| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.225 |
| Prevalence of Second Most Common Vertical Interval |
0.1936 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8601 |
| Vertical Unisons |
0.01596 |
| Vertical Minor Seconds |
0.000962 |
| Vertical Thirds |
0.3339 |
| Vertical Tritones |
0.002691 |
| Vertical Perfect Fourths |
0.08461 |
| Vertical Perfect Fifths |
0.1909 |
| Vertical Sixths |
0.1415 |
| Vertical Sevenths |
0.01327 |
| Vertical Octaves |
0.2091 |
| Perfect Vertical Intervals |
0.5006 |
| Vertical Dissonance Ratio |
0.02467 |
| Vertical Minor Third Prevalence |
0.7465 |
| Vertical Major Third Prevalence |
0.6424 |
| Chord Duration |
3.264 |
| Partial Chords |
0.2077 |
| Standard Triads |
0.6972 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01056 |
| Non-Standard Chords |
0.08451 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.6 |
| Average Number of Simultaneous Pitch Classes |
2.816 |
| Variability of Number of Simultaneous Pitch Classes |
0.5246 |
| Average Number of Simultaneous Pitches |
4.201 |
| Variability of Number of Simultaneous Pitches |
0.9097 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.369 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
21.21 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1673 |
| Stepwise Motion |
0.428 |
| Melodic Thirds |
0.1673 |
| Melodic Perfect Fourths |
0.07004 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0428 |
| Melodic Sixths |
0.007782 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003891 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.909 |
| Melodic Embellishments |
0.007634 |
| Direction of Melodic Motion |
0.4378 |
| Average Length of Melodic Arcs |
1.637 |
| Average Interval Spanned by Melodic Arcs |
4.345 |
| Melodic Pitch Variety |
3.779 |
| Mean Melodic Interval |
1.996 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2802 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9306 |
| Amount of Arpeggiation |
0.4942 |
| Repeated Notes |
0.2802 |
| Importance of Middle Register |
0.6412 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.52 |
| Mean Pitch Class |
5.149 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1069 |
| Prevalence of Most Common Pitch Class |
0.229 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.9 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.352 |
| Pitch Class Variability |
3.323 |
| Pitch Class Variability After Folding |
3.41 |
| Pitch Skewness |
-0.4439 |
| Pitch Class Skewness |
0.1344 |
| Pitch Class Skewness After Folding |
0.863 |
| Pitch Kurtosis |
5.216 |
| Pitch Class Kurtosis |
4.866 |
| Pitch Class Kurtosis After Folding |
6.275 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3588 |
| Note Density per Quarter Note |
0.9066 |
| Note Density per Quarter Note per Voice |
0.1813 |
| Note Density per Quarter Note Variability |
0.4211 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3053 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9351 |
| Prevalence of Very Long Rhythmic Values |
0.2901 |
| Prevalence of Dotted Notes |
0.08015 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.55 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3855 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6238 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.694 |
| Rhythmic Value Skewness |
0.6119 |
| Rhythmic Value Kurtosis |
6.134 |
| Mean Rhythmic Value Run Length |
1.77 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.184 |
| Mean Rhythmic Value Offset |
0.1985 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.222 |
| Complete Rests Fraction |
0.003431 |
| Partial Rests Fraction |
0.4048 |
| Average Rest Fraction Across Voices |
0.1391 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.483 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.669 |
| Variability Across Voices of Combined Rests |
10.26 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7605 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1257 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.048 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8863 |
| Rhythmic Variability - Tempo Standardized |
0.06128 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
262.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9717 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.9892 |
| Variability of Note Durations |
0.7133 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3825 |
| Strength of Second Strongest Rhythmic Pulse |
0.2655 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.441 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6479 |
| Rhythmic Variability |
0.04155 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001273 |
| Duration in Seconds |
60.21 |
| Note Density |
4.352 |
| Note Density Variability |
1.957 |
| Average Time Between Attacks |
0.51 |
| Average Time Between Attacks for Each Voice |
1.145 |
| Variability of Time Between Attacks |
0.3063 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.375 |
| Relative Range Isolation of Loudest Voice |
0.3846 |
| Relative Range of Highest Line |
0.375 |
| Relative Note Density of Highest Line |
1.26 |
| Relative Note Durations of Lowest Line |
1.195 |
| Relative Size of Melodic Intervals in Lowest Line |
1.25 |
| Voice Overlap |
0.8206 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
0.5 |
| Parallel Motion |
0.01688 |
| Average Number of Independent Voices |
4.319 |
| Similar Motion |
0.1013 |
| Contrary Motion |
0.1181 |
| Oblique Motion |
0.7637 |
| Parallel Fifths |
0.004219 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9254 |
| Voice Equality - Number of Notes |
10.16 |
| Voice Equality - Note Duration |
2.137 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
2.074 |
| Importance of Loudest Voice |
12.5 |