rest Duration |
1.095 |
| Mean Partial Rest Duration |
12.6 |
| Median Complete Rest Duration |
1.095 |
| Median Partial Rest Duration |
4.418 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.31 |
| Variability Across Voices of Combined Rests |
42.08 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5819 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2144 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.714 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7963 |
| Rhythmic Variability - Tempo Standardized |
0.05123 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1032.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.446 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.8062 |
| Variability of Note Durations |
0.6705 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
259.4 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2909 |
| Strength of Second Strongest Rhythmic Pulse |
0.2639 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.102 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5548 |
| Rhythmic Variability |
0.03798 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
28.96 |
| Duration in Seconds |
210.0 |
| Note Density |
4.913 |
| Note Density Variability |
1.995 |
| Average Time Between Attacks |
0.4194 |
| Average Time Between Attacks for Each Voice |
0.9769 |
| Variability of Time Between Attacks |
0.2433 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.5516 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.3198 |
| Relative Note Durations of Lowest Line |
1.077 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7975 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.0 |
| Parallel Motion |
0.04858 |
| Average Number of Independent Voices |
3.982 |
| Similar Motion |
0.1256 |
| Contrary Motion |
0.1485 |
| Oblique Motion |
0.6774 |
| Parallel Fifths |
0.008249 |
| Parallel Octaves |
0.003666 |
| Variability of Number of Independent Voices |
1.079 |
| Voice Equality - Number of Notes |
32.28 |
| Voice Equality - Note Duration |
9.853 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.168 |
| Importance of Loudest Voice |
12.5 |