| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2263 |
| Prevalence of Second Most Common Vertical Interval |
0.1776 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7849 |
| Vertical Unisons |
0.03321 |
| Vertical Minor Seconds |
0.005003 |
| Vertical Thirds |
0.2947 |
| Vertical Tritones |
0.008543 |
| Vertical Perfect Fourths |
0.09871 |
| Vertical Perfect Fifths |
0.1776 |
| Vertical Sixths |
0.1425 |
| Vertical Sevenths |
0.02608 |
| Vertical Octaves |
0.1931 |
| Perfect Vertical Intervals |
0.5026 |
| Vertical Dissonance Ratio |
0.06397 |
| Vertical Minor Third Prevalence |
0.5922 |
| Vertical Major Third Prevalence |
0.5904 |
| Chord Duration |
2.587 |
| Partial Chords |
0.262 |
| Standard Triads |
0.5265 |
| Diminished and Augmented Triads |
0.0235 |
| Dominant Seventh Chords |
0.002611 |
| Seventh Chords |
0.03742 |
| Non-Standard Chords |
0.1741 |
| Complex Chords |
0.004352 |
| Minor Major Triad Ratio |
1.115 |
| Average Number of Simultaneous Pitch Classes |
2.803 |
| Variability of Number of Simultaneous Pitch Classes |
0.6356 |
| Average Number of Simultaneous Pitches |
3.854 |
| Variability of Number of Simultaneous Pitches |
0.8966 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.56 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
174.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2045 |
| Stepwise Motion |
0.6555 |
| Melodic Thirds |
0.1151 |
| Melodic Perfect Fourths |
0.07543 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04899 |
| Melodic Sixths |
0.005443 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005443 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.289 |
| Melodic Embellishments |
0.01627 |
| Direction of Melodic Motion |
0.4704 |
| Average Length of Melodic Arcs |
1.991 |
| Average Interval Spanned by Melodic Arcs |
5.058 |
| Melodic Pitch Variety |
5.004 |
| Mean Melodic Interval |
2.316 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.451 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4534 |
| Amount of Arpeggiation |
0.2636 |
| Repeated Notes |
0.09409 |
| Importance of Middle Register |
0.5802 |
| Importance of High Register |
0.0007746 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.41 |
| Mean Pitch Class |
5.471 |
| Most Common Pitch |
52.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09605 |
| Prevalence of Most Common Pitch Class |
0.1735 |
| Relative Prevalence of Top Pitches |
0.9677 |
| Relative Prevalence of Top Pitch Classes |
0.9687 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.596 |
| Pitch Class Variability |
3.514 |
| Pitch Class Variability After Folding |
2.96 |
| Pitch Skewness |
0.3763 |
| Pitch Class Skewness |
0.4021 |
| Pitch Class Skewness After Folding |
0.3329 |
| Pitch Kurtosis |
5.409 |
| Pitch Class Kurtosis |
4.887 |
| Pitch Class Kurtosis After Folding |
7.57 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.4191 |
| Note Density per Quarter Note |
1.101 |
| Note Density per Quarter Note per Voice |
0.2201 |
| Note Density per Quarter Note Variability |
0.4829 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4624 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8056 |
| Prevalence of Very Long Rhythmic Values |
0.1588 |
| Prevalence of Dotted Notes |
0.1487 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.569 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.316 |
| Relative Prevalence of Most Common Rhythmic Values |
0.848 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.664 |
| Rhythmic Value Skewness |
0.6412 |
| Rhythmic Value Kurtosis |
8.642 |
| Mean Rhythmic Value Run Length |
1.555 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9743 |
| Mean Rhythmic Value Offset |
0.127 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.969 |
| Complete Rests Fraction |
0.0005435 |
| Partial Rests Fraction |
0.6372 |
| Average Rest Fraction Across Voices |
0.1922 |
| Longest Complete Rest |
0.6375 |
| Longest Partial Rest |
62.28 |
| Mean Complete Rest Duration |
0.6375 |
| Mean Partial Rest Duration |
11.39 |
| Median Complete Rest Duration |
0.6375 |
| Median Partial Rest Duration |
7.714 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.2 |
| Variability Across Voices of Combined Rests |
45.08 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5797 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2136 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.713 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7933 |
| Rhythmic Variability - Tempo Standardized |
0.05112 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1291.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.311 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.92 |
| Average Note Duration |
0.7803 |
| Variability of Note Durations |
0.6611 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
295.9 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.2876 |
| Strength of Second Strongest Rhythmic Pulse |
0.2479 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.16 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5356 |
| Rhythmic Variability |
0.03597 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
70.82 |
| Duration in Seconds |
249.4 |
| Note Density |
5.176 |
| Note Density Variability |
1.468 |
| Average Time Between Attacks |
0.4068 |
| Average Time Between Attacks for Each Voice |
1.01 |
| Variability of Time Between Attacks |
0.204 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5278 |
| Relative Range Isolation of Loudest Voice |
0.6553 |
| Relative Range of Highest Line |
0.5278 |
| Relative Note Density of Highest Line |
0.2556 |
| Relative Note Durations of Lowest Line |
1.026 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.8071 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.742 |
| Parallel Motion |
0.04099 |
| Average Number of Independent Voices |
4.072 |
| Similar Motion |
0.1095 |
| Contrary Motion |
0.1505 |
| Oblique Motion |
0.6989 |
| Parallel Fifths |
0.001344 |
| Parallel Octaves |
0.000672 |
| Variability of Number of Independent Voices |
0.906 |
| Voice Equality - Number of Notes |
63.14 |
| Voice Equality - Note Duration |
9.584 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.924 |
| Importance of Loudest Voice |
8.75 |