| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2024 |
| Prevalence of Second Most Common Vertical Interval |
0.1809 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.894 |
| Vertical Unisons |
0.01919 |
| Vertical Minor Seconds |
0.003102 |
| Vertical Thirds |
0.3248 |
| Vertical Tritones |
0.009279 |
| Vertical Perfect Fourths |
0.08908 |
| Vertical Perfect Fifths |
0.2024 |
| Vertical Sixths |
0.1484 |
| Vertical Sevenths |
0.02126 |
| Vertical Octaves |
0.1606 |
| Perfect Vertical Intervals |
0.4712 |
| Vertical Dissonance Ratio |
0.05894 |
| Vertical Minor Third Prevalence |
0.5634 |
| Vertical Major Third Prevalence |
0.469 |
| Chord Duration |
2.473 |
| Partial Chords |
0.3005 |
| Standard Triads |
0.538 |
| Diminished and Augmented Triads |
0.02562 |
| Dominant Seventh Chords |
0.001553 |
| Seventh Chords |
0.01359 |
| Non-Standard Chords |
0.1479 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.009 |
| Average Number of Simultaneous Pitch Classes |
2.69 |
| Variability of Number of Simultaneous Pitch Classes |
0.585 |
| Average Number of Simultaneous Pitches |
3.36 |
| Variability of Number of Simultaneous Pitches |
0.7076 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.207 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
101.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2108 |
| Stepwise Motion |
0.5892 |
| Melodic Thirds |
0.132 |
| Melodic Perfect Fourths |
0.04942 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0471 |
| Melodic Sixths |
0.001544 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01158 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.672 |
| Melodic Embellishments |
0.02694 |
| Direction of Melodic Motion |
0.4833 |
| Average Length of Melodic Arcs |
1.894 |
| Average Interval Spanned by Melodic Arcs |
4.852 |
| Melodic Pitch Variety |
4.513 |
| Mean Melodic Interval |
2.141 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3784 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5571 |
| Amount of Arpeggiation |
0.3598 |
| Repeated Notes |
0.1691 |
| Importance of Middle Register |
0.766 |
| Importance of High Register |
0.02694 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.98 |
| Mean Pitch Class |
5.405 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1001 |
| Prevalence of Most Common Pitch Class |
0.1794 |
| Relative Prevalence of Top Pitches |
0.9538 |
| Relative Prevalence of Top Pitch Classes |
0.9871 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.485 |
| Pitch Class Variability |
3.68 |
| Pitch Class Variability After Folding |
2.919 |
| Pitch Skewness |
0.1928 |
| Pitch Class Skewness |
0.3301 |
| Pitch Class Skewness After Folding |
0.1978 |
| Pitch Kurtosis |
5.334 |
| Pitch Class Kurtosis |
4.773 |
| Pitch Class Kurtosis After Folding |
7.704 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2071 |
| Note Density per Quarter Note |
0.9804 |
| Note Density per Quarter Note per Voice |
0.2451 |
| Note Density per Quarter Note Variability |
0.4155 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00154 |
| Prevalence of Medium Rhythmic Values |
0.4911 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8545 |
| Prevalence of Very Long Rhythmic Values |
0.1309 |
| Prevalence of Dotted Notes |
0.1247 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.358 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3457 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9065 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.281 |
| Rhythmic Value Skewness |
0.4707 |
| Rhythmic Value Kurtosis |
9.605 |
| Mean Rhythmic Value Run Length |
1.575 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.287 |
| Mean Rhythmic Value Offset |
0.154 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.838 |
| Complete Rests Fraction |
0.0006681 |
| Partial Rests Fraction |
0.4434 |
| Average Rest Fraction Across Voices |
0.1381 |
| Longest Complete Rest |
0.8852 |
| Longest Partial Rest |
78.55 |
| Mean Complete Rest Duration |
0.8852 |
| Mean Partial Rest Duration |
7.32 |
| Median Complete Rest Duration |
0.8852 |
| Median Partial Rest Duration |
2.216 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.71 |
| Variability Across Voices of Combined Rests |
64.62 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6371 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1847 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.45 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8218 |
| Rhythmic Variability - Tempo Standardized |
0.05391 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1299.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.34 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
15.52 |
| Average Note Duration |
0.8207 |
| Variability of Note Durations |
0.8115 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
260.1 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.3222 |
| Strength of Second Strongest Rhythmic Pulse |
0.2745 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.174 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5967 |
| Rhythmic Variability |
0.03944 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.0 |
| Duration in Seconds |
309.2 |
| Note Density |
4.201 |
| Note Density Variability |
1.121 |
| Average Time Between Attacks |
0.4595 |
| Average Time Between Attacks for Each Voice |
1.024 |
| Variability of Time Between Attacks |
0.2348 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.3914 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.2094 |
| Relative Note Durations of Lowest Line |
0.9986 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7998 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.03376 |
| Average Number of Independent Voices |
3.446 |
| Similar Motion |
0.1185 |
| Contrary Motion |
0.1753 |
| Oblique Motion |
0.6724 |
| Parallel Fifths |
0.002155 |
| Parallel Octaves |
0.0007184 |
| Variability of Number of Independent Voices |
0.6991 |
| Voice Equality - Number of Notes |
101.0 |
| Voice Equality - Note Duration |
15.08 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
10.0 |