| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2024 |
| Prevalence of Second Most Common Vertical Interval |
0.1805 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8917 |
| Vertical Unisons |
0.03317 |
| Vertical Minor Seconds |
0.006826 |
| Vertical Thirds |
0.3305 |
| Vertical Tritones |
0.01046 |
| Vertical Perfect Fourths |
0.0839 |
| Vertical Perfect Fifths |
0.1623 |
| Vertical Sixths |
0.1572 |
| Vertical Sevenths |
0.02657 |
| Vertical Octaves |
0.1692 |
| Perfect Vertical Intervals |
0.4486 |
| Vertical Dissonance Ratio |
0.06803 |
| Vertical Minor Third Prevalence |
0.5079 |
| Vertical Major Third Prevalence |
0.4586 |
| Chord Duration |
2.127 |
| Partial Chords |
0.409 |
| Standard Triads |
0.4332 |
| Diminished and Augmented Triads |
0.01587 |
| Dominant Seventh Chords |
0.0009337 |
| Seventh Chords |
0.0112 |
| Non-Standard Chords |
0.1466 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.468 |
| Average Number of Simultaneous Pitch Classes |
2.53 |
| Variability of Number of Simultaneous Pitch Classes |
0.6507 |
| Average Number of Simultaneous Pitches |
3.125 |
| Variability of Number of Simultaneous Pitches |
0.7685 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.397 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
103.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1953 |
| Stepwise Motion |
0.6639 |
| Melodic Thirds |
0.1117 |
| Melodic Perfect Fourths |
0.06903 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06176 |
| Melodic Sixths |
0.003633 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009991 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.795 |
| Melodic Embellishments |
0.01719 |
| Direction of Melodic Motion |
0.463 |
| Average Length of Melodic Arcs |
1.926 |
| Average Interval Spanned by Melodic Arcs |
5.078 |
| Melodic Pitch Variety |
5.308 |
| Mean Melodic Interval |
2.434 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4687 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4167 |
| Amount of Arpeggiation |
0.2634 |
| Repeated Notes |
0.07993 |
| Importance of Middle Register |
0.7312 |
| Importance of High Register |
0.00905 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.6 |
| Mean Pitch Class |
5.433 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1032 |
| Prevalence of Most Common Pitch Class |
0.1647 |
| Relative Prevalence of Top Pitches |
0.9211 |
| Relative Prevalence of Top Pitch Classes |
0.9615 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.369 |
| Pitch Class Variability |
3.471 |
| Pitch Class Variability After Folding |
3.224 |
| Pitch Skewness |
-0.2686 |
| Pitch Class Skewness |
0.3739 |
| Pitch Class Skewness After Folding |
0.5508 |
| Pitch Kurtosis |
5.369 |
| Pitch Class Kurtosis |
4.886 |
| Pitch Class Kurtosis After Folding |
6.725 |
| Major or Minor |
0.0 |
| First Pitch |
59.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2597 |
| Note Density per Quarter Note |
0.9719 |
| Note Density per Quarter Note per Voice |
0.243 |
| Note Density per Quarter Note Variability |
0.424 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00362 |
| Prevalence of Medium Rhythmic Values |
0.533 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7765 |
| Prevalence of Very Long Rhythmic Values |
0.1276 |
| Prevalence of Dotted Notes |
0.1086 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.214 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3095 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9006 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.387 |
| Rhythmic Value Skewness |
1.527 |
| Rhythmic Value Kurtosis |
9.221 |
| Mean Rhythmic Value Run Length |
1.608 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.286 |
| Mean Rhythmic Value Offset |
0.1303 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.013 |
| Complete Rests Fraction |
0.0005851 |
| Partial Rests Fraction |
0.5765 |
| Average Rest Fraction Across Voices |
0.1891 |
| Longest Complete Rest |
0.6653 |
| Longest Partial Rest |
53.17 |
| Mean Complete Rest Duration |
0.6653 |
| Mean Partial Rest Duration |
8.6 |
| Median Complete Rest Duration |
0.6653 |
| Median Partial Rest Duration |
4.09 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.3 |
| Variability Across Voices of Combined Rests |
87.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5674 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2199 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.581 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7873 |
| Rhythmic Variability - Tempo Standardized |
0.05048 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1105.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.147 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.68 |
| Variability of Note Durations |
0.5964 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
297.7 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.2585 |
| Strength of Second Strongest Rhythmic Pulse |
0.2514 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.028 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5099 |
| Rhythmic Variability |
0.03527 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
37.01 |
| Duration in Seconds |
231.6 |
| Note Density |
4.77 |
| Note Density Variability |
1.377 |
| Average Time Between Attacks |
0.3946 |
| Average Time Between Attacks for Each Voice |
0.9483 |
| Variability of Time Between Attacks |
0.2431 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.4142 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2389 |
| Relative Note Durations of Lowest Line |
1.072 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.771 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.04371 |
| Average Number of Independent Voices |
3.254 |
| Similar Motion |
0.1173 |
| Contrary Motion |
0.161 |
| Oblique Motion |
0.678 |
| Parallel Fifths |
0.002132 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.757 |
| Voice Equality - Number of Notes |
103.4 |
| Voice Equality - Note Duration |
17.74 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.367 |
| Importance of Loudest Voice |
11.67 |