| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2008 |
| Prevalence of Second Most Common Vertical Interval |
0.1783 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8879 |
| Vertical Unisons |
0.008625 |
| Vertical Minor Seconds |
0.003289 |
| Vertical Thirds |
0.3231 |
| Vertical Tritones |
0.0189 |
| Vertical Perfect Fourths |
0.0863 |
| Vertical Perfect Fifths |
0.1783 |
| Vertical Sixths |
0.1235 |
| Vertical Sevenths |
0.0363 |
| Vertical Octaves |
0.1922 |
| Perfect Vertical Intervals |
0.4655 |
| Vertical Dissonance Ratio |
0.09647 |
| Vertical Minor Third Prevalence |
0.4673 |
| Vertical Major Third Prevalence |
0.4696 |
| Chord Duration |
1.886 |
| Partial Chords |
0.3666 |
| Standard Triads |
0.4239 |
| Diminished and Augmented Triads |
0.02743 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01496 |
| Non-Standard Chords |
0.1945 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.297 |
| Average Number of Simultaneous Pitch Classes |
2.565 |
| Variability of Number of Simultaneous Pitch Classes |
0.6648 |
| Average Number of Simultaneous Pitches |
3.327 |
| Variability of Number of Simultaneous Pitches |
0.865 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.074 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
20.48 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2277 |
| Stepwise Motion |
0.6429 |
| Melodic Thirds |
0.1027 |
| Melodic Perfect Fourths |
0.04911 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04241 |
| Melodic Sixths |
0.006696 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01116 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.3 |
| Melodic Embellishments |
0.01991 |
| Direction of Melodic Motion |
0.3969 |
| Average Length of Melodic Arcs |
2.093 |
| Average Interval Spanned by Melodic Arcs |
5.175 |
| Melodic Pitch Variety |
4.782 |
| Mean Melodic Interval |
2.141 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4152 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5484 |
| Amount of Arpeggiation |
0.3013 |
| Repeated Notes |
0.1451 |
| Importance of Middle Register |
0.6416 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.43 |
| Mean Pitch Class |
5.268 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.0885 |
| Prevalence of Most Common Pitch Class |
0.2035 |
| Relative Prevalence of Top Pitches |
0.975 |
| Relative Prevalence of Top Pitch Classes |
0.7609 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
8.806 |
| Pitch Class Variability |
3.499 |
| Pitch Class Variability After Folding |
3.545 |
| Pitch Skewness |
-0.02336 |
| Pitch Class Skewness |
0.2295 |
| Pitch Class Skewness After Folding |
0.7621 |
| Pitch Kurtosis |
5.328 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
5.984 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3584 |
| Note Density per Quarter Note |
1.044 |
| Note Density per Quarter Note per Voice |
0.261 |
| Note Density per Quarter Note Variability |
0.4758 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4823 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7721 |
| Prevalence of Very Long Rhythmic Values |
0.09513 |
| Prevalence of Dotted Notes |
0.0708 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.142 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3673 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6928 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.032 |
| Rhythmic Value Skewness |
0.209 |
| Rhythmic Value Kurtosis |
8.452 |
| Mean Rhythmic Value Run Length |
1.68 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.13 |
| Mean Rhythmic Value Offset |
0.04425 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6231 |
| Complete Rests Fraction |
0.01153 |
| Partial Rests Fraction |
0.4457 |
| Average Rest Fraction Across Voices |
0.1686 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
6.952 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
9.158 |
| Variability Across Voices of Combined Rests |
31.03 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5699 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2236 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.549 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7934 |
| Rhythmic Variability - Tempo Standardized |
0.05069 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
452.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8578 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6637 |
| Variability of Note Durations |
0.4798 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2812 |
| Strength of Second Strongest Rhythmic Pulse |
0.2405 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.169 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5217 |
| Rhythmic Variability |
0.03572 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003872 |
| Duration in Seconds |
90.21 |
| Note Density |
5.011 |
| Note Density Variability |
2.002 |
| Average Time Between Attacks |
0.3679 |
| Average Time Between Attacks for Each Voice |
0.7644 |
| Variability of Time Between Attacks |
0.2291 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.5868 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
0.5841 |
| Relative Note Durations of Lowest Line |
1.065 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.6792 |
| Voice Separation |
7.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.03922 |
| Average Number of Independent Voices |
3.364 |
| Similar Motion |
0.1176 |
| Contrary Motion |
0.148 |
| Oblique Motion |
0.6952 |
| Parallel Fifths |
0.001783 |
| Parallel Octaves |
0.001783 |
| Variability of Number of Independent Voices |
0.8471 |
| Voice Equality - Number of Notes |
20.48 |
| Voice Equality - Note Duration |
6.464 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
10.0 |