| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2155 |
| Prevalence of Second Most Common Vertical Interval |
0.1924 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8926 |
| Vertical Unisons |
0.02208 |
| Vertical Minor Seconds |
0.002679 |
| Vertical Thirds |
0.3016 |
| Vertical Tritones |
0.01089 |
| Vertical Perfect Fourths |
0.08625 |
| Vertical Perfect Fifths |
0.1924 |
| Vertical Sixths |
0.1565 |
| Vertical Sevenths |
0.01761 |
| Vertical Octaves |
0.1934 |
| Perfect Vertical Intervals |
0.4941 |
| Vertical Dissonance Ratio |
0.05015 |
| Vertical Minor Third Prevalence |
0.3417 |
| Vertical Major Third Prevalence |
0.363 |
| Chord Duration |
2.18 |
| Partial Chords |
0.5767 |
| Standard Triads |
0.3234 |
| Diminished and Augmented Triads |
0.02272 |
| Dominant Seventh Chords |
0.002272 |
| Seventh Chords |
0.01742 |
| Non-Standard Chords |
0.08254 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2522 |
| Average Number of Simultaneous Pitch Classes |
2.318 |
| Variability of Number of Simultaneous Pitch Classes |
0.6756 |
| Average Number of Simultaneous Pitches |
2.901 |
| Variability of Number of Simultaneous Pitches |
0.9501 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.532 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
36.12 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.167 |
| Stepwise Motion |
0.5758 |
| Melodic Thirds |
0.1228 |
| Melodic Perfect Fourths |
0.05886 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03519 |
| Melodic Sixths |
0.003839 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006398 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.866 |
| Melodic Embellishments |
0.007011 |
| Direction of Melodic Motion |
0.4773 |
| Average Length of Melodic Arcs |
1.803 |
| Average Interval Spanned by Melodic Arcs |
4.573 |
| Melodic Pitch Variety |
4.374 |
| Mean Melodic Interval |
2.047 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4088 |
| Relative Prevalence of Most Common Melodic Intervals |
0.482 |
| Amount of Arpeggiation |
0.3615 |
| Repeated Notes |
0.1971 |
| Importance of Middle Register |
0.7699 |
| Importance of High Register |
0.1358 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.2 |
| Mean Pitch Class |
4.891 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.116 |
| Prevalence of Most Common Pitch Class |
0.1938 |
| Relative Prevalence of Top Pitches |
0.8022 |
| Relative Prevalence of Top Pitch Classes |
0.9803 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.459 |
| Pitch Class Variability |
3.585 |
| Pitch Class Variability After Folding |
3.236 |
| Pitch Skewness |
-0.253 |
| Pitch Class Skewness |
-0.09121 |
| Pitch Class Skewness After Folding |
1.064 |
| Pitch Kurtosis |
5.232 |
| Pitch Class Kurtosis |
4.859 |
| Pitch Class Kurtosis After Folding |
7.095 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.09433 |
| Note Density per Quarter Note |
1.077 |
| Note Density per Quarter Note per Voice |
0.2692 |
| Note Density per Quarter Note Variability |
0.4891 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008923 |
| Prevalence of Medium Rhythmic Values |
0.6291 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8018 |
| Prevalence of Very Long Rhythmic Values |
0.05991 |
| Prevalence of Dotted Notes |
0.07011 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.747 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4308 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6036 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.823 |
| Rhythmic Value Skewness |
1.229 |
| Rhythmic Value Kurtosis |
12.56 |
| Mean Rhythmic Value Run Length |
1.861 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.277 |
| Mean Rhythmic Value Offset |
0.01402 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2521 |
| Complete Rests Fraction |
0.0005591 |
| Partial Rests Fraction |
0.613 |
| Average Rest Fraction Across Voices |
0.2612 |
| Longest Complete Rest |
0.8146 |
| Longest Partial Rest |
65.03 |
| Mean Complete Rest Duration |
0.8146 |
| Mean Partial Rest Duration |
10.64 |
| Median Complete Rest Duration |
0.8146 |
| Median Partial Rest Duration |
4.065 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.17 |
| Variability Across Voices of Combined Rests |
36.44 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6076 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1991 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.052 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8067 |
| Rhythmic Variability - Tempo Standardized |
0.05238 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1569.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.45 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.6998 |
| Variability of Note Durations |
0.4772 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
236.6 |
| Strongest Rhythmic Pulse |
59.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.475 |
| Strength of Strongest Rhythmic Pulse |
0.3033 |
| Strength of Second Strongest Rhythmic Pulse |
0.2662 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.139 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5696 |
| Rhythmic Variability |
0.03864 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
15.18 |
| Duration in Seconds |
370.8 |
| Note Density |
4.231 |
| Note Density Variability |
1.511 |
| Average Time Between Attacks |
0.4615 |
| Average Time Between Attacks for Each Voice |
0.9295 |
| Variability of Time Between Attacks |
0.2375 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.5272 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.1861 |
| Relative Note Durations of Lowest Line |
1.104 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8031 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.06661 |
| Average Number of Independent Voices |
2.97 |
| Similar Motion |
0.1292 |
| Contrary Motion |
0.199 |
| Oblique Motion |
0.6051 |
| Parallel Fifths |
0.006421 |
| Parallel Octaves |
0.002408 |
| Variability of Number of Independent Voices |
0.9444 |
| Voice Equality - Number of Notes |
36.12 |
| Voice Equality - Note Duration |
9.275 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
10.0 |