| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1998 |
| Prevalence of Second Most Common Vertical Interval |
0.1953 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9775 |
| Vertical Unisons |
0.02675 |
| Vertical Minor Seconds |
0.006121 |
| Vertical Thirds |
0.3137 |
| Vertical Tritones |
0.007885 |
| Vertical Perfect Fourths |
0.0961 |
| Vertical Perfect Fifths |
0.1816 |
| Vertical Sixths |
0.1458 |
| Vertical Sevenths |
0.02528 |
| Vertical Octaves |
0.1731 |
| Perfect Vertical Intervals |
0.4775 |
| Vertical Dissonance Ratio |
0.06721 |
| Vertical Minor Third Prevalence |
0.6281 |
| Vertical Major Third Prevalence |
0.4912 |
| Chord Duration |
2.233 |
| Partial Chords |
0.2503 |
| Standard Triads |
0.5639 |
| Diminished and Augmented Triads |
0.01311 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01366 |
| Non-Standard Chords |
0.1721 |
| Complex Chords |
0.01038 |
| Minor Major Triad Ratio |
3.264 |
| Average Number of Simultaneous Pitch Classes |
2.746 |
| Variability of Number of Simultaneous Pitch Classes |
0.7095 |
| Average Number of Simultaneous Pitches |
3.6 |
| Variability of Number of Simultaneous Pitches |
1.041 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.921 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
48.75 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1752 |
| Stepwise Motion |
0.5906 |
| Melodic Thirds |
0.1289 |
| Melodic Perfect Fourths |
0.04886 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0219 |
| Melodic Sixths |
0.004212 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005897 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.935 |
| Melodic Embellishments |
0.01594 |
| Direction of Melodic Motion |
0.4537 |
| Average Length of Melodic Arcs |
1.82 |
| Average Interval Spanned by Melodic Arcs |
4.337 |
| Melodic Pitch Variety |
4.343 |
| Mean Melodic Interval |
1.922 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4153 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4807 |
| Amount of Arpeggiation |
0.3564 |
| Repeated Notes |
0.1997 |
| Importance of Middle Register |
0.6879 |
| Importance of High Register |
0.005872 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.5 |
| Mean Pitch Class |
5.61 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1141 |
| Prevalence of Most Common Pitch Class |
0.2055 |
| Relative Prevalence of Top Pitches |
0.9559 |
| Relative Prevalence of Top Pitch Classes |
0.9837 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.607 |
| Pitch Class Variability |
3.505 |
| Pitch Class Variability After Folding |
2.766 |
| Pitch Skewness |
-0.05327 |
| Pitch Class Skewness |
0.5221 |
| Pitch Class Skewness After Folding |
0.3358 |
| Pitch Kurtosis |
5.101 |
| Pitch Class Kurtosis |
4.865 |
| Pitch Class Kurtosis After Folding |
8.128 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3062 |
| Note Density per Quarter Note |
1.23 |
| Note Density per Quarter Note per Voice |
0.246 |
| Note Density per Quarter Note Variability |
0.5377 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001678 |
| Prevalence of Medium Rhythmic Values |
0.552 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8037 |
| Prevalence of Very Long Rhythmic Values |
0.08557 |
| Prevalence of Dotted Notes |
0.09312 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.986 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3557 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8726 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.942 |
| Rhythmic Value Skewness |
1.523 |
| Rhythmic Value Kurtosis |
10.43 |
| Mean Rhythmic Value Run Length |
1.795 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.21 |
| Mean Rhythmic Value Offset |
0.06166 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6928 |
| Complete Rests Fraction |
0.0009123 |
| Partial Rests Fraction |
0.7001 |
| Average Rest Fraction Across Voices |
0.2593 |
| Longest Complete Rest |
0.884 |
| Longest Partial Rest |
84.69 |
| Mean Complete Rest Duration |
0.884 |
| Mean Partial Rest Duration |
11.42 |
| Median Complete Rest Duration |
0.884 |
| Median Partial Rest Duration |
3.566 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.81 |
| Variability Across Voices of Combined Rests |
102.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6108 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1903 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.21 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8011 |
| Rhythmic Variability - Tempo Standardized |
0.05228 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1192.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.523 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6987 |
| Variability of Note Durations |
0.526 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
261.7 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.3019 |
| Strength of Second Strongest Rhythmic Pulse |
0.2641 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.143 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5661 |
| Rhythmic Variability |
0.0384 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.99 |
| Duration in Seconds |
224.9 |
| Note Density |
5.3 |
| Note Density Variability |
1.921 |
| Average Time Between Attacks |
0.3949 |
| Average Time Between Attacks for Each Voice |
0.9539 |
| Variability of Time Between Attacks |
0.2074 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4118 |
| Relative Range Isolation of Loudest Voice |
0.7478 |
| Relative Range of Highest Line |
0.4118 |
| Relative Note Density of Highest Line |
0.2852 |
| Relative Note Durations of Lowest Line |
1.035 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.7282 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
3.202 |
| Parallel Motion |
0.0328 |
| Average Number of Independent Voices |
3.75 |
| Similar Motion |
0.1188 |
| Contrary Motion |
0.148 |
| Oblique Motion |
0.7004 |
| Parallel Fifths |
0.0008865 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.078 |
| Voice Equality - Number of Notes |
74.83 |
| Voice Equality - Note Duration |
23.71 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
4.087 |
| Importance of Loudest Voice |
12.5 |