| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2412 |
| Prevalence of Second Most Common Vertical Interval |
0.1767 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7326 |
| Vertical Unisons |
0.03362 |
| Vertical Minor Seconds |
0.00221 |
| Vertical Thirds |
0.2808 |
| Vertical Tritones |
0.0008667 |
| Vertical Perfect Fourths |
0.1169 |
| Vertical Perfect Fifths |
0.1767 |
| Vertical Sixths |
0.1444 |
| Vertical Sevenths |
0.01621 |
| Vertical Octaves |
0.2076 |
| Perfect Vertical Intervals |
0.5348 |
| Vertical Dissonance Ratio |
0.04163 |
| Vertical Minor Third Prevalence |
0.5523 |
| Vertical Major Third Prevalence |
0.6765 |
| Chord Duration |
4.307 |
| Partial Chords |
0.2007 |
| Standard Triads |
0.648 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.003289 |
| Seventh Chords |
0.03618 |
| Non-Standard Chords |
0.1151 |
| Complex Chords |
0.003289 |
| Minor Major Triad Ratio |
0.6016 |
| Average Number of Simultaneous Pitch Classes |
2.873 |
| Variability of Number of Simultaneous Pitch Classes |
0.5484 |
| Average Number of Simultaneous Pitches |
4.154 |
| Variability of Number of Simultaneous Pitches |
0.7834 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.261 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
38.34 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1582 |
| Stepwise Motion |
0.5443 |
| Melodic Thirds |
0.1299 |
| Melodic Perfect Fourths |
0.0678 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05273 |
| Melodic Sixths |
0.009416 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01318 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.875 |
| Melodic Embellishments |
0.04478 |
| Direction of Melodic Motion |
0.4217 |
| Average Length of Melodic Arcs |
1.801 |
| Average Interval Spanned by Melodic Arcs |
4.992 |
| Melodic Pitch Variety |
4.886 |
| Mean Melodic Interval |
2.307 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3861 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4732 |
| Amount of Arpeggiation |
0.3785 |
| Repeated Notes |
0.1827 |
| Importance of Middle Register |
0.3974 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
50.43 |
| Mean Pitch Class |
5.216 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1101 |
| Prevalence of Most Common Pitch Class |
0.2108 |
| Relative Prevalence of Top Pitches |
0.8475 |
| Relative Prevalence of Top Pitch Classes |
0.8584 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.588 |
| Pitch Class Variability |
3.523 |
| Pitch Class Variability After Folding |
4.016 |
| Pitch Skewness |
0.3157 |
| Pitch Class Skewness |
0.1843 |
| Pitch Class Skewness After Folding |
1.416 |
| Pitch Kurtosis |
5.21 |
| Pitch Class Kurtosis |
4.709 |
| Pitch Class Kurtosis After Folding |
5.109 |
| Major or Minor |
0.0 |
| First Pitch |
38.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
36.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.6026 |
| Note Density per Quarter Note |
0.8744 |
| Note Density per Quarter Note per Voice |
0.1749 |
| Note Density per Quarter Note Variability |
0.4724 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2836 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9403 |
| Prevalence of Very Long Rhythmic Values |
0.3246 |
| Prevalence of Dotted Notes |
0.1772 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.791 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3321 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6742 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.968 |
| Rhythmic Value Skewness |
0.7996 |
| Rhythmic Value Kurtosis |
6.088 |
| Mean Rhythmic Value Run Length |
1.357 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7585 |
| Mean Rhythmic Value Offset |
0.2388 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.468 |
| Complete Rests Fraction |
0.001231 |
| Partial Rests Fraction |
0.433 |
| Average Rest Fraction Across Voices |
0.1199 |
| Longest Complete Rest |
0.7545 |
| Longest Partial Rest |
31.67 |
| Mean Complete Rest Duration |
0.7545 |
| Mean Partial Rest Duration |
7.208 |
| Median Complete Rest Duration |
0.7545 |
| Median Partial Rest Duration |
4.565 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.304 |
| Variability Across Voices of Combined Rests |
32.87 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.68 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1896 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.587 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8696 |
| Rhythmic Variability - Tempo Standardized |
0.05641 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
536.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.067 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.904 |
| Variability of Note Durations |
0.7811 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
366.1 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
84.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.32 |
| Strength of Second Strongest Rhythmic Pulse |
0.2836 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.128 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6037 |
| Rhythmic Variability |
0.0373 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
98.89 |
| Duration in Seconds |
110.1 |
| Note Density |
4.867 |
| Note Density Variability |
2.02 |
| Average Time Between Attacks |
0.4678 |
| Average Time Between Attacks for Each Voice |
1.093 |
| Variability of Time Between Attacks |
0.3151 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.3282 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.5597 |
| Relative Note Durations of Lowest Line |
1.049 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8843 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
0.8165 |
| Parallel Motion |
0.06811 |
| Average Number of Independent Voices |
4.405 |
| Similar Motion |
0.1429 |
| Contrary Motion |
0.1346 |
| Oblique Motion |
0.6545 |
| Parallel Fifths |
0.01329 |
| Parallel Octaves |
0.008306 |
| Variability of Number of Independent Voices |
0.7707 |
| Voice Equality - Number of Notes |
29.17 |
| Voice Equality - Note Duration |
5.905 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
3.782 |
| Importance of Loudest Voice |
12.5 |