| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2276 |
| Prevalence of Second Most Common Vertical Interval |
0.1866 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8202 |
| Vertical Unisons |
0.01928 |
| Vertical Minor Seconds |
0.005046 |
| Vertical Thirds |
0.3012 |
| Vertical Tritones |
0.007434 |
| Vertical Perfect Fourths |
0.08238 |
| Vertical Perfect Fifths |
0.1866 |
| Vertical Sixths |
0.1471 |
| Vertical Sevenths |
0.0258 |
| Vertical Octaves |
0.2083 |
| Perfect Vertical Intervals |
0.4966 |
| Vertical Dissonance Ratio |
0.05825 |
| Vertical Minor Third Prevalence |
0.4005 |
| Vertical Major Third Prevalence |
0.3865 |
| Chord Duration |
2.195 |
| Partial Chords |
0.5253 |
| Standard Triads |
0.354 |
| Diminished and Augmented Triads |
0.01483 |
| Dominant Seventh Chords |
0.001349 |
| Seventh Chords |
0.01618 |
| Non-Standard Chords |
0.1045 |
| Complex Chords |
0.004046 |
| Minor Major Triad Ratio |
0.5173 |
| Average Number of Simultaneous Pitch Classes |
2.374 |
| Variability of Number of Simultaneous Pitch Classes |
0.7315 |
| Average Number of Simultaneous Pitches |
3.192 |
| Variability of Number of Simultaneous Pitches |
1.301 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.066 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
77.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1997 |
| Stepwise Motion |
0.6509 |
| Melodic Thirds |
0.1228 |
| Melodic Perfect Fourths |
0.05688 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04072 |
| Melodic Sixths |
0.003232 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008403 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.585 |
| Melodic Embellishments |
0.01546 |
| Direction of Melodic Motion |
0.4722 |
| Average Length of Melodic Arcs |
1.971 |
| Average Interval Spanned by Melodic Arcs |
4.886 |
| Melodic Pitch Variety |
4.835 |
| Mean Melodic Interval |
2.204 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4512 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4427 |
| Amount of Arpeggiation |
0.2889 |
| Repeated Notes |
0.117 |
| Importance of Middle Register |
0.6682 |
| Importance of High Register |
0.02062 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.15 |
| Mean Pitch Class |
5.723 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
11.0 |
| Prevalence of Most Common Pitch |
0.08956 |
| Prevalence of Most Common Pitch Class |
0.1733 |
| Relative Prevalence of Top Pitches |
0.8633 |
| Relative Prevalence of Top Pitch Classes |
0.9777 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
8.223 |
| Pitch Class Variability |
3.752 |
| Pitch Class Variability After Folding |
2.74 |
| Pitch Skewness |
-0.1086 |
| Pitch Class Skewness |
-1.021 |
| Pitch Class Skewness After Folding |
0.1538 |
| Pitch Kurtosis |
5.113 |
| Pitch Class Kurtosis |
4.72 |
| Pitch Class Kurtosis After Folding |
8.035 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3112 |
| Note Density per Quarter Note |
0.9412 |
| Note Density per Quarter Note per Voice |
0.1882 |
| Note Density per Quarter Note Variability |
0.5295 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4981 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8093 |
| Prevalence of Very Long Rhythmic Values |
0.1327 |
| Prevalence of Dotted Notes |
0.1134 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.336 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3086 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9958 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.376 |
| Rhythmic Value Skewness |
0.4247 |
| Rhythmic Value Kurtosis |
9.144 |
| Mean Rhythmic Value Run Length |
1.649 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.082 |
| Mean Rhythmic Value Offset |
0.1495 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.093 |
| Complete Rests Fraction |
0.0006014 |
| Partial Rests Fraction |
0.7016 |
| Average Rest Fraction Across Voices |
0.3438 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
248.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
26.49 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
40.81 |
| Variability Across Voices of Combined Rests |
132.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5809 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2186 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.657 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7995 |
| Rhythmic Variability - Tempo Standardized |
0.05119 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1552.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.561 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.7212 |
| Variability of Note Durations |
0.6354 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2952 |
| Strength of Second Strongest Rhythmic Pulse |
0.2386 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.237 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5338 |
| Rhythmic Variability |
0.03605 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004976 |
| Duration in Seconds |
341.2 |
| Note Density |
4.549 |
| Note Density Variability |
1.907 |
| Average Time Between Attacks |
0.4051 |
| Average Time Between Attacks for Each Voice |
1.104 |
| Variability of Time Between Attacks |
0.2194 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.7845 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2223 |
| Relative Note Durations of Lowest Line |
0.9532 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.7274 |
| Voice Separation |
5.25 |
| Variability of Voice Separation |
2.754 |
| Parallel Motion |
0.04118 |
| Average Number of Independent Voices |
3.283 |
| Similar Motion |
0.1224 |
| Contrary Motion |
0.1794 |
| Oblique Motion |
0.6571 |
| Parallel Fifths |
0.0005882 |
| Parallel Octaves |
0.001765 |
| Variability of Number of Independent Voices |
1.335 |
| Voice Equality - Number of Notes |
82.77 |
| Voice Equality - Note Duration |
27.47 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.095 |
| Importance of Loudest Voice |
12.5 |